What’s Going On at Rocky Mountain Fiction Writers?

The Colorado Gold Conference

JefferyDeaver200x2302015 Rocky Mountain Fiction Writers
Colorado Gold Conference

September 11-13, 2015
The Westin, Westminster, Colorado

Keynote speakers: Jeffery Deaver and Desiree Holt

Register now at the RMFW website conference page.


Colorado Gold Writing Contest for Unpublished Novelists

The deadline for entering is June 1st, 2015

New This Year
Enter the first 4000 words of your manuscript and a 750 word synopsis in one of six categories. Final judges will pick 1st, 2nd and 3rd place winners.

The final judges for Colorado Gold 2015 are:

Action/Thriller: Denise Dietz, Senior Editor, Five Star Publishing
Mainstream: Danielle Burby, Agent, Hannigan Salky Getzler Agency
Mystery/Suspense: Trish Daly, Associate Editor, William Morrow/HarperCollins
Romance: Latoya Smith, Executive Editor, Samhain Publishing
Speculative Fiction: Emily S. Keyes, Agent, Fuse Literary
YA/MG: Melissa Jeglinski, Agent, The Knight Agency

You'll find lots more information and submission requirements on the RMFW website contest page.


Upcoming Free Programs

Sean-CurleyThe State of Independent Publishing presented by Sean Curley

Saturday, May 9, 9:00 AM to 12:00 PM
Grand Junction Business Incubator Center
2591 Legacy Way
Grand Junction, CO
Western Slope Free Program for members and non-members

Joining the Revolution: Self-Publishing Made Simple presented by Teresa Funke

Saturday, May 16, 1:00 PM to 3:00 PM
Anythink Wright Farms Library
5877 E. 120th Ave.
Thornton, CO 80602
Denver Free Program for members and non-members


The #RMFWBlog

And while you're checking out these great opportunities, please stop by the blog and scroll through the posts -- a team of regular bloggers and lots of visiting writers provide writing advice and encouragement most weekdays.

We use the hashtag #RMFWBlog on Twitter so you can always find information on the most recent posts there. We also post the links on Facebook and Google+. To make sure you don't miss anything, you can sign up for email notifications of new posts.

Getting Critiqued in the Colorado Gold Contest—Winners Weigh In … by Jennifer Kincheloe

The RMFW Colorado Gold contest is a competition for unpublished writers of genre and mainstream commercial fiction. It is a rare chance to get your work in front of industry professionals, such as literary agents and editors, who judge the contest and also provide feedback.

This blog is the second of a three-part series where previous winners share their experiences with the Colorado Gold contest. Part One, "How the Colorado Gold Contest Changed How I Feel About My Writing," published on Monday the 27th. For today's blog, I asked them whether the judge's feedback was helpful to them in their writing. Here is what they said.

"As with all critiques, the comments are always helpful. They just need to be taken with a grain of salt. What someone else may think sounds better may not work for your story. Only you can be the true judge."

          Jessica Naab, author of the 2013 Romance Winner, Between Skin and Soul

"Matt Martz, an editor with Crooked Lane Books, was the final round judge. At the conference after the program on Friday night, he was kind enough to give me about a half hour of his time to discuss the story. He wanted to know where it was going. He’d only seen the first twenty pages. He made some suggestions and asked me to send the completed manuscript when I thought it was ready."

          Kevin Wolf, author of the 2014 Action/Thriller Winner, The Homeplace

"Yes, although at the time I didn't agree with it. They questioned my choice of POV character, and whose story it really was as I have a main character die. At the time I was adamant I wasn't changing the POV character, and yet, twelve months after winning the competition, based on additional feedback, I had made changes close to their recommendations."

          Kristin Meachem, author of the 2013 Mainstream Winner, Ten Seconds

"The judges’ feedback was fantastically helpful. The year I won the mystery category was the first year the finalists got the chance to revise their entries using the first round of judges’ feedback before the entry went to the final judge. The comments were insightful, encouraging, and constructive. My entry was greatly improved using the suggestions of the judges."

          Mary Birk, author of the 2014 Mystery Winner, The First Cut

"Extremely! The feedback helped me to recognize where my strengths are and where I could improve. I found the judge’s comments to be honest and for the most part spot on."

