Author Archives: Jeffe Kennedy

About Jeffe Kennedy

Jeffe Kennedy is an award-winning author with a writing career that spans decades. Her works include non-fiction, poetry, short fiction, and novels. She has been a Ucross Foundation Fellow, received the Wyoming Arts Council Fellowship for Poetry, and was awarded a Frank Nelson Doubleday Memorial Award. Her essays have appeared in many publications, including Redbook. Her most recent works include a number of fiction series: the fantasy romance novels of A Covenant of Thorns; the contemporary BDSM novellas of the Facets of Passion, and an erotic contemporary serial novel, Master of the Opera, which released beginning January 2, 2014. A fourth series, the fantasy trilogy The Twelve Kingdoms, hit the shelves starting in May 2014 and a fifth, the highly anticipated erotic romance trilogy, Falling Under, will release starting in July. She lives in Santa Fe, New Mexico, with two Maine coon cats, plentiful free-range lizards and a very handsome Doctor of Oriental Medicine. Jeffe can be found online at her website: JeffeKennedy.com, every Sunday at the popular Word Whores blog, on Facebook, and pretty much constantly on Twitter @jeffekennedy. She is represented by Connor Goldsmith of Foreword Literary.

World Fantasy Con 2014

The Tears of the RoseBy Jeffe Kennedy

Last weekend I attended the 40th World Fantasy Convention (WFC). In fact, I’m writing this post as I fly home, so I’m in that post-conference phase where everything I heard and learned has melted together in my brain.

This was only the second time I attended World Fantasy—the first being two years ago in Toronto. A lot has changed for me in the last two years. Also, I faithfully attend RWA and RT. Those factors and a few others made this a very different conference for me.

As far as comparisons, WFC is much more like RWA. It’s mainly a professional conference, more on the business and craft side and heavily attended by agents and editors. My agent, Connor Goldsmith, attended. He is still fairly new to me and this was the first time we met in person. Happily, we got on terrifically and he did amazing work for me at the conference. Based in New York, Connor already knows the editors—far better than I do. Especially as many of the fantasy editors are not people I’ve met before. With THE TEARS OF THE ROSE coming out in a couple of weeks (11/25!) and with us in talks to add three more books to the series, the timing worked perfectly. Connor is all the outgoing that I’m not and he dedicated himself over the several days to making sure I met everyone he thought I should.
As a result, I spent a lot of time in the bar, with Connor and his agent buddies, which made for a very different conference experience. Two agents I spent a great deal of time with were Jennifer Udden and Amy Boggs, from Donald Maass Literary Agency. Amy reps Thea Harrison and I’ve been glomming her Elder Races series lately, so we had a lot of discussions about the books and the series. Amy is so smart and just lovely to talk with. Jennifer reps more romance along with SFF and she’s a delight. In fact, we’re hoping to have her out to Albuquerque this fall for my local RWA chapter’s conference, LERA’s Enchanting the Page.

Hanging out with the agents and hearing their conversations lends a different perspective, as they reported back to each other what editors were saying, which pitches they received well and what they just did not want to hear. Over and over I heard them saying the editors pretty much cut short any pitch involving paranormal romance or urban fantasy. Conversely, they all wanted epic fantasy. As we all know, this could change in six months, but that’s where things stand now.

Just saying.

Other than that, I attended my first SFWA business meeting and worked the SFWA informational table. I met so many people I’d only talked to online and I’m happy to report that everyone was welcoming, inclusive and generally delightful. I made new friendships and I’m coming home eager to volunteer to support the organization.

I give WFC a big thumbs up as a professional writers conference. Next year it will be in Saratoga Springs, so still in the US. (They’re talking Helsinki after that, so this is a good opportunity to avoid the international travel ticket.)

Anything I left out? I’m happy to answer questions in the comments!

(P.S. I just landed in Dallas to find out that the RT Reviewers Choice Awards Nominees were announced and THE TEARS OF THE ROSE has been nominated for best Fantasy Romance and THE MARK OF THE TALA for Book of the Year. WOW. I’m just thrilled and verklumpt.)

The Intangible Benefits of Having a Traditional Publishing Family

Rogue's Paradise
By Jeffe Kennedy

I’ve worked with a number of editors over the years. Many of them were one-night stands – especially back in my younger days, when I wrote mainly essays and played the magazine market. While I mostly enjoyed those passing encounters – though a few were blind dates that I couldn’t wait to put behind me – I’ve discovered the joys of the long-term relationship.

