Rocky Mountain Writer Podcast #15

Rocky Mountain Writer Podcast – Episode #15

Terri Benson: Western Slope Coordinator for RMFW

Rocky Mountain Fiction Writers' Western Slope Coordinator Terri Benson chats about workshops and related activities around Grand Junction. She also talks about her writing career, about the advantages of getting involved in RMFW, and the thirty years of work that preceded publication of her romance novel, An Unsinkable Love.

Show Notes:

Terri Benson:


Intro music courtesy of Moby Gratis
Outro music courtesy of Dan-o-Songs

For suggestions about content or to comment on the show, email Mark Stevens. Also feel free to leave a comment about the podcast on iTunes or your favorite podcast provider.

Host Mark Stevens:

Are Your Characters Larger than Life?

So what exactly is a “larger than life” character? You hear that term bandied about all the time, especially as one of the attributes agents and editors are looking for in a good story.

If you were to take the term literally, you’d be wrong. It fact, larger than life is often misused and assigned to god-like characters and Rambo-esque heroes. LTL characters are less likely to be big in size and personality, or to talk big and lead with their fists instead of their hearts.

Don’t get me wrong; the Rambos and Supermen and Thors are certainly memorable and deserve to have stars by their names. They’re big enough to be household names and have the neighborhood kids dress up in costumes that look like them on Halloween. But are they truly LTL characters?

My point is an LTL goes beyond the physical. You make your characters bigger than life so they’ll be worthy of the role they’ve been given, and deserving of the boon they'll win at the end of a book. The LTL character is put in extraordinary situations and forced to make extraordinary decisions, to make sacrifices and put the needs of others above their own. There are LTL characters in real life as well as novels and movies. Lets look at some.

Mother Theresa – She’s famous for saying “A sacrifice to be real it must cost, must hurt, must empty ourselves.” She was big on sacrifice, but there were three things she said you should never sacrifice: your family, your heart, your dignity. She’s memorable and heroic for what she stands for, and this makes her bigger than life.

Winston Churchill – Small in stature, yet big in wisdom and courage, Churchill was the greatest statesman of the 20th century. As a leader, he perpetually demonstrated enthusiasm, determination, and optimism and was the lion that roared when the British Empire needed him most. Unforgettable quotes from his speeches are repeated to this day.

There’s a lot we can learn from the flesh and blood LTLs to help make our fictional characters more authentic. Flaws, foibles and insecurities as well as morality, compassion, empathy and countless other characteristics shape a three dimensional human being (or non human, depending on your genre).

LTL characters are deserving of a prominent place in our stories because they’ve risen above adversity and made the hard choices that led them to victory. Strength is superficial without the weakness a character is forced to overcome in order to win.

Who are some fictional LTL characters? I’m sure there are many who star in your favorite books and that’s why those books are your favorites. I have some, too.

Katniss Everdeen – Yes, I’m a big Hunger Games fan. Katniss is made of courage and compassion, and is a great example of a LTL faced with the horrors of a cruel government run by a totalitarian dictatorship that uses children to fight its battles. These atrocities affect Katniss’ family and her own district, and against all odds, she stands up to her nemeses and refuses to back down. She deserves to win.

Vivian Daly and Molly Ayer – These two heroines get equal billing in the critically acclaimed novel, Orphan Train. The best book I’ve read in years. What makes these two ladies LTL characters? Vivian is an elderly survivor of the torture she lived through as an orphan, shipped from home to home, one hard life to the next, starting in 1929. Molly is a teenager, a foster kid, who’s had to survive similar tribulations. Molly records Vivian’s story, which allows her to understand more about herself than she ever knew just by listening to the elderly woman’s memories. A truly moving tale of determination and guts. I’ll never forget these two. They were real, and yet they were more than real. They were larger than life.

Can you share any LTL characters you’ve read in your favorite novels? What makes them larger than life?


