By Katriena Knights
For some reason, I keep developing plots for my stories that require a ton of research. I don’t know why I’ve been doing this. I guess the need to just learn stuff overcomes the desire to get a book done quickly and efficiently. For example, my current WIP is a sequel to Necromancing Nim, which took place in Denver and Urbana, Illinois. Both places I’m pretty familiar with. But the sequel, Summoning Sebastian, sends my little vampire/vampire/human ménage off to the wilds of Siberia.
I’ve never been to the wilds of Siberia. I’m not sure I ever want to go to the wilds of Siberia. But the book ended up there. So I have to do research.
The conundrum comes when I try to figure out how to do research. My first instinct is to learn EVERYTHINGALLOFITRIGHTNOW. So I buy a ton of books, print out a bunch of websites, and collect a metric whackton of information.
And then almost never read it. Or at least not all of it.
I go ahead and plow through my story, stopping here and there to look up items, but mostly extrapolating from what I actually have managed to read from this information-collection orgy. So the story gets written. But then when I’m done I feel like I have a ton of research gaps.
So we go back to LEARNEVERYTHINGALLOFITRIGHTNOW. That creates a vicious circle.
I’m working on a piece now where I’ve constructed the plot based on some things I already know will work, but that I’ll need to do a bit of research on to clarify. When I go back to do the rewrite on each section (this is a really fast turnaround job), I do the research on just the bits I need to know about, make whatever additions or changes I think are going to work, then move on.
When I started Summoning Sebastian, I collected a ton of books about Russia. (In all fairness, I’m doing research on I think two, maybe three other WIPs with the same materials.) And yes, a lot of what I learned in the initial reading made it into the story. But when it came down to it, I did a lot more on-the-spot research, writing sections in a fairly vague, generic way, then coming back and filling in details as I got to individual scenes that needed them.
I really have no idea which is the better approach. I know I tend to over-research. In the midst of researching for several stories set in Russia or with Russian protagonists, I ended up actually learning a bit of Russian. Which is overkill in the extreme. On the other hand, while I was cleaning up bits of Summoning Sebastian, it was really handy to be able to read menus of airport restaurants in Chelyabinsk without having to run everything through Google Translate. Your mileage may vary.
What are other ways to approach research? Is binging an acceptable method, or should I reconsider my life choices? Has anybody else been crazy enough to learn an entire language just to write a foreign character? Talk to me below. I promise not to judge.
Photo credit: “Old Books” by zdelia, from freeimages.com