By Mary Gillgannon
A few weeks ago, Nora Robert’s book Liar hit the top of the Publisher’s Weekly bestseller list. I was delighted by this news. Since I also write romance, it’s cool to see a romance writer make it to number one. The genre is often disparaged and sneered at, but there can be no doubt romance is hugely popular, accounting for almost 40% of ebooks sold and over 20% of print.
The other reason I felt a kind of personal thrill over Nora’s success is because I once had the opportunity to spend several hours with her and discuss writing. It was at a conference nearly twenty years ago. We were sitting in the lobby with my editor at the time. Nora, who was the keynote speaker, walked by, and my editor asked her to join us. A short while later, my editor left, but Nora stayed and chatted with me and three other “newbie authors” for a couple of hours.
At first the conversation was very general, but it gradually turned to writing. Nora was so gracious and relaxed, my friends and I took the opportunity to glean what knowledge we could from this amazing professional. We asked, of course, how she managed to be so prolific, managing to write six or more books a year, under two names. (And unlike bestseller James Patterson, she writes every word herself.) She talked about her work ethic and “Catholic guilt” and said she writes for several hours almost every day, even when traveling.
Next, we asked about her writing process. You might imagine that someone so prolific would have to plot and outline ahead of time. But Nora’s process is fairly loose. She comes up with an idea and/or characters and starts writing, developing the plot and doing research as she goes along. I asked if she ever got stuck and she said, “All the time.” But then she explained her magic solution: “When you write yourself into a corner, you just have to write yourself out again.” A simple enough sounding technique, but it embodies some very important philosophies: Never giving up and having faith in your story and in your own abilities.
With every book, I write myself into a corner, not once but several times. Early in my career, I would panic when this happened. My confidence in myself and my writing would start to waver. I would worry the book totally sucked and maybe I should abandon it and write something else. (Some books I did abandon, at least temporarily.) But now I know writing is more about persistence than skill or creative brilliance. I also know that if I hit a bump or a rough spot, I have to keep going. If I keep putting words on the paper, the answer to the question—what happens next—will eventually come to me. And I’ll be out of the corner and back on the smooth writing road again. I figure if this technique worked for the 200-plus books that Nora has written, it ought to work for me.