What’s Your Reason for Writing?

By Mark Stevens

No doubt soon you’ll be walking around your house knee-deep in royalty checks.

At some point, you’ll probably stop reading the reviews.

Even the good ones.

Yawn. Another rave.

Until then, why are you on this ride? Are you driven? Just because? Is it art to you?

Or commerce?

I watched two documentaries recently.

One was “Finding Vivian Maier” about a unique street photographer whose work has exploded after her death. Vivian Maier was completely overlooked during her lifetime. She never promoted her work. Her possessions and an enormous stash of her photographs (the negatives) were bought—cheaply—at an auction of stuff in Chicago. The stash included uncashed social security checks. She wasn’t in it for the money. Clearly. Now, the world is studying her work. And marveling.

I highly recommend the film (which itself is very well put together).

The other documentary was about famous back-up singers. Is that an oxymoron? Probably. That’s the point. They are back-up singers. If you like music, “20 Feet from Stardom” is must-see. The portraits are fascinating—Darlene Love, Judith Hill, Merry Clayton, Lisa Fischer. And others. They probably sang on hundreds of songs you know by heart. They sing the key licks, the little juicy bits you hum along with.

Also recommended.

Talent? By the truckload.

Artists? In every way, shape and form.

Some try to step up to the limelight, become the lead. Others hang back on purpose. They are fine with the shadows, but every bit as integral to the lead singer (and the act) but fine with the supporting role. They are, in fact, highly sought-after artists in their supporting roles.

Is there a heartbreak? Yes. Dashed hopes? Yes. But the overall message is they are in it for the moment—the expression. Every one of them had (has) pride in their accomplishments.

Moral of the story?

With Vivian Maier, she followed nobody’s script and nobody’s expectations for what constituted a “good” photograph. She took pictures of small moments, odd people, strange situations and left her view of the world for the rest of us to enjoy.

With the back-up singers, they were told what words to sing, what notes to hit. They brought their skills to the studio or the live stage and accepted (in varying degrees) their roles.

What’s your reason for writing? Are you okay with doing it—just because?

Are you doing your own thing? Listening to your own voice? Or are you a back-up, following someone else’s vision and script?

(I think there is good in both approaches.)

Me? I hope I do a little of both.

Reilly_The Enlisted Men's ClubFinal note: A bit of blatant self-promotion for my pal Gary Reilly, whom I’ve written about before. Gary wrote 25 novels with no encouragement from “the industry.” He died in 2011 and left those 25 novels behind, just because. His sixth posthumous book launches at 2 p.m. on Saturday, June 14 at the Tattered Cover in Denver. The Enlisted Men’s Club is the first of his Vietnam-era novels following the publication of five comic novels about a Denver taxi driver (including two Colorado Book Award nominees). The tone of the war-era novel, of course, is very different. But the mark of the artist is the same. An artist at work. Just because.

 

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Mark StevensMark Stevens is the monthly programs coordinator for Rocky Mountain Fiction Writers and the author of the Western hunting guide Allison Coil mysteries Antler Dust and Buried by the Roan.
Book three in the series, Trapline, will be published by Midnight Ink in November 2014

RMFW Spotlight on Susan Brooks, Colorado Gold Conference Chair

Susan BrooksSusan Brooks has been conference chair since 2011.  She is Editor-in-Chief of YA and Children’s Divisions of a traditional publisher and has an MA in Publishing from George Washington University.

Registration for the Colorado Gold Conference opened on May 1st. The conference is scheduled for September 5-7 at the Westin in Westminster, Colorado.

1. Susan, tell us what you do for RMFW and why you are involved.

I am the current conference chair, which means that I organize Colorado Gold. RMFW is such a wonderful organization and I love the mission of helping people learn. My biggest goal as conference chair is that each conference is better than the last one.

I initially got involved with RMFW in 2008. I had taken a long break from writing and after some life changes I wanted to write again. I knew I needed a critique group because I hadn’t written in such a long time. I searched online and found RMFW. I learned about the free monthly programs and I went to a few those. I met wonderful people at each event. One of them asked if I wanted to volunteer and do hospitality for the monthly workshops. I agreed, and once I started doing hospitality, it was a slippery slope. Pamela Nowak reeled me in to replace her as conference chair in 2011.

2. What is your current WIP or most recent publication, and where can we buy a book, if available?

My current WIP is a paranormal romance and I am working on my second draft. I have been published for other writings, but no novels as of yet. I blog at http://susanbrooks.wordpress.com/ and I occasionally tweet as @oosuzieq.

3. We’ve all heard of bucket lists — you know, those life-wish lists of experiences, dreams or goals we want to accomplish– what’s one of yours?

I really love helping other people solve problems, especially with stories. I think it is hard for us as writers to see our own plot or character problems. We all need another set of eyes to see what we are blind to. That is why I like editing so much. I really want everyone to be successful and am sometimes surprised by really good stories that get rejected. So one of the bucket list projects is to start a traditional publishing company. I want to publish stories that I really like!

4. Most writers have an Achilles heel with their writing. Confess, what’s yours?

My Achilles heel is that I am a pantser by nature. I love the creative process of just sitting down to write something and exploring my characters, and finding out what happens with them on the page. It suits my recursive brain to write this way. When one of my characters says something I didn’t anticipate for example, I love being surprised by that. But, the problem with being a pantser, and an ADD pantser whose brain naturally runs in tangents, is that I have spent a great amount of time writing pages of my particular story that do not actually have anything to do with my intended plot. These tangents are fun, but they don’t get me to the end. And when you have ADD it is most important to be focused.