Karen DuvallKaren Duvall is an award-winning author with 5 published novels and 2 novellas. Harlequin Luna published her Knight’s Curse series in 2011 and 2012, and her post apocalyptic novella, Sun Storm, was released in Luna’s ‘Til The World Ends anthology in January 2013.

Karen lives in the Pacific Northwest with her husband and four incredibly spoiled pets. Writing under the pen name Cory Dale, she released the first book in a new urban fantasy series, Demon Fare, in December 2014.






Are You Following the New RMFW Podcast Series Hosted by Mark Stevens?

Is there anything Rocky Mountain Fiction Writers doesn't do for its members (and all writers for that matter)? Not too much. One of the newest offerings is a series of podcasts that features a variety of professionals to entertain and enlighten all those who tune in. Hosted by Mark Stevens, the podcasts are another great way to meet RMFW members and Colorado Gold guests.

The link to the most recent podcast was posted just this week. Featuring two of the three finalists for Rocky Mountain Fiction Writers of the Year, Susan Spann and Cindi Myers, the panel took place at the downtown Denver Tattered Cover in August. Tune in to hear these two authors discuss their writing lives and offer advice based on their own experiences. The third finalist, Joan Johnston, was unable to attend.

Susan Spann

The podcast posted at the end of August featured long-time RMFW member and volunteer, Mario Acevedo. His focus was on the Sept. 5 workshop held in Grand Junction: "Everything You Need to Know About the Next RMFW Anthology."

Mario, who has agreed to step in as editor for the anthology, talks about the submission schedule and selection process and reveals the selected theme. In addition, Mario talks about writing short stories and about his ongoing series featuring vampire Felix Gomez. If you think you'll want to submit a story for consideration in the anthology, you might want to check out Mario's podcast.


The previous interview was with one of the Colorado Gold keynote speakers, erotic romance writer Desiree Holt. In this podcast, Desiree chatted about her six series of books, her daily writing schedule and a preview of the three classes she will be teaching at the Rocky Mountain Fiction Writers Colorado Gold Conference this weekend.DesireeHolt200x263

The podcast before that featured Aaron Michael Ritchey, a highly productive writer and frequent workshop presenter. He'll participate in three writing workshops at Colorado Gold Conference. He talks about his daily dedication to writing and the series he's producing for WordFire Press called The Juniper Wars. As he puts it, the series is "cowgirls with machine guns on a post-apocalyptic cattle drive." Aaron is the author of three books--The Never Prayer, Long Live the Suicide King and Elizabeth's Midnight. He is also the author of numerous collaborations and short stories, including a story in the upcoming Nightmares Unhinged, an anthology from Hex Publishers.Aaron_Michael_Ritchey.jpg

For summaries of the other podcasts produced so far, and for future interviews, check out the page of links on the Rocky Mountain Fiction Writers website.

Choosing Cons to Attend – How Do You Decide?

Dark SecretsI'm sorry to be missing seeing and meeting everyone this week at Colorado Gold!

I'd planned to come up and at least sign on Friday night and meet Emily Keyes from my agency, as I have an out-of-town guest the rest of the weekend. However, I talked with Nina of Who Else Books while we were both at Bubonicon, and she talked me out of it.

It would have been a tight turnaround and it's probably better that I'm not trying to do it.


Everything in moderation, I know, but it can be difficult to decide which conferences and conventions to attend. I go to more than most authors I know. Partly I like to travel and am comfortable doing it. Also, I have a day job which helps fund going to conferences. And I believe that they're productive venues for me to connect with readers and network with other writers and industry professionals.

Sure - a lot of people get into ROI (return on investment) and obsess over whether the resulting sales from con appearances make up for the sometimes outrageous expense of going. I don't believe in ROI for this sort of thing. I think building human relationships creates potential and opportunities that can't be quantified.

Let me give you a relevant example.

When I was a newbie writer, I attended the RT Booklovers Convention for the first time in 2009, in Orlando. It had never occurred to me to go, because I figured it for a reader convention to meet *published* writers. Then an author - Linnea Sinclair - who was a member of my online RWA group, the Fantasy, Futuristic & Paranormal (FFP) special interest chapter posted that all us aspiring writers absolutely SHOULD go to RT, in order to network with already published authors, who could then know and help us.

