Tag Archives: RMFW

RMFW Spotlight on Shannon Baker, Treasurer

The RMFW Spotlight feature will introduce a few of our RMFW officers and volunteers. We started out with the board of directors, sat them in the hot seat, shined the bright light on them, and channeling our best inner Oprah, plugged them with a few questions. This week, we’ve interrogated our Treasurer, Shannon Baker. I must say, Shannon didn’t squirm one bit. She sets a powerful example for volunteerism within our organization from a distance and while on the move.

Shannon Baker scuba1. Shannon, tell us what you do for RMFW and why you are involved.

Back before the dawn of time I lived in western Nebraska and I had thoughts of publishing novels. I certainly read plenty of them so writing one couldn’t be too difficult. And it wasn’t. I wrote two and thought the second was pretty darned good. I looked for the closest conference around so I could present it to an agent who would gratefully take it to New York. (Quit laughing.) It didn’t work out that way.

I discovered how little I knew about writing but thankfully, found a home with RMFW. The support and knowledge and camaraderie drew me. I hadn’t found anything like it in Nebraska. I was hooked. I volunteered to coordinate agent/editor appointments for conference and did that for nine years. Then I worked as registrar for three years. Finally, by that time I was living in Colorado, I joined the board and serve as treasurer.

In October, we moved to Nebraska. (again). It’s not that far to commute to Denver to participate in RMFW events and I intend to stay as involved as possible. I’m stone cold sober when I say this (I really haven’t been drinking or I’d be a lot more sentimental), I really love these guys and want to hang out with them as much as possible.

Baker_TaintedMountain2. What is your current WIP or most recent publication, and where can we buy a book, if available?

The first book in the Nora Abbott Mystery Series, Tainted Mountain, was released by Midnight Ink in March 2013. The second, Broken Trust, which is set in Boulder, is slated for a March 2014 release and I just sent Book 3 to my editor. It should be out in 2015.

3. We’ve all heard of bucket lists– you know, those life-wish lists of experiences, dreams or goals we want to accomplish– what’s one of yours?

I just got back from a sailing adventure in the British Virgin Islands, which crosses that off my list. But I’d dearly love to go on a live-aboard diving trip someplace sunny and warm with incredible reefs. I’m thinking next year. Other than that, my wish is to not have to move again for a year or so and pound out a couple of books.

4. Most writers have an Achilles heel with their writing. Confess, what’s yours?

I am just not smart or clever enough. It takes me way too long to work out plot twists and come up with new and exciting scenes. I read amazing books that are surprising and perfect and I wish I didn’t struggle so much with plot. I could probably use some of those brain cells that evaporated in happy hour fumes.

5. What do you love most about the writing life?

I love writers. There have been times in my life when I would have given up writing. You know, when real life gets pretty rocky and you need to concentrate on trimming the sails and setting the tack. It would have been easy to let the writing go, because, you know, writing is hard work. But if I quit, I’d lose touch with the writers I love and I wouldn’t meet new writers. The people have tethered me to this crazy business.

6. Now that you have a little writing experience, what advice would you go back and give yourself as a beginning writer?

First and above all else, write. Every day if you can, even if it’s only for 30 minutes. Everyone says it and it’s true. So I’m going to give you another piece: trust the process. In every book, with every writer (I’m sure there is an exception but they are so rare it is okay to generalize) there comes a point when it seems hopeless. The book is a mess, you can’t possibly salvage it, you might as well give up writing and take salsa lessons. Even the best, most successful writers experience this. So expect it, accept it, and keep writing. It will all work out.

Baker_office7. What does your desk look like? What item must be on your desk? Do you have any personal, fun items you keep on it?

I haven’t had a desk for years. We keep moving (I’ve said this, haven’t I?) and we end up in tiny houses. I write on a laptop and it gets hefted from here to there. I write on the couch, the kitchen table, the bed, outside, if the weather is nice.

I plot on an Excel spreadsheet and print it out, cut it into strips and pin it to a cork board and that’s usually stashed behind the couch and pulled out when I need it.

I rigged up a standing desk by plopping a boot box on a pub table and stand there a lot. I don’t have any special items. I usually just write hell-bent on accumulating my word count quota so I can quit for the day.

