NovelRama: 4 Days to 25k … by Lisa Manifold

RMFW’s Independently Published Authors Liaison (IPAL) is sponsoring an event for all RMFW members this summer designed to kick your writing into high gear. Whether you’ve been noodling an idea around in your head and haven’t done anything further, or if you’ve been finishing up a writing project for what seems like an eternity, we all have things on our writing to-do list. Things that never seem to get completed.

2016Llamav5_IPAL NovelRama
What you need is NovelRama, the four-day IPAL sponsored writing event for all Rocky Mountain Fiction Writers members. In four days, we’ll help you to bring that idea to fruition or wrap up that never-ending project. Beginning at midnight on July 29th, we’ll begin the sprint to 25,000 words.

That’s right, four days to 25k.

But wait, you say, 25k? In four days? How?

Well, we’re glad you asked! Over the course of this four day event, IPAL will host get-togethers where you can put your butt in a different chair than usual, while you bounce your ideas off of fellow authors, and spur your creativity in a fresh location surrounded by people who understand the struggle!

Sounds great, but where do I start?

First, head over to rmfw.net, our new members-only discussion forum (which you should totally go and check out anyway), and register for the forum. After a moderator approves your account, go to the NovelRama category and open the Participant Check In & Greetings board. Introduce yourself in a new post to let us know you plan to join the four days of challenging FUN!

Then, it’s time to start your planning. Even if you are the proudest of proud pantsers, write down some ideas for that new project. Read through that WIP, decide whether your thoughts on finishing it are still legit, and outline the ending. Even if you only outline in brief, grammatically incorrect sentences, make a plan of some sort.

Then what?

IPAL members will host a kick off, location to be decided, on Thursday, July 28th. We’ll have meet-ups on Friday, Saturday, Sunday, and Monday, but there can be only one (daily), because we all need to keep butt-in-chair.

After that, it’s all writing, all the time. For four days, anyway. Ignore the lack of showering. Meh. You can shower on Tuesday.

What happens on Monday, August 1st? Well, at 11:59, NovelRama is done for the year. You’ll be able to look back over the past four days and see the pages of words you’ve produced. Editing, schmediting. There’s always next week! There will also be some fun badges, you know, to show off your writing chops. Later in August, IPAL will host their Summer Sale and NovelRama Celebration.

So join us! This is the perfect time to add a metric ton of wordage to whatever it is you’re working on, and NovelRama is the perfect method to get you there.

Any questions, email ipal@rmfw.org. We’re happy to help. Because when one of us succeeds, we all do.

NovelRama
4 Days To 25k.

2016Llamav5_IPAL NovelRama
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2016_Lisa ManifoldLisa Manifold is fortunate to live in the amazing state of Colorado with her husband, two kids, two dogs, and one offended cat.

She enjoys skiing and carting kids and dogs to wherever they need to go, and she adores "treasure hunting" at local thrift stores. Her other hobbies include costuming within her favorite fandoms and periods.

She is the author of the Sisters Of The Curse series, based on the Grimm Brothers fairy tale The Twelve Dancing Princesses. Her new series, The Heart Of The Djinn, is a trilogy that shows what happens when a free-lancing djinn does his own thing. THREE WISHES, the first book in The Heart Of The Djinn series is out now. Book two, FORGOTTEN WISHES, will be out soon! Finally, Brennan, the Goblin King will be making his debut in the Realm trilogy in early summer.

You can find her on Twitter, Facebook, and her Website.

Rocky Mountain Writer #50


LaurenceLaurence MacNaughton & It Happened One Doomsday 

Laurence MacNaughton's It Happened One Doomsday debuts this month (July, 2016) and it's already off to a roaring start.

Publisher’s Weekly, Kirkus Reviews, RT Book Reviews and Library Journal have all weighed in with glowing comments and Barnes & Noble is getting behind the new title in a very big way.

On the podcast, Laurence MacNaughton talks about the approach to writing It Happened One Doomsday, particularly how a chance conversation with one Hugh Howey led to a shift in his thinking about how to write the story. He also gives us a quick look at his Instant Plot workshop and gives us a sneak peek at another workshop that it’s in development. Laurence MacBaughton grew up Connecticut and sold his first magazine story at age 19. Over the years, he’s been a bookseller, typesetter, printer, copywriter and a prototype vehicle test driver.

