Author Archives: RobinDOwens

About RobinDOwens

RITA® Award Winning novelist Robin D. Owens credits the telepathic cat with attitude in selling her first futuristic/fantasy romance, HeartMate, published in December 2001. Since then she has written fourteen books in the series, Heart Fire the latest in November 2014. Her five book Luna series included average American women Summoned into another dimension to save a world. Her Mystic Circle series was a mixture of contemporary urban and romantic fantasy set in Denver. And her newest stories, about an uptight accountant who sees Old West ghosts and helps them move on, started with Ghost Seer in April 2014. She is profoundly thankful to be recipient of the 2004 Rocky Mountain Fiction Writers’ Writer of the Year award as well as the 2011 Writer of the Year Award, the Colorado Romance Writers Lifetime Achievement Award and the 2010 Best Paranormal and Best of the Best Daphne Du Maurier Award.

Animals as Secondary Characters

Hi, I’m Robin D. Owens and I write fantasy romance for Berkley-Penguin-Random House (the “Heart” Series – 13 going on 14). I also write the Ghost Seer paranormal romance series for Berkley (Ghost Seer out last April, Ghost Layer recently released in September and Ghost Killer out next February). I wrote a five book series of fantasy for women (the “Summoning” series) for Luna Books.

I’m known for my animal or Familiar companions, and I’m quite sure that Zanth, the telepathic cat with attitude (redundant), sold my first book, HeartMate. Since then, in the Heart books, I’ve had kittens, cats, dogs, foxes, a raccoon and a hawk as my Fams – along with a wandering mole, etc.

In my Summoning series I have some magical beings who shapeshift into various animals. Miniature greyhounds and warhawks are the most common, though occasionally they have their catlike moments. I also have flying horses.

These characters are in the books for several reasons: mentors, friends, comic relief and occasionally under threat (they can get into trouble and some go to war). In the Summoning books, they also play a mysterious part in shaping the worlds’ events.

You might call them archetypical characters. Mentors who advise (and may have their own agendas which also make them tricksters). Friends who are there to listen or nudge or nag (so, that’s still a horse word but at least it wasn’t badger…). Comic relief: this I use quite a bit, I like my tension built, released and built again.

The Ghost Seer series has a ghost Labrador as a spirit guide and all around cheerleader.

Things to watch for when you’re writing animals. First, my cats are pretty much cats, except they are slightly more intelligent and can speak telepathically. They are self-centered, they live in the moment, they have contradictions in whatever philosophy they have but it has meaning to them at the time. They’re vain. They call all cats “Cats,” capitalized, and all dogs “dogs,” NEVER capitalized. They look down on dogs. And they negotiate payment for favors.

I try to keep my animals close to what they are here on earth, and with those limitations. My puppy in Heart Thief adores her FamWoman…and piddles on the rug. My crippled and starving Noble Hound in Heart Fate resents having to eat leftovers that a hunting cat “generously” gives him. He looks down on cats because they aren’t as loyal as dogs. The Ghost Seer dog, Enzo, is determinedly cheerful.

For research…I have cats and my ex-roomie had a puppy. I observed. There is a strategically vital place in my house and each and every one of my cats has found it and held it.

I read a lot of books on foxes and there are some in the neighborhood. Another thing, THE expert on foxes call a noise they make “chortling.” Maybe the sound is closer to chortling than the standard, well-known “barking.” If I used “chortling,” it would pull my reader from the story to think about the word which is not something associated with foxes….

The mole came in handy in a couple of the stories and a fan who liked moles and stuck the idea in my head provided critique and tips.

I have friends who have horses and I studied “natural” horsemanship, went to a horse camp (I live in the city) given by another writer who has Lipizzaners.

So, from my point of view, don’t make them too cute, or too smart, and keep them lifelike. People will love them anyway.

May all your writing dreams come true.

Snip, Snip, Snip. Oh, the pain! Cutting your manuscript.

By Robin D. Owens

But that was the best line. The funniest. The most heartfelt and tender. And the whole scene must be cut.