          Kara Seal, author of the 2014 Young Adult/Middle Grade Winner, The Shuvani's Spell

"Their feedback was extremely helpful. Fresh eyes provide fresh suggestions. There were several feedback comments that I’d never thought of before, and the edits resulting from those comments strengthened the beginning of my book. Sometimes all it takes is a single sentence added or deleted to enhance your story’s momentum. The judges offered areas I could trim, places I could expand, but they also marked what they liked. The best feedback is a balance of enjoyment and improvement."

          Michael Carson, author of 2104 Speculative Fiction Winner, Beauty is for Suckers

"Definitely. Getting that kind of critique is always great. In high school and college when I was writing creatively, receiving a teacher’s critique was always terrific. In my twenties and thirties, as a journalist, getting feedback from my editor was always helpful. And now, as I return to writing fiction, the feedback I’ve gotten from workshops, my critique partner and beta readers helps show what is working, and what, quite frankly, is absolute 100% rubbish. So to enter a contest and get feedback from it? That’s tremendous. Not only is it one more opinion to consider, but it’s one from an industry source—and those aren’t easy to come by."

          Monica Comas 2014 Mainstream Winner, The Cookbook

"Exceedingly so! My protagonist is an Iraq veteran, and by pure chance – or perhaps by providence – so was the judge who read my work. His comments, and the extra tidbits of information he provided about military life and the Iraq war, were invaluable for a cake-eating civilian like me."

          Charles Kowalski, author of the 2013 Action/Thriller Winner, Unbelievers

In part three of this blog series, winners will share where their winning novels are today. To hear about rewrites, agents, Hollywood, and publishing deals, visit my website.

For more about these winning writers and the status of their books, visit Jennifer Kincheloe's blog post "Colorado Gold."


The Colorado Gold Contest for unpublished fiction closes June 1, 2015. For more information on how to enter, go to http://rmfw.org/contest/rules-and-entry-instructions/

Jennifer Kincheloe is a research scientist turned writer of historical mysteries. Her first novel, The Secret Life of Anna Blanc, will be out November 3rd from Seventh Street Books.

You can learn more about Jennifer and her novel at her website. She can also be found on Facebook, Twitter, and Pinterest.

How the Colorado Gold Contest Changed How I Feel About My Writing … by Jennifer Kincheloe

As an aspiring author, it was hard to know where I truly stood. Was my book good? Excellent? Abysmal? People seemed to like it, but honestly, I had no idea.

The RMFW Colorado Gold Contest for unpublished writers changed how I felt about my writing. The contest put twenty pages of my novel in front of industry professionals, such as literary agents and editors, who gave me frank, expert feedback.

In 2013, I won the mystery category for The Secret Life of Anna Blanc, a slightly humorous, somewhat romantic, mystery novel set among the LAPD police matrons in 1900's Los Angeles.
Winning validated me in a way that polite critique groups and loving relatives could not.

For the first time I felt like maybe I could do this. I could be a novelist.

I asked other Colorado Gold recipients whether winning the contest changed how they felt about their writing. This is what they said.

"All writers have moments when they feel, 'All my work has been for nothing; this book will never be published and doesn’t deserve to be.' Whenever a thought like that crossed my mind, I’ve looked up to my wall where the award certificate hangs in its frame. It’s as if a guardian angel were standing by my side saying, “I beg to differ."

          Charles Kowalski, author of the 2013 Action/Thriller Winner, Unbelievers

"It definitely gave me a motivation and self-esteem boost. I didn't have much confidence in my writing before, but I thought that if I could win the contest then there may be hope for me after all!"

          Jessica Naab, author of the 2013 Romance Winner, Between Skin and Soul

"Winning the Gold was huge for me. It helped validate the years of hard work I put into the book. In order to win, a novel needs to earn high praise from two amateur judges as well as one professional serving as the final judge; so winning the contest means there are at least three strangers who think your idea, your writing, and your storytelling is pretty amazing. For an aspiring writer, that's an amazing moment. I'll never forget it."

          M.H. Boroson, author of the 2012 Speculative Fiction Winner, City of Strangers, which  will be published as The Girl with the Ghost Eyes

"It’s special to have one’s work recognized by peers and friends. The recognition gave me confidence that my efforts on the right track."

