Magic-Wand Words

Remember the Disney production of Cinderella, when the good witches waved their magic wands of blue, red and green? Their glitter flowed like Fourth of July sparklers, creating magic.

That’s what my blog is about this month—the magic that happens with words. In an entire novel, only a few or at most several dozen of them may appear. When they do, they connect us to the characters, embed us more deeply in the setting and emotions of the scene, and increase our enjoyment and understanding of the story. They linger in our memories.

These are a few of my favorite magic-wand words. Enjoy! May these words that so inspired me also inspire you to dig deeper in your creative reservoir. May your current work in progress sparkle!

Nora Roberts, Spellbound:  

… an exquisite simile

And she was there, just there, conjured up out of storm-whipped air. Her hair was a firefall over a dove-gray cloak, alabaster skin with the faint bloom of rose, a generous mouth just curved in knowledge. And eyes as blue as a living star and just as filled with power.

Nora Roberts, Public Secrets

... another one

She would remember the feel of the air against her face, air so moist from the sea it might have been tears.

 Nora Roberts, Sanctuary

… a character-enriching analogy

She walked to the water’s edge, let the surf foam over her ankles. There, she thought when the tide swept back and sucked the sand down over her feet. That was exactly the same sensation he was causing in her. That slight and exciting imbalance, that feeling of having the ground shift under you no matter how firmly you planted your feet.

Katie Schneider, All We Know of Love  

...melding scene and character

The clouds are pulled thin like cotton. I understand how they feel, out in the middle of nowhere, unsure of quite where they’re heading.

Laura Kinsale, Flowers from the Storm

…skillful use of the senses

“I saw you in India.” Mrs. Humphrey had about her the slightly sour tang of an unchanged baby. “You took my clothes off.”

…expression of fury, revenge, stunning rhythm and great example of back-loading

He thought of the look on the Ape’s face, the relish of terror, the time it would take; he’d once seen two men hanged and quartered—the expression of the second condemned traitor as he watched the executioner cut down and butcher the first: that was the fear, that was the struggle, the prolonged kicking and spasms, that was the cringing, weeping, purple-faced, swollen-tongued, bloated sickening twitching entrails-sliding agony he was going to inflict.

Mary Jo Putney, Loving a Lost Lord

…fresh imagery

He wouldn’t need her, and that was as it should be. … When she was old and gray, the time she had known Adam would be the merest ripple in the lake of her life.

Annie Proulx, Close Range-Wyoming Stories

This passage slams the reader into the scene

“Hey, you’re old enough almost a be my grandmother. I rather eat rat jelly than—”

But he was edging closer and Mrs. Freeze saw his trick and the red-flushed neck swelled like that of an elk in mating season, the face beaded with desperate sweat.

...succinct characterization

“Think about it, give me a call.”

“I don’t need a think about it,” said Mrs. Freeze. She dropped the cap of the whiskey bottle, kicked it under the chair. She didn’t need that, either.

Larry McMurtry, Lonesome Dove

Memorable, humorous, backloading

“I don’t know where you keep finding these Mexican strawberries,” he said, referring to the beans. Bolivar … mixed them with so many red chilies that a spoonful of beans was more or less as hot as a spoonful of red ants.

Barbara Bretton, Just Like Heaven

…exquisite rhythm and backloading

…she clung to his shoulders so she wouldn’t slide off the face of the earth and into some vast unknowable universe of shooting stars and fireworks and whispered warnings that some things are too good to be true.

Jacquelyn Michard, A Theory of Relativity

…another memorable simile

He had never been able to think of that except as “innocent,” as guileless and tender as a childhood Christmas.

Tina St. John, Lord of Vengeance

...word choices

The answer came swiftly, softly at first, a dark whisper that curled around him, anchoring his soul to the earth with shadowy tethers.

---

I hope you've enjoyed these magic-wand words. If you have some to share, please do!

 

Advertising Secrets from RMFW authors

“Last chance! Secrets from Media Guru!”

“Sell Hundreds of Books Now!”

“Optimize social ads!”

Like cheap paper fliers of yore, these headlines fill your email inbox.

We all want publishing success, hoards of fans and yes! More than moderate fame. Some of us have been published traditionally and not found that hoped-for, instant success. Others have either refused the traditional route, or have kinked our necks on the gatekeeper ceiling and answered the Indie Call. All of us want to sell more books.