I write long – that is, for a 100K word novel contract, I usually hit 103K, and have been known to go up to, ah, I think 120K. That means, for a hardcopy book, more paper, more expense for my publisher, and/or smaller print (wince). I once signed on for a short story, 16K words max, and mine came in at 17.5. I got it down to 15,900, but other people had come in long and I was cut from the anthology. (I later put the words back in and the story was published in my only collection, Hearts and Swords, which also ran hideously long and should have been 3 stories instead of 4, but I said 4 for the back cover copy, and…).

Or, and I’ve heard this (lately), “the pacing is too slow, cut words from the front of the book.” Snip, snip, snip and 3,000 are gone, scenes I loved.

Or, “This is a novella, not one of your regular books, the hero and heroine need to meet sooner…”

I’ve gotten really good at cutting. The easiest way is to tighten the book until it squeaks. No, “the ghost dog jumped into the bed of the truck.” Nope. “Enzo jumped into the truck bed.”

First, check chapters. If I really have to cut, any chapter that has less than thirteen lines on the last page gets tightened.

Look at every paragraph in your manuscript and check for those that have one word at the end, and see if you can reword and tighten. And, yes, this takes time. And, yes, sometimes the answer is “No, I can’t tighten this.” For me, the answer is “no” about five percent of the time.

That’s the technical part. What about the emotional part?

When I was writing my second fantasy romance, since I hadn’t sold the first fantasy romance, I cut all the romance and changed the story to a straight fantasy. I was about half way through the story when my first fantasy romance sold. So all the additional world building and strictly fantasy scenes I put in Had To Go. Talk about painful.

What I finally decided to do was put “cut scenes” up on my (old) website, particularly for that book. That eased my emotional pain considerably. The scenes weren’t totally lost forever, never to see the light of day.

This has continued to serve me well. My fans know that I write long, and I have “cut scenes” for almost every story. On Facebook and my blog I’ve instituted “Celta Thursday” for the readers who like that particular series the most (a Celtic pagan society set on another planet colonized by Earth people with psi powers). Sometimes I put up maps, of the world, or of an interior room. Sometimes I put up images of the characters. But most often I compare the rough draft of a manuscript with the final copy edits and pull out cut scenes.

DON’T DELETE THOSE SCENES YOU CUT, ALWAYS SAVE THEM. (All right, if they are worth saving. I do have a “learning how to write book” that will never be seen.)

You will have people who like your stories. You will want to give extras to them because they say wonderful things about your writing. Save your cuts, and tell yourself you’ll put them somewhere else to be admired, that funny line, that whole lovely thread or subplot… This will help you get through the snip, snip, snip.

And, trust me, baby, eventually it does get easier . . . mostly.

Ooooh, shiny! The Next Project Syndrome

By Robin D. Owens

There you are, drudging through your current project, convinced it is cat crap and an idea wiggles in. A beautiful, sparkling, WONDERFUL idea. Something so alluring, that will be so much more fun to write than the current story (especially if the current story has been bought and you’ve taken money for it and it is now late).

Oooh. Yes. There’s the hero, you get HIM. Different characteristics than the guy giving you fits right now.

There’s the hint of the plot, SO much more exciting than the murder you’ve gotten bogged down in, or the details you need to research of the cathedral you’re building, or the heroine who needs to be trained in knife fighting…

SO much easier to write on a story that shines with promise rather than dig into the guts of the work you have now, the one that was once shiny but currently is hard to write, a job, work.

Because all ideas become hard to write. Nothing stays shiny. But that initial POP of an idea, the brainstorming of some bits of the people or the plot, wow, that’s FUN.

Before I was published, I could be lured away. I must have six or seven manuscripts started that never made it more than 100 pages or so before something else caught my attention.

Now, with the selling of my stories, my work, I have to be more disciplined. Yes, the ideas come…it’s particularly bad if they come in a series I think I can sell….whispering their sweetness. But, for me, I must resist.

So this is what I do. I live only with cats which means I can wake up in the middle of the night and dictate wonderful (or stupid) ideas, so I keep my itouch handy. The voice memo button is on the toolbar so it stays available whether I was playing spider solitaire or looking at Word of the Day when I turned off my device. I can find the memo app with my thumb in the dark, if necessary. I can burble about the new and shiny idea. Then I can save it for a more appropriate time (i.e. when the present manuscript is finished).