          Kevin Wolf, author of the 2014 Action/Thriller Winner, The Homeplace

"It gave me the belief that maybe I was okay at this writing stuff. To not give up. It also gave me the confidence to let people know I was actually writing a novel. Up to that point, it was my secret."

           Kristin Meachem, author of the 2013 Mainstream Winner, Ten Seconds

"Winning the contest gave me some much needed validation. Writing is a solitary occupation in many ways, and it’s nice to hear someone else appreciates your work."

          Mary Birk, author of the 2014 Mystery Winner, The First Cut

"As a result of winning the contest I feel more confident in my writing. While writing still takes a lot of work, a lot of the nagging doubts about my ability to do this have subsided."

          Kara Seal, author of the 2014 Young Adult/Middle Grade Winner, The Shuvani's Spell

"Since humor is a key element in every project I pursue, if it’s not working and readers aren’t laughing, then I’m in serious trouble. There’s nothing worse than an unfunny comedy, and this concern is always on my mind when I start a new project; it’s the little voice of self-doubt whispering in your ear. The contest has helped counter that voice, and it showed me that my writing is reading the way I intended. "

          Michael Carson, author of 2104 Speculative Fiction Winner, Beauty is for Suckers

"The short answer is no... I still think on some days that I was born to string sentences together…just as I’m still certain on other days that I’m a complete failure who can’t write at all. Winning the contest didn’t change any of that. I guess I just feel lucky that I was picked, that’s all. Sometimes you get lucky, and that contest was my lucky time."

          Monica Comas 2014 Mainstream Winner, The Cookbook

Would you like frank, expert feedback on your unpublished novel? The Colorado Gold Contest closes June 1, 2015. For more information on how to enter, go to http://rmfw.org/contest/rules-and-entry-instructions/


Jennifer KincheloeThis blog is the first of a three-part series in which previous winners share their experiences with the Colorado Gold contest.

Jennifer Kincheloe is a research scientist turned writer of historical mysteries. Her first novel, The Secret Life of Anna Blanc, will be out November 3rd from Seventh Street Books. You can learn more about Jennifer and her novel at her website. She can also be found on Facebook, Twitter, and Pinterest.

Guest Post: Samantha Ross – Recap of Carol Berg’s Western Slope Workshop

Are they real?

Are your characters real people? According to Carol Berg at the RMFW writers meeting on the Western Slope the answer has to be yes. Readers know it is a story, but the characters need to be alive. The goal should be that they are not characters, but people.

How do we do that?

Through Introduction:

Sum up the person through another’s POV. Start with the general overall such as gender, race, age and so on. Now move onto appearance. Keep in mind that you show rather than tell. What is the voice like, how do they carry themselves? Then attitude. Are they gruff, shy? Don’t forget to start showing gestures, patterns, and habits.

Maybe it’s a gradual introduction from the protagonist or antagonist. Or a few paragraphs. Create layers, and interactions with the setting and also with other characters.

Our people need to be complex. That means they have strengths, weaknesses, hopes, fears, dreams, and goals. Successes and failures both during the story, and before it started. Like everyone, they are going to travel through a range of emotions, thoughts, wants, actions, and reactions.

That character needs to want something here and now. They are also going to have a plan for the future. It may be a glass of water right now, and to win the big race next month. Remember it is colored by the emotional “why” they want it. Those whys are going to include things from the past, present, and future.

As we write this story, we need to create challenges/conflicts that showcases all the above. This person needs to be able to problem solve, take action, have the ability to grow and change as the story progresses.

Through Narrative POV:

 Whoever is telling the story at the moment has the narrative POV. Usually this is the protagonist, the antagonist, sometimes a secondary character. It is limited by the character; meaning every thing is filtered through this character at this moment.

A child at a funeral has a very different POV, vocabulary, actions and reactions than an elderly man. Even between two elderly men there will be things to contrast and compare. They each had a life before walking into the funeral that shaped them.