I’m in a monogamous three-way these days. I work with two editors on my novels and I’m faithful to them. At least for the time being. One, Deb Nemeth, my Carina Press editor, I’ve been with since 2011. We just completed the Covenant of Thorns trilogy with Rogue’s Paradise. And we are putting to bed the eighth book we’ve worked on together. I won’t pretend it’s always been hearts and flowers. The beginning wasn’t a honeymoon. She put me through two revise and resubmits, made me work to win her heart. Now we’re committed to each other with legal contracts. We’ve learned to work through the rough times, to remember to add compliments along with criticism, to take some time away before disagreeing.

I admit I felt a little guilty when I started seeing another editor, too. I didn’t want Deb to feel slighted or that she wasn’t enough for me. I needed to branch out, be with other publishers. Fortunately she understood that and now I’ve been with my Kensington editor, Peter Senftleben, for two years now. He’s a different editor than Deb is, which brings stimulating variety to my life. He has his own quirks I’ve learned to accommodate and he mine. We’re working on our fourth book together and each time just gets better.

It’s not always easy, juggling two marriages like this. I sometimes have to ask – with some chagrin – if they’re the one who prefers I just accept line edits in Track Changes or to comment them out. They know about each other and, when I see them respond to the other’s tweets, I often find myself smiling at the warm feeling that inspires. I don’t think they talk about me, but I wouldn’t mind if they did. After all, it’s only fair.

I like having these two people as partners in my publishing life. They shore me up and keep me honest. It feels good to me to be part of a family. And it occurs to me that self-publishing with its wealth of possibilities – which I’ve taken advantage of with some of my back list – is a lot like single parenting. Sure you can hire help, much like a single parent can get day care, and there’s a lot more freedom, but it’s a lot of work, too. I really admire the people who can carry it off, like my best friend and crit partner, for example.

But I do think this is something that writers should factor in when considering whether to go indie. For me, having this publishing family means a great deal. It’s worth it to me to sacrifice some independence and financial gain to have it. I know not everyone needs that. At this time in my live, however, I know I do.

Back Off, Man – I’m a Scientist!

Rogue's ParadiseBy Jeffe Kennedy

This is release week for Rogue’s Paradise, the third book in my Covenant of Thorns trilogy. The first book, Rogue’s Pawn, came out just over two years ago, in July of 2012. It was the first novel I wrote and first published – which took a long time, as the genre of Fantasy Romance wasn’t as well known when I first started shopping it. So, this feels like the end of a long adventure for me.

Or, maybe more accurate, a lovely stopping-off point to catch my breath and enjoy the view.

As the last two years have passed, the series has slowly gained readers, largely by word of mouth, which has been interesting to observe. One thing that struck me over time was the consistent misinterpretation people made.

I’d describe the book – or series – as being about “a scientist is trapped in Faerie.” If their eyes didn’t glaze over or roll, I’d go on to explain about the magic, the struggle to gain power and control, the bargain to bear a firstborn child for Rogue, a fae lord. At this point, far more people than I imagined would furrow their brows and say “firstborn child? How can he have a baby?”

See, they heard “scientist” and thought “male.”

It was funny to me, because it had never once occurred to me that people would have that problem. To me, the books were obviously heroine-centric – written in 1st person POV – so when I described the plot in terms of what happened to my scientist, I figured people would know that was my heroine. I might have made the implicit assumption, too, that of course people would recognize that my scientist was a woman because I, myself, am a female scientist.

Alas, no.

Still, it’s been instructive. And a great adventure.

If you’re interested in checking out the trilogy, you can enter to win any of the books over at one of my other group blogs, Here Be Magic.

Wrapping Up a Trilogy

By Jeffe Kennedy

Rogue'sParadiseA couple of weeks ago I was privileged beyond belief to hear one of my longtime heroes speak – fantasy writer Stephen R. Donaldson. He read and discussed his lifetime of work at Bubonicon.

I also got to be a guest author at the same event, making it all that much more tingly.

I started reading Donaldson when I was an adolescent and voraciously consumed anything fantasy. Well, really, any books at all. But I was tremendously keen on Anne McCaffrey, who I’d discovered on the library shelf. Looking back, it’s pretty clear that my family members must have gone into bookstores and said what I liked, and the savvy booksellers said things like, “Here, buy her the Thomas Covenant trilogy.” (Which is as many as he’d written back then.)