Somehow, in the big bubble gum baby maker in the sky (thank you, Garrison Keillor), most of us got rolled out lacking good marketing instincts. Some people just figure it out, but not me. I took marketing 101. I did! Still, I can’t wrap my brain around all the choices to figure out the best combination that works. It’s not for lack of passion or purpose that I remain confused and uncertain. I’ve talked about this with many fellow writers, compared notes on what kind of investments they’ve made and what produced the most sales.  I know writers—everyday folks like you and me—who have spent upwards of sixteen thousand dollars trying to boost their sales over some magical threshold that will start the income flowing dependably.

This is no secret to the industry’s service providers. Some are legit, some not.

The Good Guys. These are talented people who offer their graphic services for fabulous book covers, Facebook ads, banners and promotional material.  Also copy editors and proofreaders, who help to ensure that we emerge from the publishing process with no pie on our face, only clean copy that makes our ideas shine.  Also publicists, virtual assistants and the like who may offer a more clear, calm path through the marketing jungle.

The Bad Guys. This group includes anyone who waves a magic flag to attract authors and get rich off our dreams, even while knowing full well that their product won’t deliver as promised without considerable luck or additional investments.

Our jobs, ladies and gents, is to tell one from the other.

Good Investments.  Before rolling the dice to determine the next move on the game board, we must first be sure we have an excellent product. Good doesn’t cut it. It needs to be excellent. The investment here is time and yes, toil over the words until they shine and provide a reward to the reader for spending their precious time reading our words.  Concept. Is it intriguing, or like hundreds of others? Plot. Is it dynamic, surprising, refreshing, or safe, just following the genre formula? Characters. Do they develop naturally through the novel, or does the author merely force actions that suggest growth?

Oh, heck, I’ve seen worse. We all know of less than stellar authors who have achieved success. They slide into home base on a magic carpet of luck. As Clint Eastwood said, “Do you feel lucky?” If you do, this route is available. Beware of Bad Guys, and proceed.

Crazy Luck, Magic Formulas, or Good Ol’ Sweat Equity? Who’s to say which will bring success? No one, but you’re in this game and if you want to play you have to pay.  Find the right combination for you.

To start you on your information quest, I consulted several of RMFW’s published authors to learn their thoughts on effective advertising and promotion. I offered anonymity, which some preferred, but most were willing to share.

Here, then, are some thoughts on sharks and winners.

The Question. What advertising/promotion has brought you the most book sales?

The Answers:

No Idea.  This was Jax Bubis (Jax Hunter), multi-indie-pubbed military and paranormal romance author’s first response. I sensed her smile through the email and read on. She suggests that you build your email list.

Been There, Spent That.  An author who wished to remain anonymous shared the s/he had spent a substantial budget on ads this past year, including Facebook, Amazon, Goodreads, giveaways and more, but still received a poor return on investment.  Another author, also remaining anonymous, spent over $16,000.00 on Facebook ads. S/he could accomplish no more than to break even. (At least s/he broke even.)

Skip the Swag. Several authors commented on swag—candy, bookmarks, tea bags, pens, scratch pads and the like. Most felt it’s best to skip all of it except for business cards, and write more books.

It’s All About Genre.  Mary Gilgannon has been busy testing the ad waters. She’s tried blog posts, small romance book sites, a promo service, tweets, newsletter lists and reviews, all with mixed and less-than-stellar results. “My sense is that what worked even six months or a year ago, might not work as well now. The market is ever changing and it seems to become more difficult every year to get your books noticed.” Her final answer: write in a best-selling genre, and get your books out quickly.

Reviews, Baby! Terry Wright, former contest chair for RMFW, is an indie pioneer and prolific writer. He entered the field early with his sci fi and action thrillers. He also writes screenplays, founded TBW Press, and conquered production of book trailers. He described advertising as a crapshoot, but believes strongly in Kindle reviews. He has little regard for Twitter due to the excessive tweet traffic, which buries any tweets within minutes.

Face Time. Terry also believes it pays to get personal. He has sold more print books face to face at conferences, panels, fairs, etc., than with other methods, and encourages his writers to do the same.

Good, and Free. Twice named RMFW's Writer of the Year, Robin Owens has enjoyed much success with her fantasy and paranormal ghost series. Also RMFW's former president, Robin stresses two ways to succeed: write a very good book, and develop a following. She has found good results with a multi-author ad featuring a Kindle giveway.