Best advice ever!

At that convention, though I pitched my book to a bunch of people, I didn't sell it as a direct result. I did not sign with an agent, nor did I get a publishing deal. It goes without saying that I had no book sales to offset my expenses. But I *did* meet some amazing people. Some of whom are my friends to this day. Including the fabulous Cynthia Eden.

Cindy was already multipubbed and doing awesomely well at that point and, also a member of FFP, was really nice to me. We hung at a party and talked. She became a friend, advocate, and my go-to person for questions. Fast forward six years and, as a direct result of that friendship, which has otherwise enriched my life in so many ways, I get to be in this fantastic collection with Cindy and four other authors who are mind-blowingly good. DARK SECRETS: A PARANORMAL NOIR ANTHOLOGY comes out on September 29 and I'm effervescent with excitement. I mean, Megan Hart and Rachel Caine have written books that are in my top favorites of all time. Like, Cindy, Suzanne Johnson is a longtime friend from FFP and I've known Mina for years.

It's like my clubhouse girl-pack decided to put on a play and everyone just happens to be Judy Garland.

This is why I feel making author friends is ultimately unquantifiable. There's simple no way of knowing what will produce a return in the future - or what form it will take.

Thus, I'm sorry not to make it up to the Colorado Gold Conference. Who knows what might have resulted? But I wish all of you well. I hope you learn new things, make new friends, and return home inspired to create.

I'll be thinking of you!



Six award-winning authors bring you this spellbinding collection of stories about dark desires, mysterious worlds, and danger that lurks in the shadows of the night. Where nothing is black and white; where things might not be as they seem; where magic and mayhem rule.

We are now on Goodreads:

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All Romance eBooks



Best Conference Advice: Leave Your Clothes On (Almost) All the Time

With less than three days until the Colorado Gold Conference presented by RMFW, I wanted to drag out and dust off the conference rules. Mind you, these are not ‘rules’ as in those that will land you in the conference clink, but ‘rules’ like those of writing itself--Good guidelines to follow, but every once in a while shattering them can lead to a fun adventure and/or ruining your budding career.

Rule 1 - Have fun.

Sounds easy enough, right? Except for some of us of the shy/introverted variety. We would prefer to hide in our hotel room, and if we don’t have a hotel room, the bathroom will do. Fun can be hard, especially if you’re adding pressure to yourself to perform, which brings me to rule 2.

Rule 2 – Manage your expectations.

When I first started going to conferences I would spend hours memorizing my pitch for that 10 minutes I might spend with an agent/editor. Don’t get me wrong, that 10 minutes can change a small bit of your life, but it isn’t going to change everything. Go in understanding that a conference doesn’t make or break (unless you throw up on the agent/editor) a career. Spend your time more wisely.

Rule 3 – Make friends, after all sharing is caring.

No, I don’t teach grade school on the side. But I know this better than anyone does. It is all about who you know.

But not in that gross way. Who you know means making those connections with people in similar boats. These are the people who will read your manuscript for the 10th time, or come to your third signing when no one else will. These are the people who understand when you talk about how to get blood out of shag carpet.

Meet your peers is the best advice I can give.

Amazingly, even though this is my 8th RMFW conference, I meet new people each time. And even more, I am NOT sick of those I see every year. Which again brings me to my next point.

Rule 3 – Shower. Please. (You know who you are).

Rule 4 – Don’t annoy others.

Please don’t pitch during workshops. I’ve seen it a million times at the agent and editor panels, people summarizing their book during the Q&A. If you have a question about your book specifically, ask in a private moment or better yet make it a general question. For example, if you want to know about where your book ‘fits’, which I know as a newbie I spent way too much time and energy trying to figure it out (and the publisher changed it twice since), ask a general question about the category and keep it under 140 words. We want to know the status of the industry, not about your book. Save it for dinner conversation.