This was a bit scattershot because, as any of you know who’ve read both that series and The Dragonriders of Pern, there’s quite a large gulf between the two. In fact, I really struggled with Thomas Covenant. I just hated the protagonist and had a hard time understanding the story. This was long before the interwebz and nobody else I knew read those books, so it was only many years later that I found out that everyone struggled with disliking that protagonist. And that the books had very likely been too advanced for even my precocious 12 year old brain.

Then I discovered Mordant’s Need. I’d grown up a bit and, best of all, the protagonist was a woman. Not many fantasy and sci fi books had women as central characters back then. I know because I searched most of them out. Even the prolific Anne McCaffrey couldn’t write as fast as I could read. I branched into other genres and discovered romance, which always featured strong focus on the female characters. But the two Mordant’s Need books, The Mirror of Her Dreams and A Man Rides Through, gave me a very interesting, believable heroine and all the thrilling worldbuilding of the best fantasy.

I got to tell Stephen Donaldson this very thing, face to face, lo these many years later. And he smiled, being a delightful person and replied, “I always thought I should have gotten more credit for that.”

Indeed he should.

He also talked some about what it’s like to end an epic series. The Thomas Covenant Chronicles finally wound up at ten books. He gave this terrific analogy of how it felt, as if he’d been gutted. That, on one level, he knew he’d finished, but he also went about in a daze for a long time, unable to fully process that fact. The reality of it only hit him much later, when he started functioning as a human being again.

Only he said it much better.

It made me feel much better, because – in my own small way – that’s exactly what I’ve gone through in finishing up my own covenant books. Rogue’s Paradise, the third book in my Covenant of Thorns trilogy, comes out September 8. And it feels like this very strange concatenation of events that I met Donaldson at this time, with my series having this completely unintentional name-parallel to his, as it’s culminating what has easily been a ten-year journey.

From writing the first book, Rogue’s Pawn, which was the first novel I ever wrote, which took years and tears to sell, which finally came out in July of 2012, to this moment – seeing the final book hit the shelves – feels like the conclusion of a long journey.

One I have very mixed feelings about.

Because, here I sit, thinking that maybe I’m not done with that world. That, though finishing that third book left me hollowed out and like the walking dead for some time, I want to do more with my characters and that world.

I understand how Donaldson ended up writing ten of them.

And I only hope I should be so lucky and maybe live up to the example set by my hero.

The Perils of Writing Tribute Characters

Going Under CoverBy Jeffe Kennedy

My new novel-length erotic romance, Going Under, comes out on Monday, so I’ve been doing a lot of interviews and so forth, getting ready for that promo push. One question I get a lot is whether I’ve based my characters on anyone real, or who I know.

I try to give this a thoughtful answer, because I understand that readers are really interested in this idea. Characters feel real to us, so we always wonder, on some level, if they somehow are real. So I don’t give them my immediate, heartfelt answer.

NO.

Never.

No way.

Not that I feel strongly about this or anything…

Okay, I do. I feel strongly about anything that gets in the way of the story. In my mind, the story should always reign supreme. All decisions should be about whether or not [X] makes the story better. While I suppose it’s possible to base a character on a real person and still make decisions based on the betterment of the story, I think this is akin to getting back together with an old lover and kidding yourself that what happened to break you up before doesn’t matter.

It’s not really about what you’re thinking now, but about all that emotion underneath, driving you when you’re not really aware of it.

See, truly basing a character on a real person is nearly always driven by the desire to somehow memorialize that person, or otherwise work out persistent emotions tied to them. Usually intense ones. I’ve had several author friends who’ve wanted to do this – usually for someone close to them who died – and it just never works out well. The need to “serve” that person bogs down every other choice. Decisions are no longer about what’s best for the story, but about that person.

Worse, it just never works out. Because, really, it’s impossible to fully memorialize a complex human being by turning them into a character. No matter our characterization skills, no matter the nobility of the motivation, a character in a book can never be as fully realized as an actual human being. We’ll always fall short in some way.

Then both the effort and the story have suffered.

For me, characters come together more like Method actors do it – by drawing on fragments of my own experiences. In this way, we can access pieces of people we know, pulling in those traits, thoughts, experiences or moments that we hold precious. But then the character becomes someone new, someone who is no longer that tribute character we tried to resurrect in fiction.

Better that they rest in peace.