Carry a Big Gun. 2014 RMFW Writer of the Year and current Treasurer, Shannon Baker, is the author of the Nora Abbott and Kate Fox mystery series. She's also a tireless promoter. With her recent release of Stripped Bare, she participated in an intensive blog and book signing tour. What she’s especially pleased with is her decision to hire a publicist. She has found it well worth the investment.

Goodreads Ads.  Our 2015 Writer of the Year, PubLaw friend and Twitter guru, Susan Spann, writes Shinobi mysteries set in sixteenth century Japan. She shares that she has had great success with blog tours and Goodreads ads.

Let’s Go Surfing Now! 2016 Indie Writer of the Year nominee Corinne O’Flynn is RMFW’s Conference Chair and a multi-published author of murder mysteries. She shared this link: http://www.paidauthor.com/best-ebook-promotion-sites , a helpful overview of some of the many options available.

King Amazon. Anne Randolph’s memoir, Stories Gathered at the Kitchen Table, recently made the Amazon Best-selling list in Memoirs. “I have found the Amazon Hot New Release and 30 Day Book Launch with Amazon Select to be quite effective.  We sold over 1200 books in a two day period and more by the end of the campaign.”  Anne has a webinar and podcast about her campaign at www.AuthorU.org

Podcasts. Nathan Lowell, nominated for RMFW’s first Indie Writer of the Year, is an inspiration to many. In his January RMFW blog, Nathan mentions the large part his early podcasts played in his publishing success. Nathan sustains high output with his writing progress charts.

Audio Books. Along that line, Richard Rieman guest blogged on the January 18th RMFW blog about how audio books can resurrect a “mostly dead” book and increase your fan base.

Expensive Webinars. While I focused on RMFW authors, I’ll add that several other friends and acquaintances have taken webinar courses on book marketing. UK indie author Mark Dawson, and one of Dawson’s webinar graduates, Nick Stephenson, are the main  players in this field. It’s pricey -- $700 to $800, and focuses on advertising with Facebook. I have not been willing to put all my dollars in one place like that, so I can only recommend that you research all such webinars. Things to consider are:

* In their sales efforts, do the student testimonials include success stories for authors who write in your genre?

* Is there any kind of guarantee, and if so, does it cover a long enough period for you to determine if it’s a sound investment?

* Does it require yet more investment on your part to discover if it can work for you? If so, how much?  As I mentioned earlier, I know of authors who have invested in the course and then spent additional thousands to test the course strategy. I’ve heard from some authors that it helped their sales, and I’ve heard from others that the best they’ve achieved is a break-even. I’ve heard from yet others that it’s such a complicated ad strategy that they haven’t had time to try it out, and it’s now only gathering dust in their hard drives.

* Rumor has it that Nick Stephenson has stopped writing his thriller novels to concentrate on his teaching business because it pays better. Hmm.

* Can you “test” the webinar concept yourself for less money than the course costs?

* Is the information updated often? The market changes practically daily, so old information is quickly rendered useless.

Details Are Tools. RMFW’s first Indie Writer of the Year, Lisa Scott Manifold, recommends that you write more books. Readers are impatient and don’t like to wait a year or two for book 2, 3, etc. in the series. She believes readers want series even more these days and if you can’t manage multiple books a year, you can consider writing shorts to keep visible to your fans. “You need to figure out, among all the noise out there right now, what kind of promotion works for you.” That includes limited free days, advertising on promo websites, working on a newsletter or blog. Above all, track your efforts. “How much you spent, what sales you got (check them daily!) and did you see buy-through into your other works? That kind of data lets you know whether or not this new method is worth keeping in your marketing tool box.”

My thanks to all authors who were generous enough to share with us. Have you found this information helpful? You can pay it forward by responding to this blog, and sharing which promotion/s have worked best/worst for you.

Together, we’re stronger.

I hope to hear from you.

 

A crutch, a hat and a nightcap

Memorable character tags from A Christmas Carol

A Christmas Carol is one of the most endearing, enduring redemption stories ever told. Written by Charles Dickens and first published in 1843, it’s now 173 years old and is still entertaining – and teaching us. It reminds us of the power and joy of redemption, and it’s also a great example of a fictional  character’s arc—and a clear example of character tags.christmas-carol

I attended a musical version of A Christmas Carol last week at The Stage in the Denver Center for the Performing Arts. I’ve seen it several times on stage. I proudly own the Mickey Mouse and Muppets versions, the Alastair Sim version, and most especially the George C. Scott version, lush with its scenes and of course the brilliance of George C. Scott.