Rule 5 – Learn as much as your brain can take.

Three days is a crazy amount of learning. Remember to pace yourself. If you need a break, you need a break.

Go hide in that bathroom.

I’ll be in the next stall.


Do you have any rule you'd like to share? Also, roll call. Who will be at the RMFW Conference?


And my last bit of advice is, say hi to me. I love to hear about books. I want to hear about yours. Let's be friends, so I can ask you the best way to dispose of a body.

Check out my new website and get a free eBook. And make sure to friend me on Facebook, so the cops know just who helped me bury that body.

The RMFW Spotlight is on Lisa Manifold, Newsletter Editor

Now that we have so many new members of the Rocky Mountain Fiction Writers Board of Directors, we'll once again be featuring the RMFW Spotlight on the blog. Our goal is to introduce our board members to all our readers and encourage other RMFW members to offer their time and energy to this energetic and growing community of writers.

2015_Lisa ManifoldToday the spotlight is on Lisa Manifold, author of the Sisters Of The Curse series

1. Tell us what you do for RMFW and why you are involved.

I am the Newsletter Editor. Prior to this, I was the Hospitality Chair. I got involved with RMFW because my writing, and my thoughts on how to be a writer, and be successful, changed for the better due to joining RMFW. I wanted to give something back to the organization that helped me so much.

2. What is your current WIP or most recent publication, and where can we buy a book, if available?

I recently released Thea’s Tale, which is Book One in my Sisters Of The Curse series. By the end of August, I’ll have a novella, One Night At The Ball, and Book Two, Casimir’s Journey, in the same series available. I’m working on finishing up both projects right now. They are all available on Amazon digitally and in paperback.

3. We've all heard of bucket lists -- you know, those life-wish lists of experiences, dreams or goals we want to accomplish-- what's one of yours?

That’s a hard one to narrow down. There’s so much I want to do still. My kids are getting older, so a great deal of it involves them. Sail in the Caribbean is one, because I love sailing. It’s the thing I miss most about being in a landlocked state.

2015_Manifold_Thea'sTale4. Most writers have an Achilles heel with their writing. Confess, what's yours?

Mine would be distractions. I have to force myself off my social media, my checking of reports, marketing, reading and research paths when I’m writing. Otherwise, I get involved in something and look up and the morning is gone. It’s amazing how attuned we are to checking our media.

5. What do you love most about the writing life?

The ability to create. I love being creative, of getting an idea and sitting down at my keyboard and beginning to flesh it out. I also enjoy being my own CEO. Being able to write as your career is a gift.

6. Now that you have a little writing experience, what advice would you go back and give yourself as a beginning writer?

Finish. The. Book. Nothing else can happen until then. I’m an obsessed researcher. Before I embark on something, I read about it, and find out as much about it, whatever it is, as I can. If you’re going to focus on writing full time, it’s easy to get distracted by the ways and means of doing so. But until you finish the book, nothing else can happen.

Also, start a mailing list. Even before you finish the book.

Manifold-desk7. What does your desk look like? What item must be on your desk? Do you have any personal, fun items you keep on it?

My computer is in an old computer cabinet. We got it years ago to keep our toddlers away from our electronics. But I have a comfy chair, and it’s in a quiet area of the house. I actually don’t need anything other than a sticky notepad, my latest stuff from my critique group, earbuds, and pen/pencil. That’s it. Anything else, and I start to feel cluttered.

8. What book are you currently reading (or what was the last one you read)?

I’m bouncing between two right now, because I read when I have a little down time. The first is 5000 Words Per Hour by Chris Fox, and Take Off Your Pants by Libbie Hawker.


Lisa Manifold lives in the amazing state of Colorado. She shares her life with her husband, two children, two dogs, and one offended cat. She enjoys skiing and she adores "treasure hunting" at local thrift stores. Her other hobbies include costuming within her favorite fandoms and periods. Her family calls her 'the cruise director' in homage, of course, to a woefully under-appreciated skill.