This episode includes Laurence reading a scene from It Happened One Doomsday.

Laurence MacNaughton

Pyr Books

 

Intro music by Moby Gratis
Outro music by Dan-o-Songs

For suggestions about content or to comment on the show, email Mark Stevens. Also feel free to leave a comment about the podcast on iTunes or your favorite podcast provider.

Host Mark Stevens: http://www.writermarkstevens.com

The Good of the Whole

I’ve been gardening for about ten years. In the beginning I started with easy plants, varieties that thrive in the Rocky Mountain climate without much effort. But I wanted more. So, I kept adding things. Species that are more difficult to grow, but better fulfill my vision for my garden. Every year there is some color or height of plant my garden seems to need.

But I only have so much space and my garden is getting terribly crowded. Something has to come out before I add anything more. It’s a tough decision. How do you uproot a plant that is lovely and thriving to replace it with something else? It’s seems so harsh.

2016_Gillgannon_gardenWhat will it be? Which plant gets to live and which plant gets weeded out? I consider color. I love purple, but a good share of my garden blooms in that hue: dame’s rocket and columbines, hardy geraniums and delphiniums. With all that purple, the lavender haze of cat mint and sage seem like too much. These are some of the first perennials I planted and they’ve gotten huge, three and four feet wide. I prop them up with low fencing, trying to keep them under control. But something has to give.

I make my decision. It will be the sage. I will dig them out. Not to die, but to pass on to my friend who lives in the prairie/mountain landscape west of town. She has a whole hill to cover with tough, durable species.

Why the sage, and not the cat mint? Well, my cats, non-ironically, like the cat mint, and spend quite a bit of time rolling around on it early in the season. Later, the cat mint will attract bees by the dozen, until the plants come alive with swarming pollinators: honeybees, bumble bees and the occasional swallowtail butterfly.

Writing can be like gardening. (You were wondering when I would finally mention writing, weren’t you?) It’s difficult to pull up and discard a whole subplot. But sometimes the story gets too crowded, and you have to think long and hard about what drives the book. What is its essence? Are there scenes that seem repetitious? They may be tight and functional in and of themselves, but do they make the book better?

I write like I garden, randomly adding things, following a plot-line or story arc to see where it goes. But sometimes it gets too rambling, and I know I have to cut. I have to make my decision the way I do when gardening. What fulfills my vision? What can I do to make my garden/book better? What can I take out and not really miss?

Words, sentences, plotlines. They’re alive, blooming, full of possibilities. So hard to dig them up and discard them. But I have to remember the whole garden. The book. The story. That’s what other people see. What they read.

A bit wrenching, but it has to be done. There. Gone with a click of the mouse.

Already, the story flows better. Seems more cohesive and somehow more real. I’ve done the right thing and dug out those extra words that were getting in the way of the beautiful whole.

IT’S A WRAP … by Kay Bergstrom aka Cassie Miles

Kay BergstromIt’s easy to start a book. Here’s a clue (4 little words): Once Upon A Time...

The hard part comes when you finally type (2 little words): The End.

In my fantasies, I end the book accompanied by a majestic choir rising from a cloud and singing hallelujah while critics, fraught with anticipation, rush to invent an accolade more laudatory than five stars and fans with real dollars form lines to purchase my own perky prose.

Hah!

Fantasy aside, “The End” results in three possible outcomes: it’s good, it’s not-so-good or it’s done. For example, The Girl with the Dragon Tattoo is a good book, while Girl on the Train is not-so-much, and I read all the way to the end of Gone Girl.

Criteria for a Good Book:

There’s no shame in saying that some books are better than others. (I’ve published over 80, some fabulous and some suck.) Like a good parent, I hate to admit I have favorites and prefer one over the other. So, I’ve come up with guidelines.

How can you tell if you’ve written a good book? Reviews and second reads aren’t always helpful. If there were truly as many 5 star reviews as are given on Amazon, we would undoubtedly be living in the golden age of literature. Are we? Are we really? The following are craft-oriented ways to judge.