The version I saw this year is a relatively new adaptation by Richard Hellesen. Those attending can identify the differences quickly. In the beginning scene, the actors appear first as narrators, then step into scene and assume their characters roles. Scrooge is no less miserable than in the older versions, but in the Hellesen version, he’s comedic and includes the children in the fun. The ghostly apparitions are still there, but even in his fear, Scrooge pokes fun into the dialogue.

We want our characters to be memorable. There are several ways to accomplish that—in-depth character studies, psychological analyses, applying enneagrams and such—to be sure our characters are interesting and multi-dimensional.

A Christmas Carol makes full use of physical tags. In written form, the story comes alive with images that help the reader remember the characters. Dickens wrote them so well that, even if you’re given nosebleed theater seats, you can still recognize the characters as they come on stage.

Character tags from A Christmas Carol

Physical tags

Scrooge’s stovepipe hat

His long black coat

Tiny Tim’s crutch

Bob Cratchett’s scarf

Cratchett’s wife’s bonnet

Marley’s chains

Mrs. Fezziwig’s outlandish party hat

Verbal tags

“Bah. Humbug!”

“God bless us, every one.”

The actors have readily identifiable voices, as well, using tone, vocabulary and pace to differentiate one from the other.

In addition to what one can visualize, tags identify characters through sound – a gruff policeman, a nasal-voiced girlfriend, a foreign spy with a heavy accent. One who stutters.

I often write down “EYE PATCH:” and list potential character tags early in my plotting. A character can wear so much perfume that people tear up and sneeze when she gets on the elevator. Another character can stink so much that people can smell him before they see him. A female character can have silky red hair that reaches her waist. An aging brunette can have a perky bob and whenever she flips her hair, her neck cracks. The possibilities are endless. Have fun with your writing, and ...

Merry Christmas! Happy Hanukkah! Happy Holidays!

And God bless us, every one.

 

PS: The DCPA presentation of A Christmas Carol plays through Dec. 24.

A final note on Hellesen (replace “theatre” and “Play” with “novel.”)

When an interviewer asked what kind of theatre excites him, Hellesen replied, “…given the abundance of falsity in our world, I simply want to witness engrossing moments of recognizable human truth, things I knew were true but forgot until the play reminded me--and if possible to be allowed to feel genuine emotion in doing so.”

For a holiday treat to yourself, you can read Hellesen’s interview at http://aszym.blogspot.com/2013/06/i-interview-playwrights-part-588.html

Lazy Writer’s Syndrome

Strategies to keep your story hot and productive

There’s nothing worse than Lazy Writer’s Syndrome. There are no symptoms in its early stages. It only becomes apparent when we look up from our busy lives and realize we haven’t been writing for—oh, ten days, ten weeks--ten months.computer-1053809_1280

We have an ongoing accountability system in my critique group. Those of us who choose to participate report in once a week with their new words written.  Originally, we aimed for the word count equivalent of 20 pages.

Any incentive program needs to be flexible to succeed, and ours has. When vacations, illnesses, family emergencies and the like occur, we adjust our weekly goals—or we just keep doing the best we can and turn in a wimpy report with pride because the overall goal is to keep writing new. It’s been an effective program for me.

Our reports vary from “Sent a query and wrote 300 new words” to amazing reports of over 10,000 new words. It depends on what life is presenting to us.

At times when I’m not writing new material, it’s seldom due to writer’s block. Rather, it’s because I’ve let the story get cold. When the story’s cold, the characters don’t drop in and talk to me. For those of you who think that sounds bizarre, it could also be expressed as moments when plot solutions come to you out of the blue—when showering, walking, or during the alpha state when sleeping.

If the story’s not “hot” – fresh and on my mind, as in when I’m writing new material – those character voices and plot inspirations never visit.

Never.

If I’ve allowed the story to get cold, I’m shut out. As Jeff Probst says on Survivor to the losers of the Immunity Challenge, “Head on back to camp. I’ve got nothing for you.” That’s when I languish in an “empty creative mind” state, which makes it paralyzingly difficult to fill the writer’s chair.

Here, then, are my strategies for recovering from Lazy Writer’s Syndrome.