We learn who he is layer by layer. As he interacts with the other characters and setting, we start to understand him. We see what type of background he comes from, what he thinks of this moment he is in. There is action and reaction. There are choices, and responses. And more choices. And more responses. Dialogue both internal and external all reveals who he is, and what he is going to do. We see the contrast and compare in the narrative POV as he shows, or does not show his opinions, thoughts, and prejudices. How he acts upon these, or does not act reveals much about him. All of this shows us who he is.

We know that we have succeeded in making our characters into people when the reader says, “I knew he would do that!” When our readers thinks about this person outside of the book eagerly awaiting the next story to come out, or to simply open the book and keep on reading. Sometimes over and over.

Samantha Ross pictureSamantha Ross is a ghostwriter, freelance writer and editor. She lives on the Western Slope in Montrose, Colorado. For years she taught adults, organized lesson plans, developed curriculum, and encouraged everyone to be a success. One day she stumbled into her high school librarian who pointed her toward the Rocky Mountain Fiction Writers. Now Samantha’s days are spent writing fiction and non fiction that covers a wide range of topics. If she’s not standing in front of her desk working, she’s spending time with her family and friends.


Why You Should Vote for the WOTY   

By Liesa Malik

writeroftheyearOkay, friends, here’s the low down, the scoop, the real deal – the WOTY is fixed! That’s right. Fixed! And you know why? Because each year three distinguished authors willing to represent our organization with their work end up on a ballot that is under-supported.

It’s rather like local elections. According to Governing Magazine,  during a study by the University of Wisconsin, researchers found a steady decline in voter turn out. Not great at 26.6% in 2001, by 2011, that turnout declined to 20.9%. That’s roughly one in five people who took advantage of the American electoral process. These minorities of voters influence how we’re being governed today.

What has this to do with the Writer of the Year? Plenty. I don’t have any exact figures, but in checking with people involved in the voting process last year, most of our group did not vote for the WOTY. Shame on us all!


The Writer of the Year is someone who represents the highest standards of the Rocky Mountain Fiction Writers organization and represents our organization throughout the publishing industry. I spoke with Shannon Baker, the 2014 Writer of the year and she said that winning this distinction was life changing.

“Right before the nominations last year, I was ready to quit writing,” said Shannon. “I felt defeated. But the nominating process boosted my confidence, and the vote validated that newfound interest in continuing to write. Not only that, but being able to put the Writer of the Year title behind my name has opened a lot of doors for me.”

She mentioned that she was recently requested to speak at the CU Friends of the Library annual district event. It was a dream come true, yet Shannon said she didn’t approach this group, they contacted her.

Also, at every event, speaking engagement, and book sale (and more of these opportunities come up for the WOTY), Shannon says she does her best to put in a promotion of RMFW.

“I think it’s very important for the Writer of the Year to speak well and knowledgeably about this great organization we’re all a part of. If the Writer of the Year cannot or will not do this, why should they be voted to that honor?”

We hope that at some point, winning the WOTY would be similar to winning a Pulitzer Prize, but until that happens, everyone who is part of RMFW still has a certain celebrity, albeit a tad smaller, for people who love to read.


To make finalist, a person must fulfill these hefty qualifications:

  • Be a traditionally published author with a book released in the previous year (in this case, the 2015 WOTY has had a book release in 2014)
  • The WOTY winner is a member in good standing with Rocky Mountain Fiction Writers—while the WOTY is NOT an award recognizing volunteerism (that’s what the Jasmine is for), being active in our community is important too. After all, the Writer of the Year is representing us all in the larger publishing industry.
  • Have a high quality of writing. This may seem like a duh point, but the vetting committee read samplings of each author and had to distinguish candidates based on critical reviews of their work. Talk about hard work! So many great pieces of commercial fiction writing, so few slots we could fill. Whew!
  • Offer proof of significant achievements with their writing work—regional or national reviews or, awards, guest blogs and more.

Every time someone meets the WOTY, they’re being introduced to Rocky Mountain Fiction Writers as a whole. This makes your writing platform even stronger when you mention that you’re part of our organization. Free publicity. How cool is that?


In years past, I felt much like you might be feeling today. That is, I didn’t know the writers personally, hadn’t read their works for the most part, and felt that some secret inner circle of friends put together the nomination list in a smoke-filled back room of political dealings.

