Tag Archives: Robin D. Owens

Tips for Conference Goers, Especially First Timers — Part I

A few of your regular RMFW Blog contributors have submitted their best advice for an enjoyable and educational conference experience. These suggestions work for any conference, of course, but will be especially meaningful for those who plan to attend the Rocky Mountain Fiction Writers Colorado Gold Conference September 5-7 at the Westin in Westminster.

Feel free to add your own tips in the comment section.

Kerry Schafer

1. Talking to writers at a conference is easier than talking to “normal” people, because you can drop the small talk. If you don’t know what to say, just ask, “So what are you writing?” Even shy writers are generally happy to start telling you about their latest project, and this helps to break the ice.

2. Have a business card or bookmark you can pass out with your name, email address, and social media contacts. This allows people you connect with at the con to find you again later. You can get inexpensive business cards at Moo.com or Vistaprint, or even make some yourself and print them on cardstock. Definitely worth the time.

3. Agents and editors are people. They don’t like to be spammed any more than you do, but they are looking for the next wonderful book and it might just be yours. Treat them with respect and let your enthusiasm shine through.

Kevin Paul Tracy

1. Don’t necessarily attend all the same workshops/classes as all your friends. Split up, then come together later and share notes.

2. The hospitality suite is great, but explore, there are all sorts of impromptu gatherings all over the place all weekend.

3. Listen more than you speak. You’ll overhear so much more that way and learn all sorts of interesting things.

4. Don’t go to bed early – stay up past your bed time. Some of the best conversations come after 1am and everyone is well lubricated.

5. When you make a new friend, get their “deets” right away, so you can stay in touch. You will forget later.

Robin D. Owens

1. There is no “one true way” to do things. What the seminar speaker is telling you works for him/her. Take what works for YOU from the workshop and use that.

2. Sometimes you have to hear a concept several times or phrased in different ways before it sinks in and is useful for you.

3. Stop when you get overwhelmed.

Susan Spann

1. Set specific, and reachable, personal goals. When I go to a conference, I try to meet (and remember) three new people every day. I used to feel shy about approaching strangers and introducing myself, but that became much easier when I replaced “Meet lots of people” with “Meet three new authors every day of the conference.” I usually end up meeting many more, but focusing on initiating three conversations made the goal more personal and reachable.

Jeffe Kennedy

Don’t over-schedule in advance, particularly regarding panels and workshops. Leave room to talk to people and go to panels and workshops as the opportunities arise. Connecting with other people is the one part of the conference you won’t be able to replicate some other way.

Please come back on Friday for Part II of Tips for Conference Goers, Especially First Timers, featuring Liesa Malik, Pam Nowak, and Katriena Knights, and Jeanne Stein.

Ooooh, shiny! The Next Project Syndrome

By Robin D. Owens

There you are, drudging through your current project, convinced it is cat crap and an idea wiggles in. A beautiful, sparkling, WONDERFUL idea. Something so alluring, that will be so much more fun to write than the current story (especially if the current story has been bought and you’ve taken money for it and it is now late).

Oooh. Yes. There’s the hero, you get HIM. Different characteristics than the guy giving you fits right now.

There’s the hint of the plot, SO much more exciting than the murder you’ve gotten bogged down in, or the details you need to research of the cathedral you’re building, or the heroine who needs to be trained in knife fighting…

SO much easier to write on a story that shines with promise rather than dig into the guts of the work you have now, the one that was once shiny but currently is hard to write, a job, work.

Because all ideas become hard to write. Nothing stays shiny. But that initial POP of an idea, the brainstorming of some bits of the people or the plot, wow, that’s FUN.

Before I was published, I could be lured away. I must have six or seven manuscripts started that never made it more than 100 pages or so before something else caught my attention.

Now, with the selling of my stories, my work, I have to be more disciplined. Yes, the ideas come…it’s particularly bad if they come in a series I think I can sell….whispering their sweetness. But, for me, I must resist.

So this is what I do. I live only with cats which means I can wake up in the middle of the night and dictate wonderful (or stupid) ideas, so I keep my itouch handy. The voice memo button is on the toolbar so it stays available whether I was playing spider solitaire or looking at Word of the Day when I turned off my device. I can find the memo app with my thumb in the dark, if necessary. I can burble about the new and shiny idea. Then I can save it for a more appropriate time (i.e. when the present manuscript is finished).