If the story continues to hang around while I’m studying knife fighting or building a cathedral, or figuring out when my hero is going to say “I love you,” I might hit the computer and write down additional notes or prompts for it. The heroine is an adventuress. The hero is a gentle giant. He is an introvert [long notes about the story formerly here CUT].

When the previous manuscript is finished and I have a little time, I can rub my hands and delve into the New! Fun! Improved-Technique-Trust-Me-Baby! Shiny idea. And it stays fun for a while, depending on the publishing schedule, real life, and before I take the first chapter to critique group. :) Maybe even after that. Until I hit a snag, or need to deepen the character or realize that the plot does not work.

Then the mind wanders and . . . You understand? Sure, you know this cycle as well as I do.

Well, that’s what I do when the next sparkling concept hits my brain. I’m not sure what you might do, but this works for me so it might help you.

What is lovely is that it’s good to realize that you aren’t alone in this fascinating endeavor. That there are other people on this journey whose eyes WON’T glaze over when you talk to them about writing.

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Website: http://www.robindowens.com
Blog: On Writing & Publishing http://robindowens.blogspot.com
On Twitter: https://twitter.com/RobinDOwens

Reading Your Own Work, Process, And Being Kind To Yourself

By Robin Owens

My very first audio book just came out, Ghost Seer, narrated by Coleen Marlo. I listened to the sample. I used a download code (worth $19.95) to buy it and I listened to the beginning. I like the narrator. But I’m having problems with hearing my words.

This isn’t really anything new. I have problems reading my own work, too.

I’ll point out that we all have a story to tell and our own unique way of telling it. That we should love writing it. This story will, most probably, reflect ourselves and our world views. This story should be something we would love to read.

This doesn’t happen to me, nor to many of my friends, published or unpublished. We don’t read our books, and for several reasons.

One reason can be that the work is old. Yes my first published book, HeartMate, won a major award (it was my fourth manuscript). People are still discovering it, and enjoying it. But I can’t read it. I could write it so much better now, I think (I definitely made the world building in the first pages too steep…).

Another reason is I look at a book and just cringe at all the work I put into it, and it’s still Not Perfect. I don’t want to read/listen to my flaws.

Most often, though, is the simple fact of my process of writing (this is my process, and I don’t expect anyone else to write as I do, yours is probably different and works best for you):

1) Write scenes/chapters
2) Take to critique group
3) Rewrite
4) Write more scenes and chapters, revising as I go (I write out of sequence)
5) Put out of sequence scenes in chapters
6) Read and revise
7) Finish draft
8) Revise draft
9) Send draft to beta readers
10) Revise
11) Send draft to editor! (usually late)

I PRAY I don’t get a Hideous Revision Letter that starts “I have concerns. I think you’ll have to revise quite a bit of this.” Cringe.

Like anyone, I would prefer, “I loved it! You did a fantastic job!” (I have heard this twice. Of twenty-four books).

Copy edits come. Page proofs (galleys) come. Somewhere along this timeline I am so sick of the story that I can’t stand it anymore. Am I changing a sentence and it’s better? Or just different?

So by the time the published book is out there, I deeply know the plot, the characters, the sentence structure in the third paragraph of chapter twenty-two. And when I read the story I don’t see the story, I see the technicalities. (Let me insert here that I LOVE rereading my favorite authors. I usually am rereading a book as well as reading something new).

I wasted $19.95 on that download of Ghost Seer, and I should have known better.

This is where I, and you-who-can’t-read-your-work-one-more-time, must depend on others, on the reader half of the writer-reader equation, to tell you whether you did your job, and how well you did your job. Believe them when they say you did great.

Oh, by the way, don’t read bad reviews.

On Facebook: https://www.facebook.com/robin.d.owens.73?ref=tn_tnmn
Website: http://www.robindowens.com
Blog: On Writing & Publishing http://robindowens.blogspot.com
On Twitter: https://twitter.com/RobinDOwens