Author Services – Watching Out for the Predators

The Mark of the Tala by Jeffe Kennedy

This is my big excitement for the week – a friend spotting my new book in Minneapolis-St. Paul, right next to Guy Gavriel Kay. Funny how these little joys make it all so fun.

Because, we all know that getting our books published and out there doesn’t always bring joy and fun. Far from being the Golden Ticket that transforms our lives and brings us Eternal Happiness, publication brings a new set of problems. Once we get over the shock of this revelation, it makes total sense. After all, life is like this. Any grown-up knows it. Each new step, every new phase brings its own joys and sorrows. The trick is to manage the sorrows and savor the joys.

One of the biggest discoveries that publication brings to most is that it doesn’t pay all that well. Especially to begin with.

It’s part of the mythology of the author – that it’s a career guaranteed to bring in wealth. Maybe we believe this because we hear the book deal numbers for those high-profile authors. We see the JK Rowlings, the Stephenie Meyers and the James Pattersons making literal fortunes and extrapolate that to all writers. Again, once we get a grip on the reality, it makes total sense. Really in no profession does anyone make the CEO salary when they’re at entry level. Any grown-up knows this. We figure out how to manage our expectations and move on.

What’s difficult to manage is the expectations of other people. Especially the predators and parasites.

I’m seeing more of them than ever. I think this is because of the boom in self-publishing, with so many high-profile voices publishing their sales figures, trumpeting their financial success. (How prevalent that success is would be a whole ‘nother discussion. Suffice to say, I think a small percentage still makes the really high dollars.) Like coyote populations expanding after a boom in bunny rabbit births, like mushrooms after a rainy summer, “Author Services” are popping up everywhere.

I can think of five people offhand who’ve started businesses as author assistants or ebook formatters in the last six months. Several times a week – sometimes several times a day – I receive “offers” for some kind of service meant to help me write or sell books. I see notices of new followers on Twitter that are book publicists, publishers, cover designers, author assistants – you name it.

I’m not saying this is a bad thing.

But I think it’s not always a good thing, Certainly not for all authors.

Sure, it’s great that these services are out there, if you need them. If you can afford them. But there’s increasing competition for the prey. Once there are more coyotes than the bunny population can sustain, the coyotes start to get hungry. These folks are getting hungry. Which means they need to convince more authors that their services are not only necessary, but crucial to success.

They can instill panic. DO THIS OR YOUR BOOK WILL FAIL.

I’ve seen it.

So, my point is – beware of author “services.” They might be very nice people, with great stuff to offer, but you’re not necessarily their cash cow. They figure you can afford it. That you are the wellspring of wealth, with so much that it could spill over onto them. Most of us – particularly early in our careers – simply can’t afford that outlay. Most of us have day jobs for that reason. If you can’t afford it, don’t feel pressured into ponying up for it.

Services are lovely to have and they can help us out. But they’re luxuries, not necessities.

The RT Booklovers Convention – Why You Should Be There

The Mark of the Tala

The Mark of the Tala (The Twelve Kingdoms #1) Out May 27!

By Jeffe Kennedy

Today is the opening day of the RT Booklovers Convention, taking place in New Orleans this year.

And yes – I’m there! The question is, why aren’t you?

I’m guessing you’ll say “because I don’t write romance.” I’ve been hearing this a lot lately, on various forums. Usually framed in terms of “While I have romantic elements in my books, I really write more fantasy/science fiction/mystery/suspense/horror, so it’s not a good convention for me.”

But that’s where people have it wrong.

Yes, RT Book Reviews and the reader convention they sponsor, started out life as the Romantic Times Magazine. However, several years ago they rebranded to simply “RT” to convey that they review, spotlight and promote far more than romance. In the magazine’s genre index, you can see that they review books in 16 genres – only 4 of them romance.

They reviewed my May fantasy release, The Mark of the Tala, gave it the highest number of stars and a “Top Pick!” (The online listing is delayed several months after the paper magazine comes out, so it’s not web-accessible yet.) This is a huge boost for this book, and my new series, as they’ll feature and promote it.

The convention itself is huge, attracting enthusiastic readers from all over – including internationally. Booksellers and librarians attend, as do foreign rights buyers. A giant book fair and FAN-tastic day parties on the weekend are thrown open to the public. Publishers sponsor events, too. Among other things, I’ll be riding on a float in a parade, helping man a Bananas Foster dessert station at Pat O’Briens during the Pub Crawl, and cavorting at the Harlequin Dance Party.

There are also plenty of editors and agents in attendance, for those writers aspiring to find new opportunities.