  1. Maintain a calendar for one week.
  2. Record your activities in quarter-hour segments for that week
  3. Review and prioritize. Abandon all "perfect" goals -- neat house, varied cuisine, excessive volunteer work, new hobbies that can be explored another season/year.
  4. Maintain a calendar and enter small writing goals daily. "1 hour writing, "2 hrs writing" etc. I achieve much more success when I draw a little square box in front of my goals. This satisfies the “gold star” child in me because it gives me an opportunity to put a check in that box. I know, it’s silly. But it works!
  5. Only after #4, schedule other stuff that needs to be done. (This “rocks and sand” concept is from First Things First by Stephen Covey—highly recommended reading. It changed my life. It can change yours, too.)
  6. Consider meditation. When you come home from work, go to your special place and decompress with meditation.
  7. If you’re spent from a demanding day, consider a power nap. For me, I only need 15-20 minutes and I'm "almost" as rejuvenated as I am in the morning.
  8. Be kind to yourself. It takes planning and fortitude--and a healthy dose of tenacity.
  9. Finally, team up with a fellow writer or group of writers and agree to post your progress once a week. Once a week gives you the freedom to have a couple of lackluster days but still turn in a respectable week's end report. Call it BICFOK (Butt in Chair, Fingers on Keys) or create your own name for it.

You can defeat Lazy Writer’s Syndrome! Good luck, and if you have some tips to add, I’d love to hear your thoughts!

Live Longer–a no-cal way to add years to your life!

It's time to read, and write good books for your fans.

In a recent Yale study, researchers found that avid readers may live as much as two years longer than non-readers.

Details of the study

It followed over three thousand people over a 12-year period.

They were placed in three groups. Group One was a non-reading batch. Group Two people read up to three and a half hours a week, and Group Three read more than that.

Conclusion

Those who read at least 30 minutes a day reduced their risk of death by about 20 percent.

Read for your fanshammock-reading-10-17-2016

Autumn has been called the second spring, when all the changing leaves sparkle and shine, much like flowers in the spring. The nights are crisp, the afternoons still lovely, and there’s a sense of excitement as the seasons change. Like me, you may have sweet memories of the first days back at school, and the marvelous smell of new textbooks—knowledge, just waiting to be discovered.  And for fiction, excitement, just waiting to be relished.

It’s also time to prepare for NaNoWriMo, the National Novel Writing Month, a writing movement that has become worldwide (see global map of participants at http://nanowrimo.org/). It’s a club in which participants strive to write a novel in a month, where writers track and share writing progress and get pep talks and support from fellow writers striving toward the same goal.

Read your story idea file.

Autumn is a great time to revisit earlier plans. Been thinking about writing a series? Check your idea file. Like me, you may have story ideas already in there that have gathered dust and been forgotten. Now may be the perfect time to expand on it.  Add a few notes and let it percolate.

Read your interrupted works-in-progress.

What was it that intrigued you to start writing it? Has your craft improved to the point that you can now tackle the issue that stopped you, mid-book? Or you may have held two jobs when you were writing it and ran out of steam, and now it's time to take your fictional characters on the journey of their lives.

Read with your critique partners.

Write a brief story synopsis, and schedule a plotting and brain-storming session with your critique partners, who will also come to the table with their brief story synopses. Maybe now is the time to try a new genre, or write that short story or novella that’s been tickling your fancy for a while.

Read for the joy of it!  It’s easy to get in a reading rut, reading for research, industry news, best-selling lists, marketing and such. What entertains you the most? Does your reading list reflect that? They say the hammock is the least used piece of outdoor furniture. Isn’t that sad? Schedule a date with your hammock and indulge yourself with a fabulous book of fiction. It’s sure to entertain as well as stimulate new story ideas.

Read, and live longer.  Talk about a Happy Ever After!

Get out of jail–er, writer’s block–card

getoutwriterblockcardw-url2

To escape writer's block, douse the raging fears and critical inner voice, and find a route to fresh thinking. For me, that route has been to write to my friend, Pam, and explain what's blocking my writing.

How my BFF helps me escape writer's block

Dear Pam,

Here I am again, writing to you because of writer’s block.

Have I ever told you what magic it is, tapping your powers to unblock my thoughts and words?

When I have overwhelming doubts about my writing, the blank page stares at me. The curser blinks, taunting me, and I can’t move forward.

What works for me every time is to start writing to you, just as if we were on the phone, only on paper. I know I can joke with you, confess my fears and stumble along, and something happens. It’s like the doubts and fears vanish. My pen and paper melt away and I am in tune with my novel.

It’s been a long, successful escape for me, spanning decades.

It started in high school during study hall. I’d be procrastinating, avoiding work on an essay or report, unable to decide on a theme or position despite the looming deadline. In lieu of disaster, I stumbled upon this method of turning to you, and you have never failed me.