Sorry to burst your literary dreaming, but this isn’t how things work. The same people are not nominated year after year. In fact, we haven’t had a WOTY become part of the Rocky Mountain Fiction Writer’s Hall of Fame. The one qualification for that distinction is to win the WOTY three times. While there have been a number of two-time winners, no one has made the top selection three times.

How things really work is that an author can either be nominated or apply to the WOTY committee for consideration. After all nominations are closed, the WOTY committee of at least five members spends approximately two hours per candidate, reading the application form, checking out websites, and most importantly, reading and evaluating a piece of the writer’s work. This year, with as many candidates as we had, this means that about 135 volunteer hours went into narrowing the distinguished field to just three names.


Please watch for the April newsletter when the finalists will be announced. Then, beginning April 20th be sure to vote.


This year we’re going to try something new. Although you will still have two months to make your decision, we’re hoping to implement voting online via the RMFW website. Please keep an eye on your emails for more information.

And what if you haven’t read the nominees’ work? Try visiting your local library, or you could go onto the major bookseller sites to at least read a sampling of the work. I think you’ll be pleased if you do.

Be sure to read the author profiles that will be a part of the newsletter announcement. I think you’ll agree that we’re lucky to have such high quality writers in our community.

Still think the WOTY is a sham or a fix? The only way you’ll know for sure is to sign in and vote. Personally, I’m excited for all of the nominees and only wish we could select from everyone who sent author information.

Think I’ll go try to up my own level of writing. Someday I'd like to qualify . . . for a WOTY .

Our New Year’s Resolution – Improve RMFW Membership

By Saytchyn Maddux-Creech, Wendy Howard & Corinne O'Flynn

Happy New Year! Did you make any New Year’s resolutions? Have you started achieving your writing goals? Or are you still recuperating from the holidays?

This year the RMFW Board made a New Year’s resolution to improve membership. Last month, in between eggnog, opening presents, and toasting in the new year, we all pitched in to move members into Cvent for membership management, event registration and email communications.

As you’ve probably read in recent emails, and seen on rmfw.org, you can access the new website at http://www.cvent.com/d/7rqn24/3W. We’ve also sent you instructions to log in and renew your membership when your renew date comes around. Are you still wondering how Cvent improves your online membership experience?

Upcoming events and event history are in one location: After logging in to the Cvent site you’ll land on the My Events page. Go to this page at any time and see upcoming events, events you’ve registered to attend, and a history of events you’ve attended.

Event pages provide more information: Check out the 2015 RMFW Writers Retreat on Cvent. Click on the tabs and find everything you need to know about an event: event summary, session agendas, speaker bios, maps to locations, forms to contact event leader, social links, all a click away.

Membership management is in one location: Your membership information and preferences are now in one place on the My Profile tab. Update your personal information there as well as identify your membership expiration date, renew your membership, manage your email preference, and add/remove your entry in the new members directory.

Similar home page to rmfw.org: The home page at the Cvent site is similar to the home page at rmfw.org. Go to either site for up-to-date highlights about RMFW happenings and links to additional information. Note that we are still moving into Cvent and apologize if some information is not yet available there.


We are here to support you through the transition. Written instructions are available on the rmfw.org website and volunteers are available to help you manage your membership account:

Need log in help? Click on the Login link on rmfw.org for instructions to log in to your new account. The information on this page will also help you create your password if logging in for the first time.

Need to renew your membership? Go to the RMFW FAQs page for instructions to find your membership expiration date and pay to renew your membership.

Need membership related support? Contact Saytchyn Maddux-Creech, RMFW Membership Chair at membership@rmfw.org.

Have questions about a particular event? Go to the Contact Us tab on any event page and fill out the form to contact the event leader.

Need email support because you’re not receiving emails or need to update your subscription lists? Contact Corinne O’Flynn at communications@rmfw.org.

Need other website support? Contact Wendy Howard at website_liaison@rmfw.org.

Have a general question about the changes? Add a comment below and we'll answer it here.

Upcoming RMFW Programs and Events

DENVER AREA MONTHLY PROGRAMS are free to both members and non-members. They are typically two hours long on a Saturday morning or afternoon.