All in all, it’s a terrific convention for meeting readers, networking with industry professionals and having fun with fellow authors.

Something to think about for next year!

 

~~~~~~~~~~~~~~

Jeffe Kennedy is an award-winning author with a writing career that spans decades. Her works include non-fiction, poetry, short fiction, and novels. She has been a Ucross Foundation Fellow, received the Wyoming Arts Council Fellowship for Poetry, and was awarded a Frank Nelson Doubleday Memorial

Award. Her essays have appeared in many publications, including Redbook.

Her most recent works include a number of fiction series: the fantasy romance novels of A Covenant of Thorns;  the contemporary BDSM novellas of the Facets of Passion, including the newest, Five Golden Rings, which came out as part of the erotic holiday anthology, Season of Seduction, in late November; and a  contemporary serial novel, Master of the Opera, which released beginning January 2, 2014. A fourth series, the fantasy trilogy The Twelve Kingdoms, will hit the shelves starting in May 2014. A spin-off story from this series, Negotiation, appears in the recently-released Thunder on the Battlefield anthology.

She lives in Santa Fe, New Mexico, with two Maine coon cats, a border collie, plentiful free-range lizards and a very handsome Doctor of Oriental Medicine.

Jeffe can be found online at her website: JeffeKennedy.com, every Sunday at the popular Word Whores blog, on Facebook, and pretty much constantly on Twitter @jeffekennedy. She is represented by Pam van Hylckama Vlieg of Foreword Literary.

Meet Kerri Buckley, Carina Press Editor

As part of our series to introduce everyone to our Colorado Gold Conference guests, I caught Carina Press editor Kerri Buckley for an informal chat.

Jeffe: Hi Kerri! Thanks for being here on the RMFW blog today!

Kerri: And thanks so much for having me. I’m getting so excited for the conference!

Jeffe: So are we!

Jeffe: I know that you’re an editor at Carina Press, but what IS your job exactly?

Kerri: Heh. You won’t be able to see it in the log of this conversation, but there was just a loooong pause on my end.

Jeffe: lol

Kerri: So I am an in-house editor at Carina Press—the first one, under Editorial Director Angela James. This means that I acquire and edit books for the Carina Press line. I work across genres and average 2-3 titles a month, publication-wise. That’s my primary role. Beyond that, because I am in-house, I also do things like sit on the acquisition board where we review and evaluate projects. I work with marketing, publicity, sub rights, PR, and production on a daily basis. I write a lot of back cover copy. All to build our authors, position them correctly, and keep growing the line!

Jeffe: And, though you’re newish to Carina, you’re not new to the industry, right?

Kerri: Correct. I’ve been in publishing for what seems like forever, lol. I started as an intern at The Feminist Press (@CUNY) when I was in college and then was accepted into Random House‘s Associates Program when I graduated—that’s like a post-grad year in publishing. (But they pay you!) From there, I became an editorial assistant at Bantam Dell and stayed at Random House, in one imprint or another, for the next 8 years. I joined Carina in May of 2013.

So, full disclosureI took what I call “a sabbatical” from publishing after those 8 years at Random House. I wrote copy, I traveled a lot, I dabbled in some other industries. But I knew it wasn’t right. I knew I needed to come back to books…eventually.

AND! While I was gone? The landscape changed pretty dramatically. It was clear to me that digital was the place to be. It was an area I hadn’t really worked in before, but when I started to look around and see what was working, who was growing—I saw I needed to be in digital.

So that’s where I started, as I was looking and formulating a re-entry plan.

Jeffe: I love that – “a re-entry plan,” like you were out in orbit, returning to Earth.

Kerri: That Carina was hiring at that time was the luckiest thing that ever happened, actually. And that I loved their/our editorial? Fated? Mebbe.

Carina was the first digital-first line to come from a major house. They were AHEAD of the game and so already working when others were still sort of getting set up. I’m adventurous but I’m not crazy. I wanted to go with the winner.

Jeffe: What a great story!

So, why do you come to conferences like Colorado Gold?

Kerri: Personally? I love the atmosphere of cons. It’s like spending a few days among your truest people.