Over the years I have learned that I must create an outline so that I can get to the end. I don’t outline every detail and I am still happily surprised by some things that happen on the page, but I know what has to happen in the chapter I am working on so that I can get to the next chapter, and get to the end. This means I have become a plotter by necessity. I absolutely must have the structure. It’s funny because I have set up a rather intensive structure in other areas of my life, such as project management tasks for the conference. It just took me a while to figure out that I needed structure for my writing too.

5. What do you love most about the writing life?

I love the element of discovery. I love when I am writing, based upon my outlines now, and something happens on the page that I did not intend. It’s magical and surprising and it excites me and sometimes frustrates me because I have to revise my outline to make it work. Sometimes I can’t make it work and I have to edit it out. But, discovering that creative spark is my favorite thing. The rest of the process is not my favorite. It is work and I have to settle down and focus in order to do it.

6. Now that you have a little writing experience, what advice would you go back and give yourself as a beginning writer?

I would definitely talk myself into outlining from the start. The thing about the outline is that you can change it if something magical happens on the page which you didn’t intend. Just tweak the outline so that everything gets resolved. With an outline you still know what you need to write in the next chapter which is imperative to move forward as a writer. Outline, little Suzie! Outline.

7. What does your desk look like? What item must be on your desk? Do you have any personal, fun items you keep on it?

Well, I have two desks actually. And I write at both of them. I also write at the kitchen table, and at the coffee table in the living room. I write with a lap desk on the chaise lounge with the cat, and occasionally in a coffee shop or a bar. I don’t have one particular place, which is probably an ADD thing. I aspire to have a regular place, and a regular writing time, and a regular routine, but I don’t. Over the years I have just come to accept this about myself.

The most important thing is not the location, but my ability to focus. I actually found an audio recording that induces brain wave patterns for focus and that has been the most helpful. The recording is saved on my laptop so I just plug in the headphones and go to work in whatever places seems best at the time. The recording is that item that I must have. Otherwise, every little thing distracts me, from shiny objects to birds flying by. I also use the audio recording when editing, or working on conference tasks or doing other things that require more than 20 seconds in a row.

8. What book are you currently reading (or what was the last one you read)?

This is a funny question for me to answer. As I mentioned earlier, I am a tiny bit ADD. And part of my reading process is that I read multiple books at a time. It tends to take me awhile to get through them all, but I always remember where I left off and I don’t get the storylines confused. I don’t know how that works, but it is how I read. I am reading several books to learn new things, like Google Analytics, but I won’t list those here because they are boring and not at all fun.

At this moment, I am re-reading Dragonfly in Amber by Diana Gabaldon. She is one of my favorite authors and has a new book coming out in this summer. I wanted to re-read the series from the beginning because it has been so long since I read them. I am also reading Hotel Transylvania by Chelsea Quinn Yarbro. This is a series that I haven’t read since…I can’t remember when, She does some interesting things with character development. The main character is Saint Germain, a heroic vampire.

I am also reading The Chronicles of Amber by Roger Zelazney. Zelazny is wonderfully creative with plot, and again, this is something I read long ago and wanted to read again. I am reading Bruce Lipton’s Biology of Belief. Lipton is a rogue cellular biologist. Science interests me, though it definitely is not my forte. I am also reading a few different books on mythology, which are perpetually in the book stack just because I love the topic. None of these books mentioned were in my “angst pile” which is that stack of books that I want to read but haven’t yet. Reading all the books in the angst pile might need to be listed above as a bucket list item!

Beware of the False Hook

By Tiffany Lawson Inman

What do most writing craft books say about openings?

A lot of don’ts and dos.

Am I right?

  • Don’t use a lot of description.
  • Don’t open with back story.
  • Do try and start with action.
  • Do introduce the story theme and problem.
  • Do establish character and setting.
  • Do excite your reader.
  • Do show the promise of your novel in the first sentence, in the first paragraph.
  • Oh yeah…and DO hook your reader.

Hook your reader.

Hook your reader, HOOK YOUR READER!

All are true. All are dangerous. Why? Because everything rests on the HOOK!

E V E R Y T H I N G. Writers work their butts off on the beginning of their novels!

Or they should.

What happens after the first hook line? There should be a hooking paragraph. A hooking chapter. But that is not always the case.

How many of you have read a false hook? Loved the first line or paragraph, and then the book goes downhill. Such a disappointment. We don’t want a bunch of marketing tactics drawing your reader in for one bite, when the rest of the meal tastes less than good. It sullies our reputation as storytellers.

Writers should be hooking their readers through the entire novel. Raising questions. Little and big. Keep them turning the pages.

How to avoid the false hook? Look at more than what you are saying. Also look at how you are saying it. The tone.

You need to show the promise of your novel with what is going to happen and how the story will be told. They go hand in hand. The how is your needle, the what is your thread. Can’t have one without the other. Readers don’t want a great story that is written poorly. Nor do readers want a crappy story that was written beautifully.