Latest Release: Thea’s Tale, Book One of the Sisters Of The Curse series. You can learn more about Lisa at her website and Amazon author page. You can also find her on Facebook and Twitter.

Are You Prepared to Put Yourself Out There at This Year’s Conference?

rmfw-logoHow much time should you spend networking at a conference? That’s up to you. However, forcing your book on people will get you nowhere. Treat fellow writers as allies. Networking is about nurturing existing relationships as well as making new connections. Look for these opportunities to put yourself out there, and you’ll also leave the conference with a few new friends:

1. Bring business cards and other printed marketing material to conference. There is a table for everyone’s book flyers, but only leave about half of what you bring on the table. When an attendee expresses an interest in your book or genre, physically hand him a flyer for a more memorable experience. You’ll also know who to follow up with. If a person refuses your card or flyer, don’t be offended. Better to give it to someone who will make use of it.

2. While you shouldn’t ignore friends, don’t just stick with people you know. Find opportunities to talk to unfamiliar faces. Create a list of people you want to meet such as the keynote speaker that writes your genre, the writer of the year, and contest winners. Seek them out and introduce yourself. Or ask a friend or conference volunteer to introduce you to the writers on your list. Congratulate them on their success.

3. Network while in situations you feel comfortable. If you have trouble meeting people one-on-one, schedule your networking time during the banquets, where there are more opportunities for introductions. Make reservations for lunch with old friends, and have everyone bring a new acquaintance or invite people on your ‘want to meet’ list.

4. Introduce yourself to the other writers sitting around you at workshops. Strike up a conversation by asking what genre they write or if they’re published. The discussion could lead to other shared interests outside of writing. If anything, you’ll add a friendly face to the crowd and are bound to meet again in another workshop.

5. When exchanging business cards, make notes about the person on the back. This will help you remember who’s who after the conference. Later, use your notes to add a personal touch in a follow up email or social media post.

6. And speaking of social media, during the conference in between scheduled workshops (please do not disturb other attendees by posting during classes), use the hashtag #RMFW2015 on Twitter, Facebook, Google+, etc. Tell the world what you’re learning. Engage with other attendees online. This could lead to new followers and a meet up during happy hour in the lobby.

7. Presenters want feedback. Compliment them or ask questions outside the classrooms. Comment and share personal experiences and the two of you could connect on a personal level.

8. Ask questions to prompt conversation and be a good listener. This is a great way to engage the quieter members of the crowd. Everyone wants to talk about their work in progress. Inquire about workshops attendees have found valuable. Published authors are quick to share their experiences with the changing publishing industry. Or cry on each others' shoulders about disastrous pitches.

9. Sometimes people need to nudge to network. Always ask for a business card or book flyer if one is not given to you. If the person doesn’t have one, jot down her name and email address on a slip of paper. Of course, you don’t have to do this with everyone you meet, but if you want to follow up with someone, you’ll be glad you asked.

10. After the conference, gather all the business cards and flyers you collected. Sit down and prioritize who you’d like to get to know. Follow up on email and social media. Schedule a coffee date. Remember there is potential in all connections that could lead to promotional opportunities, editing gigs, critiques of your work, publication, and even new connections. Appreciate that every relationship is reciprocal. There is great reward in helping others as much as they will help you.

Networking with people you don’t know at a conference can be difficult, but we all have to do it to advance our careers and sell books. The good thing is, like anything that makes us uncomfortable, the more we approach others, the easier it becomes.

Rocky Mountain Writer Podcast #14

Rocky Mountain Writer Podcast – Episode #14

Writer of the Year Panel at the Tattered Cover

Writer of the Year finalists Susan Spann and Cindi Myers offered their thoughts, insights and advice during a late August panel at the Tattered Cover in downtown Denver. (Writer of the Year finalist Joan Johnston was unable to attend the event.)