8. What book are you currently reading (or what was the last one you read)?

I’m reading the Longmire series and loving it. I’m also reading a bunch of new adult novels to get a feel for the genre. I’m itching to read fellow RMFW writer, Susan Spann’s new release Claws of the Cat, but I need to unpack a few more boxes before I indulge.

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Thank you so much for answering our questions. Shannon. I hope we didn’t keep you from your writing (and moving and unpacking) too long.

To learn more about Shannon and her novels, visit her website. She can also be found on Facebook.

Screenwriting Comes to RMFW!

By Trai Cartwright
Part Four of a Six-Part Monthly Series

Come on, admit it. You’re curious. Something about it speaks to you and that part of you that’s a little rebellious, that loves trying new things. Well, come on, then, give in to the dark side! Or at least just a dark room. All the better to see the screen…

In what must have been a bit of magic (and some cheering on from a few key folks), Rocky Mountain Fiction Writers have agreed to let me head a screenwriting program.

If you’ve ever had a story that you thought was just perfect for the movies or if the scenes in your book come alive in your head, here’s your chance to come play. Writing for film is easier than it looks (and a lot harder!), and it’s going to be my pleasure to guide a handful of intrepid souls into this amazing medium.

The first class we’re offering is an online class, and it’s ideal for any writer: “The Top 10 Things Movies Can Teach Novelists.”

This two-week, do as much or as little as you want class will demonstrate that there’s plenty novelists can steal from how movies tell their stories. Beginning in early December, we’ll discuss all the things that movies do wonderfully and how thinking in film terms can actually help you focus your writing.

All for $25!

And then in the Spring, I’ll be teaching an Introduction to Screenwriting class that will get 12 students rolling on the first half of a screenplay. While we do begin at the beginning with formatting, even those who’ve done a lil’ scriptwriting will find tricks and tips that will advance their movies. This is an in person class complete with vital workshopping and lots of clips from modern classics.

It’s my absolute honor to bring my Hollywood know how to Denver and be the first screenwriting teacher for RMFW! If you’re interested in joining us, drop me a line and I’ll put you on the list to contact when we’re ready to roll.

Meanwhile, I gotta keep this short. I gotta save my words for NaNoWriMo.

Always so much more to learn and to explore—glad I’ve got 50,000 words this month to give me a leg up! See you at the finish line.

To register for Top 10 Things Movies Can Teach Novelists:

http://www.rmfw.org/events/online-classes/#12021513

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Trai Cartwright HeadshotTrai Cartwright, MFA, is a 20-year entertainment industry veteran and creative writing specialist. While in Los Angeles, she was a development executive for HBO, Paramount Pictures, and 20th Century Fox. A new Denver arrival, Trai currently teaches creative writing, film studies and screenwriting for Colorado universities, MFA residencies, writers groups, conferences, and one-on-one as an editor for fiction and screenplays. Learn more about Trai and her work at her website.

Making the Long and Winding Road to Publication a Little Shorter with RMFW

by Mark Stevens, Rocky Mountain Fiction Writers President

As she accepted the Writer of the Year plaque at Colorado Gold, Linda Joffe Hull talked about living and writing for a decade in the “purgatory of almost” before finding a publisher for one of her books.

As she will tell you, it was a long and winding road.

But Linda credits a certain organization (its initials are Rocky Mountain Fiction Writers) for the final break-through. As she talked about the two books she has launched in the last 12 months, she talked about the relationships she developed by taking an active role in the group.

Our group.

Yeah, yeah, yeah—for the last few weeks it’s been all Colorado Gold this and Colorado Gold that. (See paragraph #1 above.) It was three days of good times for us fiction nerds.

But RMFW is so much more than Colorado Gold and, I dare say, the tremendous variety of other events on the calendar offer an even better chance to develop relationships and make new friends who might have that one key introduction to an agent, an editor, a publisher. The conference can be, you know, intimidating. Fun, sure, but pressure too.

I’m not saying the conference isn’t cool, but now it’s another 12 months away (Sept. 5—7, 2014).

In the meantime, there are plenty of other chances to dive in and make friends—and develop your network—in a more casual setting. (And, in some cases, free.)