  1. Genre Fulfillment: Each genre, including literary, has certain reader expectations for the ending. In mystery/suspense, the villain is captured. In romance, it’s HEA (happily ever after). In science fiction, the alien scum is thwarted and good prevails. In literary, life goes on, with or without the main character; too pat an ending will ruin a literary book. The more genre-specific, the better. Example: In teen dystopia, the teen comes into his/her powers and saves the day (follows the classic Hero’s Journey plot).
  2. No Loose Ends: All those cheerful digressions that made writing the novel so much fun need to be paid off. Otherwise, the reader gets to “The End” and, instead of reveling in the joys of a book well-writ, is worrying about the dwarf mentioned in Chapter Three. Consider keeping a character list and planting a plot tree with all the twigs and branches, conflicts and motivations.
  3. Character Arc: Your main character MUST change during the course of the book. The whole point of fiction, the reason fiction is different from real life, is that the struggling protagonist ALWAYS changes. As referenced with loose ends, conflicts and motivations must be resolved. A good way to make sure you’ve done your job and changed the protagonist is to place them in the same situation in the opening and at the close. Example: My current book, Mountain Bodyguard, starts with the self-centered heroine in a dark room with no electricity and ends with the electric being purposely cut so she can escape after saving a life and catching the bad guys.

Bottom line with a good book: If well-written, the ending is incredibly satisfying.

If Not-so-Good:

2016_Bergstrom_BodyguardSuppose you get to the end and decide your novel isn’t “as good as it can be.”

Sitting on your right shoulder is the cheerful writing muse who will tell you, in dulcet tones, that this is a grand development. You can rewrite. You have a chance to go back, review the plot and characters and fix it.

On the left shoulder is The Critic, a total curmudgeon who will tell you that it’ll never be good enough. You could rewrite until doom’s day (which probably isn’t far off), and it’ll never be good enough.

The truth is somewhere in-between.

  1. You can become a constant re-writer, polishing and polishing until you’ve worn the poor book down to a nub.
  2. You can turn your back on those imperfect pages and put the book out on line. Or start shipping it to editors and agents who will surely love it because your every keystroke is sheer genius.
  3. Re-write for a set period of time, until you reach a point when you feel the book is good enough. Call it done and start marketing.
  4. Re-write until you come to the sad realization that the patient is terminal. Have a nice cremation and/or burial, say good-bye and move on to the next project.

It’s a Wrap:

I’m not talking about a poncho or shawl. Not talking about one of those truly heinous fur pieces with the fox’s head still attached. Not even talking about an infinity scarf that truly goes on for infinity.

There comes a time when the writing process is over, and the book is a wrap. Good, bad or indifferent, completion is its own reward, although a chocolate and champagne celebration is nice. Remember, when there’s an ending, another beginning is possible.

~~~~~~~~~~~~~~~~~~~~~~~~~

Kay Bergstrom aka Cassie Miles has published over 80 books of romance and suspense, has also sold screenplay treatments, radio plays and articles. She’s been on the USA TODAY Best-seller List and her last book was on the PW Best-seller List. She’s been RMFW Writer of the Year twice, and served as President, Veep and Treasurer. Her current Harlequin Intrigue is Mountain Bodyguard.

Getting to Know You: The RMFW Member Q&A Project

The Getting to Know You Project is intended to introduce RMFW members with short responses to three questions, a photo, and a few social media links if available. If you would like to participate in the project for future months, please email Pat Stoltey at blog@rmfw.org

F.P. (Frank) Dorchak

Website/blog: Runnin Off at the Mouth: https://fpdorchak.wordpress.com/ Reality Check: https://fpdorchakrealitycheck.wordpress.com/
Facebook: https://www.facebook.com/frank.dorchakiii
Twitter: https://twitter.com/fpdorchak
Goodreads: https://www.goodreads.com/author/show/805034.F_P_Dorchak

GTKY2016_Frank Dorchak1. We know the who (that's you), so will you give us the what, why, when, where, and how you write?

I write gritty paranormal fiction. My novels are not monster-based fiction, but fiction that attempts to give a different spin on life...about everyday people who have “the weird” enter their lives. I portray a different perspective to what may actually be going on in the background of our lives. My older short stories have some monster-based stories (werewolves, cephalopods, shelves, clowns...), but in my newer work those are more like my novels: ordinary people in extraordinary circumstances that forever change their lives.

I write organically at oh-dark-thirty in my home office...no outlines. I do “reverse-outline”...I break out the beats of the story and create an outline from that. Manipulate as needed. Write a couple more drafts, read it out loud...give it to my up-and-coming proof reader/editor, Mandy Pratt. Input course corrections...read it again—go Indie. Try to convince wife I still exist. Begin the crazy again.

2. What is one fun thing few RMFW members know about you?

I’ve jumped out of an airplane a couple times. From altitude. Oh, yeah...with a parachute.

3. What is your most favorite non-writing activity, the one that gives you the greatest joy?

For a daily activity, weightlifting and cardio. It’s quite cathartic to “release the beast” in the weight room. But I love getting out and away...expanding my horizons and experiencing new places and things and concepts! Exempli gratia, I’d recently experienced floating and cryotherapy.