October Workshop

How To Write a Series That Will Sell—Endlessly
Presented by Joan Johnston
Saturday, October 18, 2:00 P.M. to 4:00 P.M.
Southglenn Library
6972 S. Vine Street, Centennial, CO

November Workshop

Are You an Innie or an Outie?
Presented by Kathy House
Saturday, November 8, 1:00 P.M. to 3:00 P.M.
Standley Lake Library
8485 Kipling St., Arvada, CO


March 11-15, 2015
YMCA of the Rockies, Estes Park, Colorado

RMFW is thrilled to announce our third annual writers retreat! Our 2015 location, one of the brand-new eight-bedroom retreat cabins at the YMCA of the Rockies in Estes Park, Colorado, is nestled in the heart of some of the world’s most majestic mountains. You’re sure to find inspiration in the natural beauty that will surround you. Come write with us! Registration will open November 2014.

Raising the Bar

By Shannon Baker
Photos by Mark Stevens

I am overwhelmed with gratitude to be named Rocky Mountain Fiction Writers 2014 Writer of the Year. See how many times Writer is used in that title? That means it’s an award for a writer voted on by writers. And for this one moment in time—well a whole freaking year!—I get to be The Writer of the Year. That probably sounds self-promoting and egotistical, but I’m throwing manners out the window and, in fact, might actually shout it out that same window. I get to be the Writer of the Year!

Shannon Baker WOTY2It was such a thrill to be nominated with Christine Jorgenson and Terry Wright. Christine has penned two series and this year was nominated for the Colorado Book Awards. She also received the Writer of the Year honor in 1995. She’s not only an accomplished writer but is the nicest woman on the planet. Terry has his own publishing company and is a legend creating book trailers. Even his name is all about writing.

We writers can be a funny lot, or as the man I live with says, crazy. At least, I can. Among other issues, I have what I call Raising the Bar Syndrome. It goes something like this: I get a glimpse of something I want to achieve, I set a goal. I work really hard toward that goal. If I finally get there, I spend about 1.5 seconds of happiness and then see that I’m nowhere near successful because if I were a real writer, I’d be (points finger into the distance) there.

I came to my first Colorado Gold conference somewhere around 1994, toting my second completed manuscript, sure it was brilliant. It wasn’t. A very New York editor pointed out to me just how far from brilliant it was. I was smart enough to believe him. I needed to learn a ton just to know the basics of why it failed, let alone how to go about fixing it. At that conference, I sat at the banquet and watched as the contest winners were announced. Wow, I thought. If I could only win the contest, I’d know I was a real writer.

I set about the painful task of learning to write. I hate to say that for me, as it is for many, it’s a slow process and one that will never end. I can improve, and improve, and still, there is room for improvement. But after a couple of years, I did win the contest. Twice. That’s a thrill and a milestone and should be celebrated. It means a writer has reached a certain level and should be congratulated.

But self-congrats were soon replaced with a new goal. Look at those writers getting their Pen Awards, RMFW’s acknowledgement of a first sale. If I got one of those I’d be a real writer. I kept at my craft. I worked hard. I sent out hundreds of query letters. I tweaked and revised and rewrote. After a very long time, I finally joined the ranks of the traditionally published and took home my Pen Award.

But that contract wasn’t all I’d hoped and I wasn’t satisfied. I told my husband, “If I can get a contract for three books with a decent press, I’ll be happy. I can say I’m a real writer and will never have to write another book.” And guess what? After a few more years, that’s exactly what happened. Two books of that contract are on the shelves with the third due next spring.

But I’m a nobody in the grand scheme of publishing. I know some big deals in that world and I can tell you, I’m small potatoes. I’ve just finished the first book in a new series and maybe if I sell it and it takes off I’ll really be a writer. Raising the Bar Syndrome is in full flower.

Shannon Baker WOTY1But here’s a twist. This summer, Rocky Mountain Fiction Writers honored me with Writer of the Year. That’s as high as the bar goes. For twenty years I’ve seen that title awarded to the creamiest crème de la crème. This is a rare time in my writerly journey when I will pause and let myself revel. For once I’ll make no excuses or justifications or downplay it. I’m going to be a big, fat, obnoxious self-centered peacock. Further, I’ll frame the certificate and display it proudly and go to it whenever I feel like a failure or a poseur. It is my proof that I AM a writer. My writer tribe told me so.