Let me count the ways you have helped me.

 #1. Reassurance.

Dear Pam, I have discovered fiction, and am so excited I’m paralyzed. I’m writing my first novel. It’s a time travel. I know the setting is England, but I can’t decide on which time period I’d like to visit. What makes me think I can write a novel? Okay, let me show you some time periods I've considered, and why...

 #2. Making decisions.

Dear Pam, On the advice of a literary agent who loves my writing but doesn’t represent my genre, I’m leaving the time travel genre to write a straight historical romance. I’m agonizing over dialogue. If I try to be accurate to the fifteenth century, only a few people will understand it. If I write with contractions will I be a laughingstock?

#3. Finding focus.

Dear Pam, I’m writing a contemporary women’s fiction novel loosely based on my mother’s trauma with Alzheimer’s. I’m scared, so scared I can’t plot the darned thing. What I’m sure of is …

 #4. Trusting my vision.

Dear Pam, my first book released! I’m writing about Gypsies, and rather than arm-candy, they are my protagonists. I want to make it a character-related series, but this second novel just sits there, frozen after the first chapter. I worry that the hero is too bigoted to be likable. Do you think it would be helpful if I...

 #5. Moving forward.

Dear Pam, I’m in the saggy middle and sinking fast. I’ve written myself into a corner, and I’m trying to find the way out. I can trash all I’ve written and start over. There has to be another option, though. Let me see. What if I…

You get the idea. I tell her my problem. Like a Dear Abby column, I lay it all out, crying on her shoulder, and in the process I discover my own answer. I have never sent any of these letters, but they always give me new ideas. It’s a simple strategy that works.

I’ve heard of other ways to break writer’s block that may also work for you. One friend of mine relies on showers to get the thoughts flowing. Works almost every time, she says.

Another has a special tea she brews and places on her desk with three lit candles.

Another walks in the park. Yet another meditates.

Many of my friends believe in the power of BIC (butt in chair), not budging until the words flow and if desperation sets in, writing stream of consciousness or drivel until ideas are nudged into motion.

Thank you for always being there, Pam.

And how about you? How do you escape writer’s block?

You’re awesome! Go to the Gold with “Crowdfidence!”

Carol Berg speaks at RMFW
RMFW's conference offers workshops, speakers ... and supportive friends.

Conference is just around the corner. What will you wear?

Beyond fashion, the most important accessory is …. crowdfidence!

That means not falling into the trap of feeling inferior when you join the hundreds of writers at the Colorado gold during speeches, workshops and events.
Confidence can be eroded when we compare. Look at that author! He just snared his first book contract, and with a major New York publisher, to boot.  And her—she just released her fourth mystery, and it’s a USA Today bestseller.  They sit in groups by the bar, laughing, surrounded by mobs of friends.  And there you are, on the outside, looking in.
There are many others like you. We have all been there, and at all points in between, during our writer journeys.
It’s easy to fall in the trap. We watch the presenters, smooth and animated as they share their wealth of knowledge about craft and efficiency and marketing, and throughout all our comparisons, we come up woefully short.
This year, be kind to yourself.  When you arrive for conference, stand up straight, raise your hands to the sun, and say, “This is the first day of the rest of my life as a writer.” Then remind yourself of your achievements.
You thought of a story idea, complete with a character or cast of characters.
You wrote your first ten pages of fiction.
You braved sharing pages at your first critique session.
You finished plotting your book.
You started a synopsis.
You reached half-way through your book.
You finished your first book!
You wrote a pretty good blurb about your book.
You braved writing a query letter and sending it to an agent or editor.
You actually signed up for an editor or agent meeting.
There are so many milestones in writing. Think of the victories you’ve enjoyed along the way, accomplishments that bring you closer to holding a printed book in your hands – or seeing it, almost magically, available as an ebook online.
If you’re a first-timer, RMFW has a ribbon for that. Be sure to add it to your name badge! Long-time members will see it and welcome you. If not a first timer, remember those words, “Hi. May I join you?” RMFW members are welcoming and supportive.
And be sure to put on your PMA, your Positive Mental Attitude.  Avoid dwelling on your shortcomings, comparing yourself with others. Honor your own set of talents and strengths.
And wear this awareness along with your best shirt or skirt: It’s not a shortcoming to be a learner. You will see multi-published, New York Times bestselling authors attending workshops. Why? Because with writing, you never stop learning!  With every book comes a whole new course in some aspect of craft and life insights.
With every small step – speaking in a workshop, moderating a workshop, appearing on a panel and eventually presenting your own workshop – you will grow, as a writer and as a person.  Just as Kerry Schafer wrote in her blog a couple of days ago, there is simply not a better environment to thrive in than RMFW.
Enjoy!  I’ll see you at the Colorado Gold!