Professionally? Attending cons like Colorado Gold is a HUGE part of Carina’s business plan. It’s an opportunity to find brilliant new writers, a chance to explain who we are and what we do to an audience that’s interested. The author experience is #1 to us, and that experience often starts with an initial meeting—at a conference.

Jeffe: You really DO want to meet and talk to authors?

Kerri: Oh, I do. I actually love pitch sessions. Can’t get enough of them, seriously. It’s exhilarating for me. Kind of like speed dating. I’m always expecting the next pitch to be THE ONE.

Jeffe: Like falling in love?

Kerri: Exactly.

And there are always at least a few crushes.

But also in an informal setting…a lot happens at conferences. Wine is ingested. Ideas are shared. Introductions are made. It’s energizing!

Jeffe: We always hear the stories about the manuscript slid under the bathroom stall door – is that real?

Kerri: That has never happened to me. I kind of wish it had.

Jeffe: I’ve often wondered if that’s an urban myth.

Kerri: On the other hand, there are some VERY, VERY successful books that have come out of conferences.

Jeffe: In fact, Kat Latham who just got nominated for a RITA for her Carina book pitched at a conference.

Kerri: Sure did. Isn’t that exciting?

Jeffe: Very exciting—so happy for her and Eleri Stone, our other Carina RITA finalist! Okay, so be honest – because this is confusing for writers – how should people talk to you, outside of pitch sessions?

Kerri: It must be confusing!

Jeffe: Nobody wants to do the wrong and horrible thing, you know?

Kerri: Yes, for me PERSONALLY it is absolutely okay to come and chat outside of pitch sessions. I just ask that we stick to the general rules of society.

If I’m in the middle of a conversation…maybe wait until I’m done?

If I’m clearly running somewhere frantically (this happens a lot—watch out!) maybe try and catch me later?

Other than that, fair game. I’m a talker.

Jeffe: That’s great to know!

Kerri: Oh, I will offer a tip, actually.

Jeffe: We love tips!

Kerri: And this applies to cons in general. Having an “elevator pitch” about your book is enormously useful. Not a script—I don’t want to talk to a robot—but just a 2-3 minute nutshell description of what you’re working on, why it’s awesome, why you love it.

Jeffe: Often the advice is to memorize your pitch.

Kerri: For a formal pitch session, okay, that works, but for the on-the-fly convos? I don’t want to hear your pitch. You should have signed up for a pitch if you wanted to play that way. I want to *talk*—but also to understand pretty easily what you’re working on.

Jeffe: Fortunately talking about books is our favorite thing!

Kerri: me too!

Jeffe: The conference is six months away—what can writers be doing between now and then to prepare?

Kerri: Keep working on your WIPs, so you’ve got the best possible version in your mind that weekend.

Jeffe: Do they HAVE to be totally done by then?

Kerri: They do not. I will say that when we’re considering work by a new author, most of the time we will want to review a full manuscript. So we might talk about it in Colorado, but I’ll ask for you to hold off sending until you’ve got a full.

Jeffe: Do you ever give feedback in pitch sessions, about how the story might be improved?

Kerri: Yes, all the time. And I try to be nice about it.

Jeffe: I’m sure you are – I can’t imagine you being mean.

Kerri: Oh, I’m a softie. But I can imagine being on the other side of that table. Who wants to hear the editor lady say they got something wrong? No one. So generally what I’ll do is ask you a bunch of questions—why’d heroine do this? What’s hero’s motivation? HOW DOES IT END? And then I’ll throw out a few ideas.

Jeffe: Do you ever talk about a book being in a dead genre?

Kerri: Genre is a tough conversation to have. Although I’ll never say one is “dead”—just maybe… “not on the upswing right now.”

Everything in publishing is cyclical. Look at Romantic Suspense! It was “not on the upswing” for a couple years—now back with a vengeance. In fact, we’re looking for a series to build at Carina .

Jeffe: Very exciting news for the RS authors out there!

I know you have your wish list, as all the Carina editors do, but is there anything you’re really hoping someone will pitch?

Kerri: Yes. I have a few updates to that wish list.

a) An Army Wives-style drama with *multiple* romantic arcs—Contemporary, please. I have been dying for this. b) Multicultural or PoC (Person of Color) New Adult.