~~~~~~~~~~~~~~~~~~~~~~~~~

Carolyn Fritz

Website: Bewitching Hips http://bewitchinghips.com/
Facebook: https://www.facebook.com/carolyn.fritz.3
Twitter: https://twitter.com/bewitchinghips

GTKY2016_Carolyn Fritz1. We know the who (that's you), so will you give us the what, why, when, where, and how you write?

I write mostly fantasy and steampunk fantasy. I also do some sci-fi. I like bringing inanimate objects to life and seeing what they do. I've always loved fantasy books, so writing it comes naturally. I write when I can, in short bursts after work, and longer on the weekends if I'm lucky, in a shared office with my fiance and the "help" of my cat, Sif.

2. What is one fun thing few RMFW members know about you?

I am a professional belly dancer, and have been dancing and performing for fifteen years. I started lessons on a dare and fell in love during my first class. I've performed mostly at fan conventions, including StarFest and MileHi Con, as well as at night clubs and weddings. I have an entire spare bedroom devoted to nothing but costumes and accessories for dance and cosplay.

3. What is your most favorite non-writing activity, the one that gives you the greatest joy?

I absolutely love gardening. The feel of dirt in my hands, caring for the plants, and reaping the harvest in the fall is amazing. If I'm not careful, I can get lost in the garden, only coming back to reality when the sunburn sets in!

~~~~~~~~~~~~~~~~~~~~~~~~~

Rainey Hall

2016_Rainey Hall1. We know the who (that's you), so will you give us the what, why, when, where, and how you write?

I love to write thrillers—mixed with mystery, personified prose, similes, metaphors... You name it, I’ll toss it in; sort of how I make quick breads. I put words on paper anytime and anywhere I can. I believe writing, besides an outlet for my imagination, helps me process things I’ve learned, experienced, and witnessed.

2. What is one fun thing few RMFW members know about you?

Only one?
I park cars better backing than driving forward.
I love to play with my grandnephew and grandniece. Just the other day, Colt was flipping pretend food at me. And I caught everything in my mouth—except once. Boy howdy, that was a mess.
I’ll help, but I don’t like branding cattle.
My pen name is L. Treloar.

3. What is your most favorite non-writing activity, the one that gives you the greatest joy?

Only one?
Reading, cooking, photography, teaching, gardening, target practicing, training my cat to retrieve, HORSES, and animals in general. Cross-country skiing and deep sea fishing are pretty cool too.

~~~~~~~~~~~~~~~~~~~~~~~~~

Nathan Lowell

Website/blog: http://nathanlowell.com/
Facebook: https://www.facebook.com/nathan.o.lowell
Twitter: https://twitter.com/nlowell
Goodreads: https://www.goodreads.com/author/show/1048167.Nathan_Lowell

GTKY2016_NathanLowell1. We know the who (that's you), so will you give us the what, why, when, where, and how you write?

I mostly write science fiction. I started reading it as soon as I was old enough to pick out the little rocket stickers on the spines in the elementary school library. Later, my Aunt Pat used to bring shopping bags full of paperbacks to the house and a lot of them were Ace Doubles. I'm a full-time writer, and a binge pantser. I spend almost all my time in a dark corner of my basement. I can write a novel in a month, but it can take half a year for it to percolate to the surface.

2. What is one fun thing few RMFW members know about you?

I used to be a fashion reporter for a style magazine in Second Life. I mostly wrote reviews of clubs and interviews with designers.

3. What is your most favorite non-writing activity, the one that gives you the greatest joy?

Cooking. I love food and preparing it.