Let’s look at how NY Times Bestselling author, Harlan Coben uses his needle and thread. Below are his first two of paragraphs of Tell No One in either the right order, or the wrong order.

Which one is the first paragraph? Does one have more or less promise than the other? **********You better not cheat. Don’t run and get your copy, or look on your Kindle.

Look at his writing.

Tone

Quality

What else?

The third piece to a solid hook: Reader questions. There are questions on top of questions on top of questions. Egging the reader to turn the first page and melt into this man’s world.

Paragraph A :

There should have been a dark whisper in the wind. Or maybe a deep chill in the bone. Something. An ethereal song only Elizabeth or I could hear. A tightness in the air. Some textbook premonition. There are misfortunes we almost expect in life—what happened to my parents, for example—and then there are other dark moments, moments of sudden violence, that alter everything. There was my life before the tragedy. There is my life now. The two have painfully little in common.

Paragraph B :

Elizabeth was quiet for our anniversary drive, but that was hardly unusual. Even as a young girl, she’d possessed this unpredictable melancholy streak. She’d go quiet and drift into either deep contemplation of a deep funk, I never knew which. Part of the mystery, I guess, but for the first time, I could feel a chasm between us. Our relationship had survived so much. I wondered if it could survive the truth. Or for that matter, the unspoken lies.

OOOOh I got the chills!

Are you turning the page for more? Yes you are.

He has given us over 20 questions in 163 words. And his tone? The intensity of his tone is one wave after another moving us further into his story.

It is always taught in speech writing classes: you tell the audience the same information three times in the course of an informational speech. It takes three times for your reading audience to really get what you are saying. Well. Harlan does it 20 times in the first two paragraphs. He wants us to listen and keep listening.

What is the difference between Harlan Coben’s novels and an unknown suspense thriller that has just been passed over in the submission pile? He uses the what, and the how, very well. And the tone he uses is a question in itself.

But, the biggest difference: Harlan keeps his answers close to his heart. He lets go of information in a deliciously suspenseful way.

A crumb here, a morsel there.

And he does not let go of those nuggets until after the reader has met the wondering threshold.

It is true.Timing is everything.

Harlan has excelled at the art of threading his hook through every moment of his Bestselling novels.

Look at your WIP.

  • How far does your hook get you?
  • How can you work in the concept of needle and thread?
  • When do you start giving up those precious answers?
  • Open to a page in Chapter 18, is the reader still asking questions?

Thank you so much for reading today!  Next month I will give you a bit more meat in the world of writing-craft-know-how, today was just a sample.

Do you have a favorite author that has a knack for threading a hook?   Let’s chat about it in the comments! I will be teaching online this summer and I will be giving a class away to one of the brave writers in the comments section. So don’t be shy, say “Hi!”

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Tiffany Lawson Inman claimed a higher education at Columbia College Chicago. There, she learned to use body and mind together for action scenes, character emotion, and dramatic story development. Tiffany’s background in theatre provides her with a unique approach to the craft of writing, and her clients and students greatly benefit.

She teaches Action and Fighting, Choreography, Active Setting, Emotional Impact, Scene Writing, and Dialogue for Lawson Writer’s Academy online, presents hands-on-action workshops, and will be offering webinars in  late 2014.

As a freelance editor, she provides deep story analysis, content editing, line by line, and dramatic fiction editing services. Stay tuned to Twitter @NakedEditor for Tiffany’s upcoming guest blogs around the internet, classes, contests, and lecture packets.

Check out her previous blogs on WITS.

The Sound of One Hand Clapping by Rebecca Taylor

By Rebecca TaylorThe Exquisite and Immaculate Grace of Carmen Espinoza

Yesterday, I uploaded my most recent book, The Exquisite and Immaculate Grace of Carmen Espinoza, to Kindle—Yes, I self published it. And as I, only hours later took it down to make changes (I suspect it won’t be the last time) I wondered:

Why don’t more writers make the leap into self-publishing?

I thought about it all day and here’s what I came up with:

  1. In truth, self-publishing still reeks a bit of failure (if you think it has completely lost all stigma, then you’re not looking hard enough outside the self publishing community. Like it or not, self publishing is still judged pretty harshly in some circles, especially the ones surrounded by the high gates of traditional publishing. There are only two things that truly mask this odor: Winning legitimate awards and big sales.
  2. If you do it right, it’s a ton of work. It can be super easy and not at all a ton of work if you just take your first draft, upload it to Kindle, and slap one of their cover generated images in front of it. Of course, if you do it that way you should also expect to get out what you put in—which is almost nothing.
  3. And finally, and this I think is the big reason why many don’t take the plunge, you stand completely alone beside your work, taking a huge risk that, even after all your labors the only sound to reach your ears is the eerie silence of your one hand clapping (the other one is, of course, occupied holding up your book to a world that doesn’t give a shish.)

Yes, number three, lack of self-confidence, I suspect it is the real reason why many writers don’t give it a go—of course this may be simply because it was the real reason why I didn’t.

Confession: I am always a little bit in awe of someone in possession of flagrant self confidence. I watch them, without even the slightest hesitation of self doubt, they will happily spread their feathers befor2000 x 1333e you and shimmy—it has been my experience that these people are usually connected to the theatre in someway.

When that self-possessed someone happens to be a writer—well I’m flat out flabbergasted to be in the presence of such a rare bird.