Check it out:

  • Later this month, a free two-hour workshop titled “Diving In: Character and Motivation” by Courtney Koschel. Location: Arvada Public Library, downtown Arvada. Date and time: Saturday, Oct. 26 at 1p.m. Courtney is the senior acquisitions editor for Month9Books. Senior. Acquisitions. Editor. Enough said.
  • Also this month, the experienced Trai Cartwight is offering a dirt-cheap online course called “Building a Better Book” that will help you demystify the process of novel building. It’s all about asking—and answering—key structural questions at the heart of every well-executed novel. Trai has roots in Hollywood, among other places. Get to know Trai and it’s one degree of separation between you and Stephen Spielberg. Or something like that.
  • Next month, there’s a free two-hour workshop titled “World Building: Don’t Let the Dream Collapse.” Location and times are still being finalized, but the program will be given by Colleen Oakes, author of the best-selling Elly in Bloom.
  • Also online soon, Sharon Mignerey (a true RMFW legend—she helped start our group about 30 years ago) is running a dialog workshop called “Let Your Characters Do the Talking.”
  • Also next month, over at our Grand Junction home away from home, best-selling author and RMFW stalwart Jeanne Stein is leading a day-long workshop titled “A Publishing Primer.” The first 20 people who register have the chance to pitch to Angie Hoddapp with Nelson Literary Agency and/or receive a two-page critique and 10-minute meeting with Warren Hammond, author of the KOP science fiction series. (Warren also won the Colorado Book Award this year!)

Cool programs, great opportunities to improve your craft and, maybe give you a chance to get to know other writers, develop connections and work your way out of the “purgatory of almost.”
All the details are available at www.rmfw.org. You probably knew that.

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2013conference66Mark Stevens is the President of Rocky Mountain Fiction Writers and the author of the Western hunting guide Allison Coil mysteries Antler Dust and Buried by the Roan.

You can learn more about Mark and his novels at his website. He can also be found on Facebook and Twitter.

Post Conference Post

By Julie Kazimer

Well it’s done. Another fabulous Rocky Mountain Fiction Writers Conference is the books. My head swells with information, not to mention a little too much time in the hospitality suite. I met new and old friends alike. This conference had over 100 new attendees. First timers are the lifeblood for us old hats, at least for me. I love the excitement and buzz in the air as people explore new writing and craft territory.

And let me just say, there was plenty to learn. Being a total, all knowing publishing pro, I opted for the business/career track of workshops. I was not disappointed. Okay I was, only in that, I found out I am NOT a total, all knowing publishing pro.

Bestselling author and indie pub guru, Jeff Shelby led us on a few wonderful forays into e-publishing. Carnia Press editor, Jeff Seymour (a personal hero since he saved my workshop by loaning me his laptop) taught a riveting class on how to write back cover copy for indie publishing. I took advantage of this right away, and I swear my cover copy has never sounded better.

The famous Susan Spann did her stuff by teaching us some legalness when it comes to author and publisher rights. Bree Evrin taught us social media illiterates how to hashtag like the best of them. Lynda Hilburn shared secrets on how to fix that one thing…the thing writers dare not mention…rhymes with Biters Lock. Rockstar Angie Hodapp shared her expertise on vivid description. Mario Acevedo, Warren Hammond and Betsy Dorbusch crushed it with a panel on two of my favorite things, crime and noir. The agent and editor panels were, as always, fascinating. And how could I forget Karen Lin’s Book to Script workshop. I’m ready for my close up, Mr. Deville. And all the billions in royalties once I become the darling of Hollywood. (No, I am not still drunk from my extended time in the hospitality suite). There were plenty of other amazing workshops and presentations. Forgive me if I didn’t mention yours. The editors, Pat and Julie like me to keep my posts under a million words.

What else to share? The Friday night booksigning was a blast. Nina and Ron Else from Who Else Books (The Broadway Book Mall) are two fo my favorite people to see at the conference. Not only do they sell my books, and make me look good while doing it, but they are wonderful people. As I arrived at my booksigning station this year, a small package sat in front of me. Nina had given me a tiny princess who grows 600% in water. Now I should’ve read the directions more carefully, because it did say in water, not whiskey. But I love my tiny princess at the same, and Nina for giving it to me.