c) I’m a total Eastern Europe nerd and I’ve been searching for THE Russian- or Polish-set novel for what seems like half my career. Could be mystery, could be contemporary, could be Romantic Suspense.

Jeffe: So, Carina is a Harlequin imprint—do the books have to be romance?

Kerri: No, they do not.

We publish mystery, crime, scifi, fantasy, action/adventure. We do not require genre fiction books such as mystery, science fiction, and fantasy to have romantic elements. We read, acquire and publish nonromance with no romantic elements, as well! If you have a mystery, science fiction or fantasy manuscript that has no romantic elements, we want to see it.

What we are not publishing, because there are other imprints at Harlequin who do, and because every imprint needs to have a focus: thrillers, horror, women’s fiction, faith-based or inspirational fiction, nonfiction.

Jeffe: Lots of opportunities for our fiction writers, it sounds like!

Kerri: Indeed.

Jeffe: Anything else you want people to know?

Kerri: I will add that mystery, in particular, is an area we are focusing on for growth in 2014-2015.

Jeffe: Any particular kind of mystery?

Kerri: Oh, everything from cozy/amateur sleuth to high-octane. Personally, I tend toward the offbeat. I like quirky PIs, cranky cops, wackadoo agents—character-driven mysteries, I suppose you could say.

Jeffe: Sounds great!

Kerri: I think so. It’s a fun hunt.

Thanks so much for taking the time to give folks a sneak-peek for the Colorado Gold Conference, Kerri! I’m sure everyone will be excited to meet and talk with you there.

Work Management

I started off my February post here by mentioning I’d been busy lately. In fact, I had to check because I started off this post in almost the exact same way.

Oops.

However, it’s less me running in the same rut than that things haven’t really let up yet. Happily, last Friday I finished the draft of Rogue’s Paradise, which is due to my editor 3/15. It’s out with the crit partners (CPs) right now. Once I finished that, I turned to line edits on Going Under. My editor asked for those by 3/9 and I negotiated for 3/12. Those are almost done and need just one more pass – something I’ll do as soon as I complete this post. Then I’ll turn to polishing Rogue’s Paradise, using the approach I detailed in my November post, Easy Steps to Polish that Draft, and incorporating comments from my CPs.

Amusingly (and with perfect timing), another editor sent the developmental edits for The Tears of the Rose, that second Twelve Kingdoms  book I mentioned in that polishing post – and those arrived Friday afternoon, hours after I finished Paradise. (I was dreading the eventuality that those edits would arrive before I had the opportunity to clear my head space of these other two books.) The other aspect of this auspicious timing is that I can do the edits on Tears and then go straight into writing book 3 of that trilogy, The Talon of the Hawk, which is due 6/1.

Thankfully, also, the sixth and final episode of my serial novel, Master of the Opera, comes out 3/20 – so my promo efforts for that will be over. Gives me a bit of breathing room before the 5/27 release of the first Twelve Kingdoms book, The Mark of the Tala.

See what I mean?

But I took the weekend to chill. We drove to Tucson for my mother’s birthday and I spent a lot of time hanging out, chatting, and reading for pleasure. My mom worried that I was tired and I was. But the rest helped and now I’m ready to get back at it. She wanted me to take it easier than I am.

I can’t.

That’s the thing about deadlines. If you don’t work on stuff, it doesn’t go away. It just stacks up and makes the work even more difficult later. Yes – in the future I’ll make sure not to stack my writing deadlines together so tightly. For now, however, I need to get through them, and keep myself sane and healthy while doing so.

My husband pointed out to me that the issue isn’t time management. Earl Nightingale takes the position that the concept of “time management” is worthless because time is beyond our control. Time flows as it flows, whether we attempt to manage that or not.

What IS within our control is the work we do. That is, I need to manage the work within the time that I have. One solution, I’ve decided, with the man’s input, is to resist the urge to multitask. One thing at a time. And when I rest, I rest. An hour or two of solid relaxation is far better than five hours of working social media while answering emails and watching a movie.

That’s my plan. Anyone else have good suggestions for work management?