In March of this year, I sat on a publishing panel answering a variety of questions from writers. Towards the end of the session, one young woman approached the microphone and asked, “What one piece of advice do you have for aspiring writers?”

Now, there are many, many good answers to this question: Write, Don’t give up, Learn the craft, etc, etc. But what popped out of my mouth was, “Toughen up.”

Yes, find those bootstraps and pull them hard because the truth of the matter is, if you are still a walking wound of self-doubt, anxiety, and crippling insecurities when your first book, traditional publisher or no, comes out—that first three star review is going to knock you to your knees. And that one star, the one with the especially snarky, and yet cleverly crafted, dissertation-length review, may likely drive you from your dreams of writing anything ever again.

I think many writers, who might otherwise be interested in the allures of self publishing, still avoid it because they believe having a publisher (regardless of the publisher’s size and actual knowledge of the publishing business) is going to fill that void, that empty gaping hole where the writer should believe in themselves, and their work. That acceptance acts like a Band-Aid of, “Look, it’s not just me…someone else likes my book too.”

And maybe that Band-Aid will be enough.

But I will tell you, if this is how you are going to prop yourself up, by leaning against the facade of traditional legitimacy, all it will take for it to all disappear is for fickle winds of favor to start blowing the other way.

And then, where does that leave you?

Ever heard the tale of the traditionally published debut author that didn’t sell enough books to earn out his meager advance? It left him with no sales, no offer for that next book, and no confidence in his ability. Even with traditional publishing, nothing is guaranteed!

Self-confidence is an absolute MUST in this business.

Be bold! Stare the very real potential of deafening silence in the face and say, “I’m not afraid of you.” Once you face that fear, whatever yours may be, it can’t hold you in paralysis any more.

When it’s ready, when you’re ready, get your work out there anyway you can. If a traditional publisher wants to stand with you—great! Just don’t fool yourself into thinking they’re going to sit up with you in the middle of the night and rock you back to sleep.

Kind of like your kids, no one will ever care about your work as much as you do. (except your mother—for both examples.)

This is just my opinion, but I happen to think you have to stand at the center of your writing career and act as the captain of your own ship—no agent or editor is going to do that for you.

Now, don’t get me wrong, I’m not trying to talk you out of your Big Five dream—I don’t think self-publishing is for everyone. Truth be told, I actually hope it’s not the only avenue forever open to me because I’m probably the first writer in line to lick the feet of a Random Penguin should it happen to deign glance in my direction. I still want my books in Barnes and Noble just a bad as you do.

But, if it turns out that the publishing powers that be don’t want me there, I’m not afraid to stand alone, book in hand, and brace myself for silence. My biggest fear is not that I will make a fool of myself—it’s that I will stop trying.

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Rebecca Taylor 2000X3000Rebecca Taylor is the young adult author of ASCENDANT, a recently selected finalist for the 2014 Colorado Book Award. The second book in the Ascendant series, MIDHEAVEN, will release in 2014 and her standalone novel, THE EXQUISITE AND IMMACULATE GRACE OF CARMEN ESPINOZA, is now available.

You can find more information about her work at: Web: www.rebeccataylorbooks.com, Blog: www.rebeccataylorbooks.blogspot.com,  Twitter: https://twitter.com/RebeccaTaylorED,  Goodreads: https://www.goodreads.com/Rebeccataylor, Facebook: https://www.facebook.com/RebeccaTaylorBooks, Wattpad: http://www.wattpad.com/user/RebeccaTaylorED

 

Current and Upcoming Events with Rocky Mountain Fiction Writers

Special Note: Time is running out.  The Colorado Gold Writing Contest for unpublished novelists will be accepting entries until June 1st. You’ll find all the rules and entry instructions (and the names of the final judges) on the contest page of the RMFW website.

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Upcoming Classes (for more information and registration, click on the class title):

Scenework: Writing the Robust Scene (Online Class)
Presented by Trai Cartwright
Monday, June 2 thru Sunday, June 15

Reading Aloud: Public Speaking for Writers (Free Program)
Presented by Chris Devlin & Aaron Ritchey
June 7, 2:00 P.M. to 4:00 P.M.
Lakewood Arts Council, Lakewood, CO

RMFW Advanced Screenwriting
Presented by Trai Cartwright
June 15 thru August 3
3498 Elmsworth, Lobby Media Room,
Cherry Creek, CO

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Registration is Open for the Rocky Mountain Fiction Writers Conference
September 5-7, 2014
The Westin, Westminster. Colorado
The schedule of workshops and master classes, the list of visiting agents, editors, and guest speakers, and registration information can be found on the conference page of the RMFW website.

Don’t forget that we’re interviewing as many of the agents, editors, and keynote speakers as we can before mid-August. You can find the a list of links to the published interviews on the Special Guest Interview Page.

How to Make a Damn Good Living as a Writer

By J.A. (Julie) Kazimer

 

With a title like that you’d think I’d have an answer, right?

Well I do.

Just not one writers like to hear. So let’s get the nasty part out of the way now.

Here goes: Only a very small percentage (under 8%) of working writers are making a living strictly on their writing alone, and those that are have a backlist a mile long. Whether you buy into Digital Book World’s latest report that 85% of writers make less than $1,000 a year or not, the possibility alone is a stunning one.

At least to those not involved in the publishing industry.

