I am very fortunate to have an editor with whom I have a great working relationship. I had first approached my editor when I was trying to publish a sword and sorcery fantasy book under another pen name. I had been following this editor's blog (Tara Maya's Tales on http://bestfantasynovel.com) for some time and thought she would be sympathetic to my desires to get published. She read over my story, told me she liked it, agreed to publish it, but warned me that she did not expect it to sell very well. I asked her what was wrong with the book, and she said "Nothing. The problem is, it's only one book. Readers of this genre like to have a series of books."
I tried another series of books, under a different pen name. She reviewed them, politely told me they were nice stories, but had major structural defects. I thought that was kind of cruel, so I fought back, as any good writer would. "What kind of defects?" She started to list them. First, my stories did not fit any clearly defined genre. What difference did that make? A lot, she explained. Having a clearly defined genre, even a mixed or a new one, makes it possible to market the book. She asked me to search Amazon and find books similar to mine. I tried, and failed. Unfortunately, she was right, and the series has never gotten very far.
Finally, about a year and a half ago, I sent her the first of a new series of stories, this time about an ex-cop who becomes a hot dog vendor, and then ends up solving crimes. Tara Maya said she was not familiar with the cozy mystery genre, or even the mystery genre, but she would do some research and get back to me.
Research for an editor like Tara Maya consists of reading a hundred books in the genre, making extensive notes about their structure, characters, themes, conflicts—everything that makes the genre distinctive. She finally got back to me and said my book had possibilities. Did I have more than one written?
Yes, I did, and I began to send them to her.
That's when I found out what working with an editor really means.
Over the next six months, as we went over book after book, my editor helped me refine my plot structure, introduced me to new tools to help organize my story, manage the flow of events so that the story built up to a climax and ended with a satisfactory resolution. She forced me to confront my characters, understand their motivations a lot more clearly, and make them behave in a more consistent manner. She challenged scenes I had ("Do you know how deep the South Platte River is there? Is it deep enough to break someone's fall? Most readers won't know, but what about the one or two who live within a thousand feet of that location? When you combine fiction with reality, the reality better be believable!") That meant I now had to go on auto excursions around Denver to check out the scenes in my book. "Your readers don't believe in Magic, Mattie. They believe in police procedures, wits, and courage. When you write, always think of your reader. Will they believe your story?"
There were a lot of times when I resented her criticisms. It's easy to point out problems, I thought, it's a lot more work to fix them. But that's all part of the writing process.
So, here is a summary of what I've learned about working with an editor:
1. Communicate regularly with your editor. She is your ally, not your adversary.
2. Listen to what she says. You may be the writer, but she often knows what's selling and what's not selling. If you want to sell books, she can help.
3. She is not always right. If you feel what you've done is the best thing for your story, explain your logic, give her an understanding of where your story is going. If you can convince her, fine. Otherwise, review point 2.
4. Keep your commitments. Yours is not the only book she is handling, in all probability. Editors are more likely to respond to the authors who meet their deadlines, follow-through on a timely basis, and help them get the book ready for publishing.
5. No matter how much you think you can go it alone, don’t do it. Get an editor. An editor, plus your talent, just might make you a successful author.
Mathiya Adams grew up on the East Coast (Massachusetts and New York), moving to California in her early teens. She's always been interested in writing, first trying her hand at science fiction, then dabbling into mysteries and adventure stories. Mathiya tried to study writing in college, but became discouraged when her application to a writer's course at UCLA was turned down because "you don't show any real talent." A stint in Peace Corps over in India whetted her appetite for the strange and exotic, and once again she took up writing. This time she tried her hand at sword and sorcery, and while she had lots of ideas for subsequent books, real life—work, children, family—always seemed to provide ample excuses not to persevere.
After Mathiya's retirement, she dived into the writing life head first, coming up with dozens of story ideas she wanted to pursue. Some of them were actually good ideas and she thinks they might actually see the light of day. But one series in particular caught her interest. It was a story about a hot dog vendor, one of those people you sort of ignore except to buy a hot dog from them. What kind of life could they possibly lead? When Mathiya asked that question, the answer hit her. The hot dog vendor secretly was a phenomenal detective who only solved crimes that the police couldn't handle. That was the birth of the Hot Dog Detective series.
Now her days are filled with exploring Denver, checking out the locales frequented by Mark MacFarland and his associates; recounting the exploits of MacFarland; and occasionally attempting to write a blog to help other aspiring authors.