That same night, Writer of the Year, Linda Hull, gave an inspiring speech about persistence, pain, and the joys to be found in both publishing and in the Rocky Mountain Fiction Writers organization itself. This is a woman who spent years waiting for her big break, suffering the ups and downs of the industry, and now is quickly rising to the top. I wish her and the other Writer of the Year nominees the best, as well as all those who finaled and won the Colorado Gold contest. You are great writers who are moments away from achieving your dreams.

Thank you to all the wonderful volunteers who made this conference possible, especially Vicki Law and her cohorts, who raised over $4000 for CO Flood relief. And a huge shout out to Susie Brooks, the conference chair. Great job by all.

Here’s to hoping all of you who pitched to an agent or editor fulfill your publication dreams. And thank you to all my new writerly friends and my old ones as well for a fantastic weekend. Now quit reading this (in a few more sentences) and go write!

There was so much more to share, but I’m exhausted.

What was your favorite conference moment? And does anyone know where I left my left shoe? I can’t seem to find it. I know I had it at dinner…

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J.A. (Julie) Kazimer lives in Denver, CO. Novels include The Body Dwellers, CURSES! A F***ed-Up Fairy Tale, Holy Socks & Dirtier Demons, Dope Sick: A Love Story and FROGGY STYLE as well as the forthcoming romance, The Assassin’s Heart, and the upcoming mystery series, Deadly Ever After from Kensington Books. J.A. spent years spilling drinks as a bartender and then stalked people while working as a private investigator.

Learn more at www.jakazimer.com or on her writerly talk blog More Than a Little F***ed Up. She can also be found (way too much of the time) on Twitter as @jakazimer and on Facebook as Julie Kazimer.

 

Why I’m Loyal to RMFW

By Mike Befeler

I’ve been to every RMFW Gold Conference since 2002. The first year I went, I had no clue what I was doing. A writing friend had suggested the conference, so I decided to give it a shot. She was the only person I knew at the conference.

I had started writing in the fall of 2001, having made the decision that I wanted to retire into fiction writing. I had learned that if you’re 55 or over you can take any course for free at the University of Colorado with the instructor’s permission and had signed up for a fiction writing course. I also negotiated with my boss so that I could work 3 days a week, allowing me to take the course and do some writing.

In fact, the first day I was going to write for the whole morning was a Tuesday morning in September. I got organized at my writing desk and was about to start when my phone rang. It was the CEO of the company I worked for asking if I had seen the reports on what had happened. I hadn’t watched television that morning because I didn’t want to get distracted from my first morning of writing. That was September 11, and, needless to say, I never got any writing done that day.

At my first conference I learned about critique groups and over the years have joined several RMFW critique groups, which helped me improve my writing.

By 2005 I had a novel that I decided to submit in the mystery category for the contest at the conference. I didn’t place in the top 3 but received a packet back with some excellent suggestions and madly rewrote my manuscript, so by the time of the conference, I had an improved novel that I had a lot of confidence in. At the conference that year, I pitched my idea to two agents and two editors. Deni Dietz of Five Star liked the concept and told me to email my complete manuscript to her.

After the conference, I went home, completed one more editing pass on my manuscript, emailed it to Deni and crossed my fingers. Two months later I received an email with a contract offer, and my first novel, Retirement Homes Are Murder, was published in January, 2007, the result of a pitch session at the RMFW conference.

Attending the first conference in 2001, I took careful notes on writing craft, which helped me improve my skills. Then I started paying attention to how to pitch a novel, which prepared me for 2005. Next, I focused on sessions of what to do to sell your novel once it’s been published. I still attend as many sessions as possible, and learn more each year.

That’s the beauty of being in the writing world. It’s an ongoing education.

See you at the RMFW Gold Conference this year.

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Mike Befeler is active in organizations promoting a positive image of aging. He holds a Master’s degree from UCLA and a Bachelor’s degree from Stanford. Author of the popular “geezer lit” Paul Jacobson mystery series, he has recently branched out into standalones such as The V V Agency.