We know better.

We have author friends who make little more than a college student during their internship at McDonalds. We just received a check from our publisher which was less than the stamp it cost to mail, and worse, our agent took 15%. We live in a world where daily checks of our sales, in order to determine whether or not we can afford to spurge on the whole wheat bread or just buy the white, mushy crap again, are a regular occurrence.

Okay, I might be exaggerating a bit. But for most of us, if we didn’t hold a day job or better yet, an understanding spouse/partner/sugar daddy we wouldn’t be able to support our writely habit. A habit, yes. Because, let’s face it, we aren’t in this business to become rich.

Which is what I said a few weeks ago during a presentation I was giving on social media for writers. One of the attendees disagreed. He was, in fact, writing to make money. He’d done the research, found a niche, and wrote a book, a book he admits isn’t the best, in order to make a living as a self-published author. And he was making some dough at it. Not enough to retire for good, or even make rent (but close).

Now my publishing/artist ego (the one who suffered over 10 years of rejections and strife to become a published author) immediately reacted. How dare he! We write because we can’t do anything else. We write to live, to breathe, to be titled, WRITER. Those who write for money are hacks!

And then I took a step back, let go of my emotional baggage, and thought about what I now want from my writing career, which is the ability to make a living as a writer. At one point in my life, I wanted nothing more than to be published. To hold the title of author. Now, a total of 12 books in, I want to make a living wage doing what I love.

Maybe he was on to something.

Now I don’t necessarily agree that your book shouldn’t be the best book you can write. If it’s in the world, it should be the best you can give. That being said, I do think we, at least I am guilty of this, I don’t take advantage of the cold-bloodied business side of publishing. I can research who my audience is, and then gear my work toward that audience and advertising. That makes complete sense. There is nothing wrong with writing what you love, and turning it into a revenue stream.

After all, doctors don’t just cut you open and start digging around until they find what ails you. They test, and retest, looking for what needs to be added or removed, and then they get to work. And then you get a huge bill in the mail. See, the system works.

All that being said, you do have other options for making a living as a writer. In fact, I’m currently exploring one of those opportunities.

Online dating.

Or better yet, trolling the internet for anyone will to support my writely habit.

I’m a catch!

So far I’m weighing my choices. It’s a toss-up between a Nigeria Prince and a guy selling Viagra online. Both are very interested in getting to know me better.

As long as I send $50 for a processing fee.

I’ll have to check my sales…

When You Shouldn’t Finish What You Started

By Katriena Knights

One of the cardinal rules of being a writer is to finish what you start. After all, if you don’t finish those stories, you won’t have anything to submit or publish, right? Right. But there are times when it’s best not to finish or revisit an unfinished or unpolished piece. Continue reading

Alice Kober Has Your Reading Covered

By Liesa Malik

How many books will you read this year?

Alice KoberAs authors, we have a certain obligation to become “super readers,” which are readers, according to Alice Kober of the Arapahoe Library District, who read at least eleven books a year. If this sounds like your kind of goal, then you are doing well. But Alice may have you beat. She tries to read approximately 100 books each year.

This wonderful former host and judge committee of one for the annual Rick Hansen Simile contest at the Colorado Gold Conference has a substantial commitment to reading, writing, and all things books. A member of RMFW since 1993, Alice has made the world of books her domain.

 Super Reader

“It’s so hard for me to hang out with people who don’t read,” said Alice recently. “Reading is a passion of mine.” This is a good thing, as Alice’s role with the library is that of Adult Fiction Collection Librarian. That means she buys the print, audio, e-books, down-loadable materials and anything related to adult fiction for all of the Arapahoe Library District. “I’m an on-line shopper,” said Alice with her typical ring of humility.

Besides her personal commitment to a high level of reads for each year, Alice also posts several reviews on Goodreads. She said she used to review on Amazon as well, but doesn’t go there any more.

“I just hate Amazon reviews because they have paid reviewers. People are all saying it’s just crooked. There were authors out there deliberately panning other people’s books. I have found a lot more authenticity on Goodreads,” she said.

Dedicated Librarian

Besides her job as personal shopper for the patrons of Arapahoe County, Alice spends a good deal of her time looking for the next great book. She refers to many sources for top-selling titles that may be of interest to patrons.

“For less commercial books, I look at Indie-Next—The Independent Booksellers’ Association. And I also read Romantic Times, Locus (for science-fiction), Mystery Scene, Oprah’s list, Entertainment Weekly, People Magazine, New York Times Review of Books. So I’m looking at everything from literary fiction to action/adventure.”

“I look at my job as buying chocolate, in that reading is entertainment. There’s dark chocolate and there’s milk chocolate and there’s nuts’n’chews. There’s even orange centers.

“I really dislike it when some people will criticize inspirational fiction or romance or whatever. I feel that I represent the taxpayers of the Arapahoe tax district. Some people want erotica, some people want what we call ‘clean reads,’ and I try to get something of everything.”

Picking Books To Shelve

Another part of being the Adult Fiction Collections Librarian, is to develop sets of books patrons may want to read. One of the collections Alice works on is a local author set.

“We have a Colorado Author’s collection at Arapahoe County and I’ve been posting that on the RMFW loop. Those books have a special sticker for Colorado Author, and they circulate well,” said Alice. “Our patrons are very interested.”