Thank you, RMFW. Thank you very much.

Please join 2013 Writer of the Year Linda Joffe Hull and this year’s nominees, Christine Jorgenson, Terry Wright, and me at the Tattered Cover on Colfax August 14th at 7:00 PM as we rev up for the Colorado Gold Conference. One free conference will be given away, as well as lunch with lunch with J. Ellen Smith, publisher of Champagne Book Group, lunch with Raelene Gorlinsky, publisher at Elora’s Cave and lunch with NYT Bestselling author William Kent Krueger.


Shannon Baker writes the Nora Abbott Mystery Series, a fast-paced mix of murder, environmental issues and Hopi Indians published by Midnight Ink. Tainted Mountain, the first in the series is set in Flagstaff, AZ and is a New Mexico/Arizona Book Awards finalist. Broken Trust, book two of the series, takes place in Boulder, CO and was released in March. She serves on the board of Rocky Mountain Fiction Writers and is nominated for 2104 Writer of the Year. She is a member of SinC and MWA. Visit Shannon at www.Shannon-Baker.com.

August RMFW Workshop Announcement: Homicide 101 (For Writers, Not Criminals)

August RMFW Workshop
Homicide 101 (For Writers, Not Criminals)
Saturday, Aug. 23
1 to 3 PM
Sam Gary Branch Library
2961 Roslyn St., Denver (Stapleton neighborhood)

Presented by: Tracy Brisendine

One of the most fascinating and feared crimes is murder—it can completely immobilize a community and tear a family apart. It can also make for some really great writing.

The life and death of your story can depend on the authenticity of your detail, so step beyond the crime scene tape and get it right! Learn basic homicide investigative techniques, motives that induce a person to kill, commonly used cover-up methods, and the importance of physical evidence at a death scene.

Do you know the fundamental characteristics of gunshot wounds, stabbings, and blunt force trauma? What about the tell-tale signs of an asphyxiation death? You will after this class.

So if you plan on offing someone, fictionally of course, don’t miss this free program.

About Tracy:

Tracy Brisendine’s invisible pet dinosaur landed her in the principal's office in second grade, and it was downhill from there. In order to protect her mental health, she allows some of her ideas to bleed out onto the page. When she is not battling demons of deviance, she serves as RMFW's Publicity Chair.

Tracy lives in Denver, Colorado with her husband and snaggle-tooth dog named Max. She worked in law enforcement for seven years and has a bachelor's degree in Sociology, with a concentration in Criminal Justice, from Colorado State University. Currently, Tracy works as a locate investigator for the City of Denver, and writes urban fantasy as TJ Valour.

Follow Tracy on Twitter: @WolvesCanEatMe
On Facebook: http://www.facebook.com/AuthorTJValour

Current and Upcoming Events with Rocky Mountain Fiction Writers

Special Note: Time is running out.  The Colorado Gold Writing Contest for unpublished novelists will be accepting entries until June 1st. You'll find all the rules and entry instructions (and the names of the final judges) on the contest page of the RMFW website.


Upcoming Classes (for more information and registration, click on the class title):

Scenework: Writing the Robust Scene (Online Class)
Presented by Trai Cartwright
Monday, June 2 thru Sunday, June 15

Reading Aloud: Public Speaking for Writers (Free Program)
Presented by Chris Devlin & Aaron Ritchey
June 7, 2:00 P.M. to 4:00 P.M.
Lakewood Arts Council, Lakewood, CO

RMFW Advanced Screenwriting
Presented by Trai Cartwright
June 15 thru August 3
3498 Elmsworth, Lobby Media Room,
Cherry Creek, CO


Registration is Open for the Rocky Mountain Fiction Writers Conference
September 5-7, 2014
The Westin, Westminster. Colorado
The schedule of workshops and master classes, the list of visiting agents, editors, and guest speakers, and registration information can be found on the conference page of the RMFW website.

Don't forget that we're interviewing as many of the agents, editors, and keynote speakers as we can before mid-August. You can find the a list of links to the published interviews on the Special Guest Interview Page.