Thanks to Frank, Carolyn, Rainey, and Nathan for vounteering. If you'd like to participate, for future months, contact me (Pat Stoltey) at blog@rmfw.org

Feeling Cozy: Avoiding F-Bombs & You

I’m a big fan of f-words. Though I try to limit the number of them, both in my books as well as in real life. F-words Funny gorilla with red sunglasses celebrating a party by blowing a striped hornhave power. Even if you don’t use them, you must understand the beauty of a great insult. Or a stream of f-words blurted when one stubs a toe.

I recently judged a contest, and was surprised to see the number of writers who agreed with the use of the f word. Oddly I found myself turned off by a few that didn't fit the tone or seemed over the top. Yes, me. Does that mean one shouldn’t use the f-bomb for fear of turning off a reader? Heck no.

F-bomb away.

But know that words have power.

Take said for an example. Writers use it to dialogue tag for reason. Invisibility. Use a word too much and it loses its power.

That being said, I’ve recently started writing a cozy mystery my agent requested. I wasn’t sure I could do it. Wasn’t sure I had a voice for it. Turns out the cozy fits my style quite nicely. I get to research, which I love, on top of that, my cozy is about whiskey, so I also get to drink.

I’ve found it easy enough to avoid the f-bomb, as well as a few other choice words I would normally use. Where I’m coming into trouble, and I’d love your advice, is in toning down the snark. I’m naturally snarky, and it comes through, perhaps too much, in my narratives. Though it works for my previous characters. Not this one though.

How do you keep yourself out of your words? And what’s the acceptable amount of f-bombs dropped in a novel?

 

 

 

Airing my own dirty laundry: a writer’s Black Moments

Writers understand black moments. They're our bread and butter and appear in every novel. First we establish our protagonists' worse fears, then we throw rocks at them, pushing them toward their nightmares. From the first pages we frustrate, annoy and confound them. With slightly dysfunctional glee, we deepen their problems. With Donald Maass's voice ringing wickedly in our ears, we think, "What's the worst thing that can happen? Now how can we make it even worse?" By the time our battered hero reaches the final pages, he's exhausted, financially ruined, suffering a tarnished reputation and likely suffers from a bleeding wound or two.

It's only fair when karma catches up with us.BlackMoment1316139_1280

Black Moment #1. Contest Entry Agony.

Disclaimer: this incident did not involve RMFW's Colorado Gold Contest. I'd been writing for over six years and was trying desperately to gain an editor or agent's attention by winning contests. After days of careful revisions and study of the contest rules, I sent my entry and $65 to the largest competition in my genre. I waited with optimism and the high hopes and dreams only a struggling writer possesses. A Black Moment slashed all four of my tires when I received notice that my entry violated the manuscript preparation rules and my $65 entry fee was forfeited.

My violation was the font size of my header. I went back and looked at the picture of the full-size reproduction of an acceptable entry the organization printed in their newsletter. I had even checked their example against my printer font size checker. It was the same size as my entry. The contest officials refused to reconsider. I found little consolation that close to a hundred other entries were similarly DQ'd that year and the rules were hastily revised the next year, but at that moment, I was devastated and outraged.

Black Moment #2. Word Processing Disaster.

I had typed "The End." I loved my story. I was prepping the manuscript for Kindle and other outlets. I discovered that during the conversion, the word processing program scrambled the quote marks and apostrophes. They had become a helter skelter pattern of straight quotes and smart quotes! Using the search-and-replace function was useless because it's a style, not a typo.  Hopeful,  I reloaded and converted, but it happened again. I was on deadline with Amazon to get the book in on time. My Black Moment crashed in when I realized I'd have to proof all quote marks and apostrophes on all 350 pages--manually.

Black Moment #3. Facebook Ad Fail.

In prepping for the July 15 release of Crimson Secret this summer, I developed a really fun ad campaign featuring my gorgeous cover, which was developed after scrolling through images and art until my eyeballs fell out and rolled across the keyboard. I also won hard-fought battles with my graphic artist about fonts and models. Of course the cover was included in the ad. Imagine my fury when I received a rejection from the Facebook ad gurus for "too much text." (Facebook has a strict 20% rule about the portion of the ad that can contain text, not for number of words, but for how much space in the ad contains text.)