If you are a published author and member of the RMFW loop, please contact Alice with your title, ISBN number and publishing date, so she can review your book for possible future purchase.

Some other tips for getting your books in the libraries:

  • Librarians prefer requests via email as opposed to phone calls.
  • When you query, provide links to reviews, past publishing successes and awards, and anything that shows your author platform or publication history.
  • Know and be able to articulate your reader appeal. For example, if your book is a futuristic romance then let your librarian know that it would appeal to readers of Jayne Castle.
  • Americans are visual. Make sure your cover is professional looking.
  • If you’re an independently published author, be sure your work is thoroughly copy-edited before publication.
  • Please don’t ask for a book review.
  • Remember, libraries are a great way for readers to discover new authors. Visit and get to know your librarians.

For Alice, the trends in reading constantly change, so purchasing for Arapahoe remains a challenging and fun position.

“I’ve read a lot of articles and I think people are reading shorter things. They talk about people’s attention spans changing, but there’s a Pew study on e-reading that says ’3 in ten adults read an e-book last year. Half of them own an e-reader.’ Reading is all over the place. I keep buying my books and hoping.”

So, what’s your next read? Tell us in the comments below. Alice and all of us at RMFW would be interested to know. Maybe you can get it at the library.

Look Who’s Coming to the Colorado Gold Conference: Meet Bestselling Author William Kent Krueger

Interview by Susan Spann

New York Times Bestselling author William Kent Krueger is not only a talented author (and the winner of the 2014 Edgar Award for Best Novel), also a fabulous and approachable person. I’m looking forward to meeting him in person at this year’s Colorado Gold Conference, and after this interview, I’m sure the rest of you will be looking forward to it, too. Since his website leads with “Call me Kent,” I hope he’ll forgive us that liberty here as well:

Here’s a little more about Kent: 

WKKruegerRaised in the Cascade Mountains of Oregon, William Kent Krueger briefly attended Stanford University—before being kicked out for radical activities.  After that, he logged timber, worked construction, tried his hand at free-lance journalism, and eventually ended up researching child development at the University of Minnesota.  He currently makes his living as a full-time author.  He’s been married for over 35 years to a marvelous woman who is an attorney.  He makes his home in St. Paul, a city he dearly loves.

Krueger writes a mystery series set in the north woods of Minnesota.  His protagonist is Cork O’Connor, the former sheriff of Tamarack County and a man of mixed heritage—part Irish and part Ojibwe.  His work has received a number of awards, including the Minnesota Book Award, the Loft-McKnight Fiction Award, the Anthony Award, the Barry Award, and the Friends of American Writers Prize. Northwest Angle (2011) and Trickster’s Point (2012) were New York Times bestsellers. 

A stand-alone novel, Ordinary Grace, was released in March 2013 and also became a New York Times bestseller. The thirteenth book in the Cork O’Connor series, Tamarack County, is scheduled for release in August 2013.

And now, let’s get to know even more about this very special guest:

Susan Spann: How and where did you come up with the idea for your first novel?

Kent Krueger: Iron Lake, the first novel in my Cork O’Connor series, was an evolutionary process. I began with the seed of an idea for a character. All I knew about him at first was that he was the kind of guy who was so resilient that no matter how far life pushed him down, he would always bob back to the surface. His name would be Cork. My next decision was to set the work in the great Northwoods of Minnesota. Then, because I was a great fan of Tony Hillerman, I decided that I would include the Ojibwe culture as an element. And my final decision—probably because of Hillerman—was that it would be a mystery.

What I’ve described sounds very linear, but in truth, it was all a jumble that I was sorting out as I thought everything through. I’d been trying to write the Great American Novel for years, and was sick of it. I wanted to write something that would appeal to a broad range of readership, and when I really took a look at what people were reading, I saw mystery novels everywhere. I thought it might be a refreshing change, so I altered my literary course and found a direction that proved satisfying to me on so many levels.

SS: I understand that you prefer to write in a coffee shop. Do you ever write anywhere else? And how does the coffee shop environment create an inspiring and positive influence on your creative process?

Kent Krueger: I began writing in coffee shops for a very practical reason. My wife was in law school, we had very young children, and I was the sole support of our household. When I came home at the end of a work day, I had no time or energy to write. But I knew that if I wanted to develop my art, I needed to find a way to do that on a regular basis and still meet my responsibilities to my family. I took a lesson from Hemingway, who loved to rise at first light and write. He felt it was the most creative time of the day. We lived a couple of blocks from a coffee shop that opened its doors at six a.m. So there I was every morning with notebook and pen in hand waiting for them to unlock. I’d sit down, they’d pour me coffee, I’d open my notebook, and for the next hour, I’d bend to the writing.

I find now that if I try to write at home, the environment is too quiet. I hear everything—the furnace cycling on and off, the dishes crying from the sink to be washed. The phone rings or someone knocks at the door, and I’m required to answer. At the coffee shop, I have no responsibilities except to my writing. In its odd way, it’s a very liberating environment.

SS: If you could return to the beginning of your writing career, knowing everything you’ve learned along the way, would you do something differently? Why or why not?

Kent Krueger: I would give up trying to write the Great American Novel a lot sooner. Now, there’s an aspiration that I’m sure has done in its share of fine young writers.