~~~~~~~~~~~~~~~~~~~~~~~~~

Jeffe Kennedy is an award-winning author with a writing career that spans decades. Her works include non-fiction, poetry, short fiction, and novels. She has been a Ucross Foundation Fellow, received the Wyoming Arts Council Fellowship for Poetry, and was awarded a Frank Nelson Doubleday Memorial

Award. Her essays have appeared in many publications, including Redbook.

Her most recent works include a number of fiction series: the fantasy romance novels of A Covenant of Thorns;  the contemporary BDSM novellas of the Facets of Passion, including the newest, Five Golden Rings, which came out as part of the erotic holiday anthology, Season of Seduction, in late November; and a  contemporary serial novel, Master of the Opera, which released beginning January 2, 2014. A fourth series, the fantasy trilogy The Twelve Kingdoms, will hit the shelves starting in May 2014. A spin-off story from this series, Negotiation, appears in the recently-released Thunder on the Battlefield anthology.

She lives in Santa Fe, New Mexico, with two Maine coon cats, a border collie, plentiful free-range lizards and a very handsome Doctor of Oriental Medicine.

Jeffe can be found online at her website: JeffeKennedy.com, every Sunday at the popular Word Whores blog, on Facebook, and pretty much constantly on Twitter @jeffekennedy. She is represented by Pam van Hylckama Vlieg of Foreword Literary.

Why Time Off Isn’t Time Lost

Literary Agent, Pam van Hylckama Vlieg, writing, writers life, publishingby Jeffe Kennedy

I’ve been pushing hard lately.

“Lately” meaning about the last year and a half. I’ve talked about it a fair amount on my personal blog and on a panel or two. Mainly what happened was that I signed with an agent, who was fabulous enough to get me several book deals, and I ended up scheduling myself with a novel deadline about every three months.

What with a full-time, career-type job, it’s been a bit tight.

Not that I mind! My new mantra is “Good Problems To Have.”

*goodproblemstohave* *goodproblemstohave* *goodproblemstohave*

What it’s meant for my daily life is that I’ve been writing in the neighborhood of 2,000 words a day. In 2013 I wrote just shy of 500,000 words. 2,821 words short, to be exact. Which kind of burned my ass to miss that milestone by so little, but my stepson got married on New Year’s Eve and I needed to be part of that.

And, really, it didn’t matter. My overall effort mattered. A round number is prettier, but ultimately meaningless.

The last ten days have been a mess for me. I traveled for my day job to do a weekend-long training session. Very intensive, no time to write. I was able to get through the galley proofs of my book coming out in May, The Mark of the Tala, but that was pretty much it. Upon my return, I got hit with developmental edits for Going Under, the first book in my new erotic romance trilogy. As we all know, editing is nothing like producing word count.

Then my agent, Pam van Hylckama Vlieg, pictured above on the left with my friend, aspiring writer Anna Philpot, came to visit for four days. She spoke to my local RWA chapter in New Mexico. We had a great time and had many excellent conversations about trends in the industry and my career, all important stuff.

But I got nothing done. Nothing *writing* done, that is.

So, today I’m back at it, staring at the next novel deadline of March 15. On one hand, it feels like I lost time. My spreadsheet certainly thinks so, with my blinking counter showing me I’m over a week behind on my predicted progress. On the other, however, I’m feeling rejuvenated.

It’s counter-intuitive, because I’ve been going pretty much non-stop. The key, however, is that I haven’t been drafting. I’ve been learning new things and talking to people, going to fun places and *gasp* socializing.

Turns out it was good for me.

While my spreadsheets and I tend to believe that real progress is measured only by those steadily increasing word count numbers, that’s simply not true. Many steps forward are intangible and can be measured only by the long-term results. That training for the day job gave me a certification for instructional design that I can use for teaching writing workshops, too. Spending that extensive time with Pam has given me much food for thought and a better idea of how to chart my future.

Time well-used.

~~~~~~~~~~~~~~~~~~~~~~~~~

Jeffe Kennedy is an award-winning author with a writing career that spans decades. Her works include non-fiction, poetry, short fiction, and novels. She has been a Ucross Foundation Fellow, received the Wyoming Arts Council Fellowship for Poetry, and was awarded a Frank Nelson Doubleday Memorial

Award. Her essays have appeared in many publications, including Redbook.

Her most recent works include a number of fiction series: the fantasy romance novels of A Covenant of Thorns;  the contemporary BDSM novellas of the Facets of Passion, including the newest, Five Golden Rings, which came out as part of the erotic holiday anthology, Season of Seduction, in late November; and a  contemporary serial novel, Master of the Opera, which released beginning January 2, 2014. A fourth series, the fantasy trilogy The Twelve Kingdoms, will hit the shelves starting in May 2014. A spin-off story from this series, Negotiation, appears in the recently-released Thunder on the Battlefield anthology.

She lives in Santa Fe, New Mexico, with two Maine coon cats, a border collie, plentiful free-range lizards and a very handsome Doctor of Oriental Medicine.

Jeffe can be found online at her website: JeffeKennedy.com, every Sunday at the popular Word Whores blog, on Facebook, and pretty much constantly on Twitter @jeffekennedy. She is represented by Pam van Hylckama Vlieg of Foreword Literary.