I appealed, explaining that book covers are exempt from the "text" rule because they are, in fact, an image of the "product." Said gurus didn't listen and rejected it again. A Black Moment leaked into my veins like dirty transmission fluid when I realized that, if I wanted my ads to run before my book release, I would have to re-do all my ads.

Stuff happens. We've all heard horror stories of other writers' Black Moments. One author suffered through holding her first published book in her hands, only to realize that the printer had omitted the final page. (Yes, with the ending.)

Maybe it's payback after all those evil plot rocks we throw at our characters over the years. A case of "Here's some karma, back atcha!" One thing is certain. We can find value in our writer black moments. They help us identify and sympathize with each other. Having suffered from them, we can write black moments with credibility and passion.

May your black moments be few and far between!

The Value of a Compliment

So. Here we are, six months into the “New Year.” How are your writing resolutions going?  Are you getting 2,000, or 10,000, or whatever daily word counts you aspired to complete? Me either.

Have you finished that first novel and started in on your second? I’m right with you on missing that one too.

In fact, like 92% of the people who make resolutions, I have failed to meet my 2016 reading and writing goals.

And the start of my year hasn’t been all that much to celebrate either.  I entered two writing contests only to fail making it past the first round of judging.  I had one of those decade birthdays, and sometimes I feel every minute of how ancient my bones have become. Just lock me up in the museum and throw away the key. And while I started and love a new job, guess what that does to my writing time. Anybody have cheese to go with my wine-ing? Hearts bleeding peanut butter yet?

To me, there are always clouds for the silver linings in a writer’s life. We work alone, and are sometimes lonely. We’re introverted in an extrovert world. We’re creative in a nuts and bolts kind of society. If I focus hard enough, there are always things that give me the excuses for feeling bad, procrastinating too much, and generally leave me asking why I want to be a writer. Hint: if you’re in it for the big bucks, there are a whole lot of other ways to get that goal accomplished.

Then, for me, this past month happened and I have to push those gloomy clouds back. The silver linings refuse to stay closeted.

Someone told me that they liked my work.  Liked. My. Work. Really?

In fact, this generous person said, “I just wanted to tell you how much I loved your book! I couldn’t put it down and finished it in two days.”  This from a total stranger to me. Well shut my mouth and give me a keyboard. I think I can try this writing thing again.

And then a friend said to me, “My mom adores your books and wants to know when the next one is coming out.” For the first time in months, the question, “how’s the writing?” hasn’t left me feeling guilty and defeated. My friend’s face shone with being able to share this great review, and we’re talking about writing a short story just for mom for Christmas.

And this past Tuesday, Lindsay Woods of KRFC Radio in Fort Collins, replayed an interview she did with me a year ago on her Tuesday Talk Show.  What an ego boost! One full hour with no commercials (KRFC is a nonprofit organization), talking about a favorite subject—books and writing.  Lindsay read out loud some of the reviews both writer friends and professional reviewers gave my latest book.  I had forgotten them long ago.

I have a clipping file of reviews, and when I take the time to look through them, I always feel energized for writing projects.  I also like Aaron Ritchey’s advice from yesterday’s column, “write every day, as much as you can.” I like how there isn’t a specific number of words. Just write.

I also like Mary Gillgannon’s notion that writing takes energy.  She’s right.  Exercise is important. So is filling the spiritual well as she talks about.

So here’s my tip of the day – keep your compliments.  Whether or not you’re published, or a contest winner, you receive writing compliments from time to time.  Save that critique group note that says you’ve mastered the use of ellipses.  Hold onto the thank you note that says it’s no wonder you’re a writer; your last letter home was terrific. Cherish the rejection that’s accompanied with a personal note from an agent or editor.

I have a bright blue binder where I keep print out of reviews – on friends’ blogs, from the press, notes from loved ones.  Now I know where I need to look to build the kind of positive energy that makes writing what it was always meant to be – a joy.

Hey! I just realized the New Year is only 6 months old – I can get some writing done.  Hope you do too.

Wishing you a positively creative day.

Halfway and Unfinished

I was talking with a writer the other day. Those writers. You know the type. Shifty-eyed. Distracted. Stinking of gin and desperation. A nervous laugh and a hair-trigger sense of despair. Yes. A writer.

She was working on her first novel, and times were bad.

Why were times bad?