If the story continues to hang around while I’m studying knife fighting or building a cathedral, or figuring out when my hero is going to say “I love you,” I might hit the computer and write down additional notes or prompts for it. The heroine is an adventuress. The hero is a gentle giant. He is an introvert [long notes about the story formerly here CUT].

When the previous manuscript is finished and I have a little time, I can rub my hands and delve into the New! Fun! Improved-Technique-Trust-Me-Baby! Shiny idea. And it stays fun for a while, depending on the publishing schedule, real life, and before I take the first chapter to critique group. :) Maybe even after that. Until I hit a snag, or need to deepen the character or realize that the plot does not work.

Then the mind wanders and . . . You understand? Sure, you know this cycle as well as I do.

Well, that’s what I do when the next sparkling concept hits my brain. I’m not sure what you might do, but this works for me so it might help you.

What is lovely is that it’s good to realize that you aren’t alone in this fascinating endeavor. That there are other people on this journey whose eyes WON’T glaze over when you talk to them about writing.

On Facebook: https://www.facebook.com/robin.d.owens.73?ref=tn_tnmn
Website: http://www.robindowens.com
Blog: On Writing & Publishing http://robindowens.blogspot.com
On Twitter: https://twitter.com/RobinDOwens

Reading Your Own Work, Process, And Being Kind To Yourself

By Robin Owens

My very first audio book just came out, Ghost Seer, narrated by Coleen Marlo. I listened to the sample. I used a download code (worth $19.95) to buy it and I listened to the beginning. I like the narrator. But I’m having problems with hearing my words.

This isn’t really anything new. I have problems reading my own work, too.

I’ll point out that we all have a story to tell and our own unique way of telling it. That we should love writing it. This story will, most probably, reflect ourselves and our world views. This story should be something we would love to read.

This doesn’t happen to me, nor to many of my friends, published or unpublished. We don’t read our books, and for several reasons.

One reason can be that the work is old. Yes my first published book, HeartMate, won a major award (it was my fourth manuscript). People are still discovering it, and enjoying it. But I can’t read it. I could write it so much better now, I think (I definitely made the world building in the first pages too steep…).

Another reason is I look at a book and just cringe at all the work I put into it, and it’s still Not Perfect. I don’t want to read/listen to my flaws.

Most often, though, is the simple fact of my process of writing (this is my process, and I don’t expect anyone else to write as I do, yours is probably different and works best for you):

1) Write scenes/chapters
2) Take to critique group
3) Rewrite
4) Write more scenes and chapters, revising as I go (I write out of sequence)
5) Put out of sequence scenes in chapters
6) Read and revise
7) Finish draft
8) Revise draft
9) Send draft to beta readers
10) Revise
11) Send draft to editor! (usually late)

I PRAY I don’t get a Hideous Revision Letter that starts “I have concerns. I think you’ll have to revise quite a bit of this.” Cringe.

Like anyone, I would prefer, “I loved it! You did a fantastic job!” (I have heard this twice. Of twenty-four books).

Copy edits come. Page proofs (galleys) come. Somewhere along this timeline I am so sick of the story that I can’t stand it anymore. Am I changing a sentence and it’s better? Or just different?

So by the time the published book is out there, I deeply know the plot, the characters, the sentence structure in the third paragraph of chapter twenty-two. And when I read the story I don’t see the story, I see the technicalities. (Let me insert here that I LOVE rereading my favorite authors. I usually am rereading a book as well as reading something new).

I wasted $19.95 on that download of Ghost Seer, and I should have known better.

This is where I, and you-who-can’t-read-your-work-one-more-time, must depend on others, on the reader half of the writer-reader equation, to tell you whether you did your job, and how well you did your job. Believe them when they say you did great.

Oh, by the way, don’t read bad reviews.

On Facebook: https://www.facebook.com/robin.d.owens.73?ref=tn_tnmn
Website: http://www.robindowens.com
Blog: On Writing & Publishing http://robindowens.blogspot.com
On Twitter: https://twitter.com/RobinDOwens