In terms of my career as a genre author, I can’t think of anything that I might choose to do differently. It’s been a pretty good ride. I’m proud of my body of work. I have a great readership. I enjoy a strong relationship with my publisher and editor and all the folks at Atria Books. I love my agent. I make a decent living. And when I do book events, lots of people gather to tell me they like my work. What could be better?

SS: What inspired you to write mystery novels? What do you like most about the genre?

Kent Krueger: I turned to mystery writing during a mid-life crisis. At the age of eighteen, I’d fallen in love with Hemingway, both his Nobel prize-winning prose and his mythic image. I wanted to be Ernest Hemingway. I tried for way too long to write a novel as he might have written it, which was stupid on so many levels I won’t even go there. In my early forties, I decided it was time to write something else, something someone might actually enjoy reading. I looked around, and what I discovered was that people everywhere, in all circumstances and at all social, economic, and educational levels, enjoyed mysteries.

What I realized when I read and then began to write mysteries was that there is a structure to the story that is simple yet sturdy, and most importantly, flexible. Mysteries begin with something happening. Usually this a crime, often a murder. Investigation follows. And answers are found. That’s it. Simple, right? A structure anyone can use. But its real appeal, I believe, is its flexibility. Within that simple structure, a writer is free to do anything he or she may want to do. Historians write historical mysteries. Funny people write humorous mysteries. And someone who wants to talk about important issues—social, philosophical, spiritual—can do just that within the loose framework of a good, compelling mystery. The reach of the crime genre is so broad that it can embrace any interest that a reader or writer might have. I think of it as a very egalitarian form of prose. There’s a reason it’s called “popular fiction.”

SS: Could you tell us a little about your personal editing process? What happens after you finish the first draft of a new manuscript?

Kent Krueger: I write the first draft rather slowly. Usually I’ve thought the story through significantly, so I know the basic plot. What I focus on in the actual writing are the narrative elements: language, setting, character development, themes, atmosphere. When I’ve completed the first draft, the revision tends to be rather brief (because I hate revising!)

My agent, who is wonderful, always critiques my manuscript before I send it to my publisher. She—and a few of her selected colleagues—read the manuscript and offer me feedback. I revise based on their suggestions, then it goes to my editor. She also has suggestions. As does the copyeditor. (I never feel more stupid than when I look over the copyedited manuscript and see all my errors.)

SS: Of all the novels you have written (published or unpublished), which one is your favorite and why?

Kent Krueger: Ordinary Grace, which is not a part of my series, is my personal favorite. I tapped the deep roots of my own experience for this novel, and that allowed me to speak significantly about issues that have been important to me all my life. When you’re the author of a popular series, it’s risky to write something different. Readers may not be willing to follow you to a new place. But the story of Ordinary Grace, when it finally crystallized for me, was so compelling that I had to write it. I didn’t know if my publisher would be interested. And even if it was published, I had no idea if anyone would buy it. But the reception—the sales, the awards, the personal response from readers—has been so gratifying.

*A Note from Susan: Ordinary Grace, the novel mentioned above, just won the 2014 Edgar Award for Best Novel. On behalf of myself, and RMFW, I’d like to offer special congratulations on the award - it’s a wonderful thing when a novel that’s so special to the author receives such fabulous recognition! 

And now, the speed round:

SS: Coffee, tea, or bourbon?

Kent Krueger: Oh, coffee, coffee, and more coffee.

SS: Outlines or no outlines?

Kent Krueger: Outlines, usually, though not for Ordinary Grace.

SS: Cats, dogs, or reptiles?

Kent Krueger: None. I travel too much.

SS: What was the last book you read purely for enjoyment?

Kent Krueger: I reread, for the umpteenth time, Harper Lee’s masterful To Kill A Mockingbird.

SS:  Thank you for joining us here on the RMFW blog. We’re honored, and excited, to welcome you to Colorado Gold this September! 

Looking Who is Coming to the Colorado Gold Conference: Meet Super Agent Lucienne Diver

Interview by Kerry Schafer

luciennediverMeet Lucienne Diver, agent extraordinaire at The Knight Agency. I’ve had the pleasure of meeting her in person, and I’m here to tell you that besides being a highly successful agent, she’s also very lovely and approachable in person. Before we begin with the questions and answers, here’s her bio so you can start by already knowing all sorts of wonderful things about her.

Lucienne Diver joined The Knight Agency in 2008, after spending fifteen years with Spectrum Literary Agency in New York. Over the course of her dynamic career she has sold over seven hundred titles to every major publisher, and has built a client list of more than forty authors spanning the commercial fiction genres, primarily in the areas of fantasy, science fiction, romance, mystery, and young adult fiction. Her authors have been honored with the RITA, National Readers’ Choice, Golden Heart, Romantic Times and Colorado Book Awards, and have appeared on the New York Times and USA Today bestseller lists. Clients include such bestsellers as Rachel Caine, Chloe Neill, Faith Hunter, Susan Krinard, Rob Thurman and many others.

She’s also an author in her own right with her Vamped young adult series for Flux Books and the Latter-Day Olympians urban fantasy series for Samhain (Bad Blood, Crazy in the Blood, Rise of the Blood, and Battle for the Blood, which is forthcoming. Her short stories and essays have appeared in the Strip-Mauled and Fangs for the Mammaries anthologies (Baen Books), in Dear Bully: 70 Authors Tell Their Stories (HarperTeen) and the anthology Kicking It (Roc Books). Further information is available on The Knight Agency website and her author site.