Show Notes:

Shannon Baker:

Cindi Myers:

Susan Spann:

Joan Johnston:


Intro music courtesy of Moby Gratis
Outro music courtesy of Dan-o-Songs

For suggestions about content or to comment on the show, email Mark Stevens. Also feel free to leave a comment about the podcast on iTunes or your favorite podcast provider.

Host Mark Stevens:

Fifty Shades of Self-Doubt

As I was reading Jeff Seymour’s recent blog (, I was struck by the thought that for a writer, there are all kinds of ways for demoralization and discouragement to find their way in and poison your life. Jeff describes his sense of failure in terms of sales and income, in other words, his writing career. I’ve certainly spent my share of time agonizing over similar issues. But I have to say that worries about my career haven’t caused me nearly the misery as some of my other bouts with self-doubt.

Despite his sense of feeling like a failure, Jeff still comes across as fairly confident in his writing abilities. He describes his book as good art and shares how this was validated by having it named to a list of the Best of 2014. But what if you publish several books that don’t get positive reviews or win awards? It’s very easy for the insidious doubts to creep in. It’s hard not to wonder if getting published was a fluke. Maybe it was all a mistake, and you just got lucky. Maybe you have no talent, and now that you’ve been exposed as a lousy writer, you’ll never sell another book.

And then there are the reviews. A single one-star review on Amazon or Goodreads can destroy whatever confidence you've gained by getting published. A few ho-hum two and three-star reviews drag down your rating and inspire more agonizing. Readers are the final arbiters. If they don't like your book, you know you're in trouble.

Or, maybe you’re confident you're a decent writer but worry there’s something terribly flawed with your story ideas and your fictional vision. Technical ability can be worked on and improved. You’ve seen it happen in critique groups and in the publishing world. A writer you considered mediocre finally writes an exceptional story. Clearly they’ve been working at their craft and it has paid off. But what if you begin to feel that no one else is interested in the stories you’re drawn to write. Where do you go with that?

Of course, if you’ve never been published, the claws of self-doubt can dig in even deeper. That’s when you wonder, after the tenth or twentieth rejection, whether you’re wasting your time, not to mention your money, on those conferences, contest entry fees, critiques and writing advice books. There you are, selfishly taking away money from the family income to indulge the hopeless cause of your writing.

You may have confidence in your talent and your stories but end up feeling that fate is against you. I’ve known authors who got published just as the line their book was featured in was closing down. Or they published their first book at the exact time their genre fell out of favor with readers. Or maybe you’ve been cursed by an incompetent agent, who never sends anything out, even to editors who ask for the manuscript. Or the editor who acquired your book moved on right afterwards and your new editor considers you damaged goods. Or your book got the most terrible cover ever. Or it came out the same month as a blockbuster hit that left every other book in the dust.

Most of us who’ve been in the business awhile accept that at least a part of publishing success is due to luck. But that doesn’t help if it you’re one of those people for whom it seems if not for bad luck, you would have no luck at all.

Of course these days you can make your own luck. You don’t have to wait for an editor who believes in your story. You can publish it yourself and go directly to the readers. Unfortunately, the freedom to indie-publish doesn’t free you from all the things that can undermine and discourage you. Yes, you have control. You control your cover, your release date and every marketing detail. But with control comes responsibility. For everything. Which means if things don’t work out as you hope, you have no one to blame but yourself. And that can lead to even more layers of self-doubt and questioning.

Sometimes it seems endless, the way the world can gnaw away at our writing dreams and leave us empty and hurting. But because there are so many things that can trigger the doubt lurking in our artist souls, we have one advantage. Self-doubt is an incredibly common problem, something all but a few fortunate writers face at one time or another. Which means that lots of creative and dynamic people have endured and survived what you’re going through, and many of them are willing to share what helped them go on. What restored their faith in themselves and gave them new motivation and optimism.

If you are attending the Colorado Gold Conference a week from now, you will have a chance to meet some of these veterans of writing hard times. You will be able to network with them informally at meals, in the bar and after workshops. And there will also be a panel on this very subject. Come and hear Jeff, me and three other writers (including the 2014 Writer of the Year, Shannon Baker) as we discuss our battles with self-doubt and discouragement. We’ll share what worked for us, how we overcame our fears and despair and lived to write another book.