The Secret is Out!

After years of writing and months of revisions, my latest "baby" made her debut into the world on July 15th--Crimson Secret, Book 4 in my Coin Forest historical romance series.

It features medieval battles during the War of the Roses, the forgotten charm of "living bridges," and forbidden love. Master bridge builder Lord Penry is a known traitor, committed to destroying Joya's beloved Queen Margaret so the Duke of York can rule. Like her family, Joya is deeply devoted to Margaret. They're both right, both wrong, both lost in the heat of an unbridled passion that threatens their families' holdings, and their lives.

Okay, end of blurb. Thanks for reading.

That expression, "It Takes a Village," comes to mind. What would I do without my critique partners? My plot buddies? My RMFW friends?3DCrimsonSecret300x354

A hearty "Thank you!" to everyone who read, helped and supported me as I worked through the chapters, revisions and marketing.

It’s such a thing of beauty, this book. It’s my first print book since 2008, and I can’t stop looking at it, feeling the smooth matte finish, flipping through the pages. Ahhh.

It’s true love. (Sigh)

And yes, I still love eBooks. The novel is available in both formats. What I especially love is that the revisions can stop, LOL.

Seriously, as I did with my previous books, I’ve given this novel my all. I’ve sent out the notices. I’ve done my mailings. I’ve blogged and Facebooked and Tweeted and advertised and submitted and received good reviews, and it feels like my birthday. All I need is a hot fudge sundae (check!) and, scheduled for tonight, a stem of Cakebread chardonnay, and I’ll be certain I’ve sneaked into heaven without having to pay admission.

Love, love, love, love, love. Who but a fellow writer would understand this bliss?

As if all that isn’t enough, new ideas are floating around in my mind, ripe for the picking, for the next book in the series. I’ve ordered two research books, and can’t wait to plunge into the next story.

I can’t stand it. Did I complain recently about writer nightmares? Poof! They’ve vanished from my memory, and I’m bathing in the warm summer sunshine.

This is it. This is why we struggle to find the right words, agonize over plot points, slog through saggy middles and the daunting demands of the market. I created beautiful new characters, and they have suffered through misfortunes and teeth-gnashing angst, experienced awesome adventures, worn fabulous fashions, enjoyed heart-melting romance, and have been launched into their happily-ever-after futures. All is right with the world.

Like any good plot, this reverie won’t last. We need Conflict! Challenge! Change! Still, trust me when I say I’m going to savor every marvelous moment of this.

If you like historical romance, please give Crimson Secret a try. It's available in eBook now, and in three days, it will be available in paperback, as well.

I'm so happy, my face hurts from smiling. I'm wishing you similar moments of bliss with your writing!

Airing my own dirty laundry: a writer’s Black Moments

Writers understand black moments. They're our bread and butter and appear in every novel. First we establish our protagonists' worse fears, then we throw rocks at them, pushing them toward their nightmares. From the first pages we frustrate, annoy and confound them. With slightly dysfunctional glee, we deepen their problems. With Donald Maass's voice ringing wickedly in our ears, we think, "What's the worst thing that can happen? Now how can we make it even worse?" By the time our battered hero reaches the final pages, he's exhausted, financially ruined, suffering a tarnished reputation and likely suffers from a bleeding wound or two.

It's only fair when karma catches up with us.BlackMoment1316139_1280

Black Moment #1. Contest Entry Agony.

Disclaimer: this incident did not involve RMFW's Colorado Gold Contest. I'd been writing for over six years and was trying desperately to gain an editor or agent's attention by winning contests. After days of careful revisions and study of the contest rules, I sent my entry and $65 to the largest competition in my genre. I waited with optimism and the high hopes and dreams only a struggling writer possesses. A Black Moment slashed all four of my tires when I received notice that my entry violated the manuscript preparation rules and my $65 entry fee was forfeited.

My violation was the font size of my header. I went back and looked at the picture of the full-size reproduction of an acceptable entry the organization printed in their newsletter. I had even checked their example against my printer font size checker. It was the same size as my entry. The contest officials refused to reconsider. I found little consolation that close to a hundred other entries were similarly DQ'd that year and the rules were hastily revised the next year, but at that moment, I was devastated and outraged.