Kerry: Lucienne, thank you so much for taking the time to answer my gazillion questions! I know from experience that a lot of writers are nervous about talking to agents, and sometimes it feels like a hopeless proposition to ever find the right agent match. You have an impressive list of clients and I know you’re a very busy lady. So what are the really truly chances of a newbie author having the good fortune to sign with you?

Lucienne: I think I’ve signed at least one debut author every year I’ve been in the business—and that’s 21 years now! Some years I’ve signed more than one, of course. I don’t have a quota. It’s all about how much I love the work and how successful I’ll be in marketing it. My blog has a sampling up, since just last year I did a shout out to new voices, and I’ve sold at least one debut since then (but I have to wait for the ink to dry on that contract before I can do a big announcement…and it will be big!)

Kerry:  Very cool, and good news for debut authors looking for an agent. Just to clarify what you’re looking for, your bio says you’re primarily interested in commercial fiction in the areas of fantasy, science fiction, romance, mystery, and YA. Could you tell us what really gets you excited about these genres?

Lucienne: I love three things—psychology, suspense and the paranormal. The books I represent don’t have to have all three, but as the song goes, “Two out of three ain’t bad.” I love voice—truly unique characters dealing with real issues and feelings that are as authentic for the reader as for the person living the story. And that’s the important thing: the character should be living the story, not telling it to us. Readers want to live vicariously—travel the world, love, take risks, become action heroes, sacrifice ourselves or have someone sacrifice for us. In order to do that, we need to be swept along for the ride.

Kerry:  Just to clarify your taste a little more, what was the last book you read just for fun and loved?

Lucienne: In a way that’s two different questions. The last book I read for fun was THE KILLING WOODS by Lucy Christopher. It’s a wonderful, dark, intense, suspenseful novel. Loved, though…that’s a difficult thing to say here because I did live it, and I felt changed by the experience as the characters were. In some ways, it reminded me of THE SECRET HISTORY by Donna Tartt. I was impressed; I was absorbed. Time ceased to have meaning while I read it, but for love I might want a little more light with my dark. (Not to take away from the book in any way, shape or form.) Barry Lyga’s IN HUNT KILLERS is a perfect example of that—very dark, but with some comic relief to break things up from time to time. This is also something I love about Joshilyn Jackson’s work.

Kerry: So if a project catches your interest but doesn’t immediately shout “pick me, pick me” – what tips the balance toward acceptance? Away?

Lucienne: I find that if I’m on the fence, usually it’s best for me not to offer representation because I won’t be enthusiastic enough to keep on believing even when the rejections mount. I want to believe in something so wholeheartedly that I’m in abject disbelief when anyone doesn’t love a novel the way I do and I want to work three times as hard to sell the book and “show them.” What usually tips the balance for me is voice and the originality of it.

Kerry: You bring a special mix of experiences to agenting, being a professional writer as well. Do you think this makes for a different relationship between you and your clients? Does it create any special challenges?

Lucienne: Being a professional writer as well as an agent gives me special insight into the frustrations and feelings behind the process, which makes me better able to understand and plead my author’s cases to publishers. But since I’m the agent and not the author in the situation, I’m also able to take emotion out of the equation and shoot right to how best to present things to the publishers and to focus on the solutions rather than the problems. Challenges? The biggest challenge is finding the time to write. It’s so much easier to read or critique than to write. Some days it’s so much easier to do anything besides write. But it’s harder to give up the writing entirely. Any day I don’t write feels wasted, no matter what else I’ve accomplished.

Kerry: I asked the writer community on Twitter and Facebook what they would like to ask an agent, given the opportunity. There were a lot of questions about the shifting landscape in publishing and how agents fit in to that. What do you see as your role as an agent, what with Amazon and self publishing?

Lucienne: Wow, talk about an essay question! Luckily, I tackled it in a post just recently, so I’ve got the full answer here.

Kerry: What are your thoughts on the agent/client relationship? Is it a long term partnership or do you provide sort of menu of services?

Lucienne: Generally when an agent takes a client on, they’re doing it for that author’s career. It’s a long term partnership geared toward building the author’s brand, momentum, readership and all that good stuff. We do provide a variety of services, but it’s all toward the goal of boosting the author to success; it’s not a la carte.

Kerry: How do you feel about writers pitching you if they catch you in the bar or the hallway at the conference? Do you prefer that they stick to scheduled pitch times or are the random moments okay?

Lucienne: I love impromptu conversations. That said, I don’t love impromptu pitches. If you see an agent in a line or in the bar, striking up a conversation is a great thing. That’s part of why you’re there —to network, to learn. Often the agent will ask, “What do you write?” which is an invitation for you to do a short (elevator) pitch. But without the invitation, it probably means the pro has been pitch overloaded and you’re best keeping the conversation more casual.

Kerry: Last and possibly most important question: If we do catch you in the bar, what will you probably be drinking?

Lucienne: Oh, that depends on my mood. Wine, rum and diet coke, margarita, sometimes whiskey or bourbon… Not all at once, of course!

Kerry:  Thanks again for taking the time to chat! I’m looking forward to seeing you again in Colorado!