A fellow member of Rocky Mountain Fiction Writers did not see any immediate impact on the careers of those she witnessed working so hard on our all-volunteer staff, either at the annual Colorado Gold Writers Conference, nor throughout the year on our board and support positions. She asked me if I found participation in RMFW rewarding. Because of the context of the question I knew she wasn't asking whether I found it personally rewarding. What she was really asking was: Did I feel the effort and time I put into volunteering in RMFW translated in any way to book sales, or any other help for my career as a novelist.

Not at all a simple question.

You've heard, I'm sure, the term: You get out of it what you put into it. And I'm sure that's true, as far as it goes. The benefits of participation in RMFW as just an attending member are direct - E=MC2. But are the benefits for volunteering and actually participating in the operation of the organization even measurable in any instant or even short term calculation? I submit that one actually gets back much more than what they put in when actively participating in RMFW.

I post to the RMFW email loop ( to keep members with whom I’m acquainted, but not necessarily on a direct-email basis, informed of what’s going on with me. I may not get any direct response to my posts, but doing so also helps to keep one's name out there on the loop. Your name also becomes prominent in other areas of RMFW such as the newsletter, volunteering for conference, submitting to the blog, etc. Keeping your name out there in the RMFW community does translate to your publicity, if not directly to sales, and opens doors that may not be open otherwise. Eventually guest publishing professionals – speakers, visiting editors and agents, etc. – will hear/read it. There are a million subtle ways in which this can benefit you. I’ve gotten a lot more attention (followers on Facebook and Twitter, name recognition when introducing myself at workshops and conferences, etc.) since I agreed to become a regular contributor to the RMFW blog, and I love doing it. You never know where this kind of networking might benefit you down the line.

So no, volunteering does not perhaps convert directly to sales, and I suspect that’s why things like the email loop aren't nearly as active these days as they once were. It used to be a very lively forum for discussion and debate, but lately most posters want to sell their books and that’s all. Well I assure you that while most readers of the loop scan over or even ignore ads for your books or promotions for your blog, they are eager to read other news and opinions of current events and hot publishing industry topics. The loop and other methods of keeping your name prominent in RMFW may not translate directly to sales, you never know what it might lead to indirectly down the line.

Likewise attending our free workshops and education events throughout the year. These are not just opportunities to look at an aspect of our profession from another colleague's perspective, something from which you are far more likely to learn than not, you also have the opportunity to network, to meet fellow writers and introduce yourself to them.

conference1The Colorado Gold Writers Conferences, sponsored every Fall by RMFW, is the Grande Dame of all networking opportunities the organization offers. There is no end to the openings you have to make yourself known to the organization at large, not to mention guest professionals from the publishing industry from around the country, and even, sometimes, other countries. From pitching a workshop, if you feel you have something to share with others, to volunteering to moderate workshops. You can volunteer to judge the contest, work the registration table, help in operating the pitch sessions, or just in general as a docent or information source for newcomers and other attendees. One of the best opportunities is to volunteer as a driver, to pick up and transport conference guests between the airport and the venue - here you have a good thirty minutes or more alone with one of the visiting editors, agents, or authors invited to the conference to chat with them and become acquainted. No better networking opportunity in my book.

In short, never pass up an opportunity to volunteer and participate in RMFW and get yourself and your name out there. Doors only open to you if people know who you are. And RMFW is one of the greatest local opportunities you will have to do so.

Oh, and when the doors do open, always be ready and never say no. Even if it doesn’t end up going anywhere, sooner or later one will.

Don't miss Kevin’s latest releases: the startling and engrossing series of gothic thrillers featuring vampire private detective Kathryn Desmarias, including Bloodflow, and Bloodtrail, the bestselling sequel to Bloodflow; also the wonderfully entertaining espionage thriller, Rogue Agenda.

Follow Kevin at:
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