Because she was about halfway through the book. Now, being halfway is a good thing, right? It’s better than being on page zero.

That damn page zero. It taunts me.

But the problem is, she has been learning craft along the way, and every time she learns something she applies it to the book, which means she is constantly re-writing the first half of the book.

Which means if she keeps this up, she will never, ever finish because she is trapped in the miasma of her novel, stuck in edits and applying everything she is learning.

Let me be perfectly clear. I am iffy on the idea we can edit ourselves into a perfect book. There’s a popular idea that if we only edit a book enough, we can craft a perfect sculptured thing of Davidian beauty that will sell millions.

Maybe.

I’ve seen books written by half-witted alcoholic troll-like creatures reach the heights of Amazon. And I’ve seen lovingly crafted books of true beauty languish in the dungeons of obscurity.

Editing is necessary to a certain extent. But do you know what I think is more important than editing? Vision.

When I sit down to write a novel, I have a vision of the story in my head, and generally the vision is the climax of the book, when the hero is pushed to the limits, and things are bleak, and the villain is invincible! And still, somehow, the hero wins.

If I don’t have the epicness of the climax in my mind, I don’t write the book. And yeah, the climax might change, but generally it doesn’t. I know the book I want to write.

I have vision.

Can editing help me reach that vision? Maybe, maybe not. I’ve spent months editing a book to realize my first draft was better. I’ve been given dodgy advice to “improve” my book when really it was striking at the heart of my vision.

My advice to all writers is to write, every day, as much as you can. If it’s only three sentences, that counts. Write, every day, and follow the vision. Yes, you’ll be hit by craft stuff and editing stuff, but the vision should remain.

So vision is more important than editing. What is more important than vision?

Finishing.

I had an Icelandic friend who give some really good advice when I first started writing. He told me to finish the book, then go back and edit. Stop going to classes, stop reading up on craft, stop listening to the experts, and finish the book.

Then, during edits, you can apply what you have learned. But only for so long. There are no perfect books. Good enough is generally good enough.

Then again, there are no rules.

I heard a story about a guy who attended the same writer conference, year after year, for decades. He worked on the same book for decades. Everyone laughed at him for decades. Until his book hit, and when it hit, it took off.

There are no rules.

Except for one.

If you don’t finish the book, no one will ever be able to read it.

I’m Guilty – Throw the Book At Me (I really need to catch one!)

JudgeYep. I’m guilty. I didn’t mean to do it. It just happened. I stopped writing and started doing yard work. With a shovel. I became enamored with a battery-operated sprayer for my weeds. I couldn’t resist the siren call of the annual plant displays at every store in town, including the pharmacy. I found a cute little raised bed garden kit and made it my own. And I didn’t write.

In my defense, I did manage to submit two already-written stories to Colorado Gold, but I don’t think that will be considered justification for letting me off. My self-imposed sentence is to put my butt in chair and shackle myself to my computer and get some words on the page.

I know that if we, as writers, were truly judged on how easily we are led astray, the docket would be filled with regretful authors being handed long sentences (hah! I didn’t even notice this the first time around!). Whether it’s catching up on all your recorded Game of Thrones or Walking Dead shows with a box of pizza, summer vacation planning, gardening, or another fun in the sun summer activity, it’s all too easy to convince yourself that you’ll write later. But then you’re tired, or it’s time to fix dinner, or pick up the kids at the pool or summer league.

Hold up your right hand (if you’re writing, you can skip this part), and repeat after me: “I solemnly swear to set up a schedule to get at least 5,000 words on the page per week.” Ok, maybe 2,000 words. I am swearing, I guarantee (but then I do that all the time). Are you with me? Can we make a pact to close the curtain to block out the beautiful sunshine, turn on some music to drown out the birds singing, and turn up the A/C so we have to wear sweaters and pretend it’s deep, dark winter and there’s nothing to do but write? Or, I guess I could just put on some sunglasses, take the laptop out to the patio with a nice cold drink and hang out with the nice birdies and butterflies while I write. gardening graphic

Yeah, like that stupid weed that had the gall to grow over there will let me. Or the lawn that grew two inches overnight….

Sigh. It’s going to be a long hard row to hoe to keep on the straight and narrow this summer. But I’m going to try, because I want to be good and ready for Colorado Gold. How about you? Let’s Write On!