Black Moment #2. Word Processing Disaster.

I had typed "The End." I loved my story. I was prepping the manuscript for Kindle and other outlets. I discovered that during the conversion, the word processing program scrambled the quote marks and apostrophes. They had become a helter skelter pattern of straight quotes and smart quotes! Using the search-and-replace function was useless because it's a style, not a typo.  Hopeful,  I reloaded and converted, but it happened again. I was on deadline with Amazon to get the book in on time. My Black Moment crashed in when I realized I'd have to proof all quote marks and apostrophes on all 350 pages--manually.

Black Moment #3. Facebook Ad Fail.

In prepping for the July 15 release of Crimson Secret this summer, I developed a really fun ad campaign featuring my gorgeous cover, which was developed after scrolling through images and art until my eyeballs fell out and rolled across the keyboard. I also won hard-fought battles with my graphic artist about fonts and models. Of course the cover was included in the ad. Imagine my fury when I received a rejection from the Facebook ad gurus for "too much text." (Facebook has a strict 20% rule about the portion of the ad that can contain text, not for number of words, but for how much space in the ad contains text.)

I appealed, explaining that book covers are exempt from the "text" rule because they are, in fact, an image of the "product." Said gurus didn't listen and rejected it again. A Black Moment leaked into my veins like dirty transmission fluid when I realized that, if I wanted my ads to run before my book release, I would have to re-do all my ads.

Stuff happens. We've all heard horror stories of other writers' Black Moments. One author suffered through holding her first published book in her hands, only to realize that the printer had omitted the final page. (Yes, with the ending.)

Maybe it's payback after all those evil plot rocks we throw at our characters over the years. A case of "Here's some karma, back atcha!" One thing is certain. We can find value in our writer black moments. They help us identify and sympathize with each other. Having suffered from them, we can write black moments with credibility and passion.

May your black moments be few and far between!

3 Quick Tips to Avoid Dumb Mistakes with Writing Contests

The 2016 Colorado Gold Writing Contest is still accepting entries.  (Hot tip: the romance category needs entries—this is your chance to shine!)  It is the contest that led to my first published novel, so I’m thrilled to pass the information on to you. The contest accepts the first 4,000 words of your fiction manuscript (and 750-word synopsis) in the categories of action/thriller, mystery suspense, romance, spec fic, YA/middle grade, and mainstream/other.

Here are some tips so you can avoid some of my past mistakes.

1.  Remember the rules. Find them at rmfw.org/contest. There are just seven of them. I made a ColoGoldDeadlineJune1dumb genre mistake with my first novel. I had no fiction writing experience, and had just joined RMFW. I wrote a romance in which the hero died.  It’s amusing in hindsight, but just a reminder, be sure you’re entering in the right genre. Be attentive to format requirements, too. At the contest preparation workshop in March, Pam Nowak pointed out that you can guarantee yourself something like 9 or 10 points just by being certain the basic formatting and genre requirements are met.

2.  Don’t fudge on entry length. Way back in another century, I read on a writer's loop about circumventing contest length requirements. I thought I could fudge on the line spacing and submit a skosh more than the maximum number of pages. The contest is now run with a maximum word count, so this strategy of jiggling the line space settings is no longer an option. However, there are always some who think they can duck under the boundary rope and send more than allowed.

The contest folks note on the entry where the maximum number of words are reached. The judges are advised, and entries are not read past that point. If it’s blatant the entry may be rejected. Play it safe and follow the rules.

3.  Avoid eleventh hour panic. It’s easy to be overly confident and wait until the day before the deadline to review the entry. After all, it’s perfect as is—isn’t it? There’s an old joke about parents. When children are in their teens, their parents are really stupid. As those teens enter their twenties, their parents aren’t quite so stupid. By the time the children enter their thirties, their parents are pretty darned smart. This same focusing mechanism applies to writers as they look at their work just before a contest deadline. Their vision improves, and flaws can suddenly be seen that weren’t there before. This eleventh hour editing session quickly becomes a nightmare. In the panic that ensues as midnight approaches, massive cutting occurs, leaving hastily chopped gems lying on the cutting floor. Give yourself adequate polishing time before sending your entry.

These are the mistakes I made in my early contest career. Well, all the mistakes I’ll admit to having made, any way.

Get your entry ready, and good luck to you!