The RMFW Spotlight is on Rene’ Zimbelman, Publicity Chair

Now that we have so many new members of the Rocky Mountain Fiction Writers Board of Directors, we'll once again be featuring the RMFW Spotlight on the blog. Our goal is to introduce our board members to all our readers and encourage other RMFW members to offer their time and energy to this energetic and growing community of writers.

2015_Rene Zimbelman1. Rene', Tell us what you do for RMFW and why you are involved.

I spearhead PR for RMFW. I’m passionate about RMFW because it’s important for writers to have a supportive community where we can meet other writers and obtain valuable insight to the craft.

2. What is your current WIP or most recent publication, and where can we buy a book, if available?

My debut novel, Mizerably Happy, is finished, aside from a last round of edits for formatting, etc. I plan to query agents mid-October. Further information can be found on my website (My pen name is Rene’ Collier).

3. We've all heard of bucket lists -- you know, those life-wish lists of experiences, dreams or goals we want to accomplish-- what's one of yours?

Well, of course I want the right agent and for Mizerably Happy to be traditionally published in the near future! 😉

4. Most writers have an Achilles heel with their writing. Confess, what's yours?

Spending too much time editing before getting to the end. With my sophomore effort, I plan to outline and write until I finish it, THEN go back and do more technical edits.

5. What do you love most about the writing life?

I love how an idea can be shaped and polished into a scene, then story. I also love the therapeutic and independent nature of the work.

6. Now that you have a little writing experience, what advice would you go back and give yourself as a beginning writer?

I would say stick with the genre you’re comfortable with and keep your story within that framework. If you receive criticism on your work, take into consideration the other person may not read your genre, and don’t change your work just because it doesn’t meet someone else’s expectations.

2015_Zimbelman desk7. What does your desk look like? What item must be on your desk? Do you have any personal, fun items you keep on it?

My desk is white, with a Nantucket feel, and it sits in front of a window. I have a few pictures, along with a vase full of flowers and deocorative book that says BE BRAVE and FOLLOW YOUR DREAMS, from which a fairy dangles on a chain.

8. What book are you currently reading (or what was the last one you read)?

I’m reading Contrition by Maura Weiler, an author on the PAL panel this year at RMFW GOLD. I highly recommend it! Also reading The Goldfinch by Donna Tartt, and I just finished Carry On Warrior: Thoughts on Life Unarmed by Glennon Doyle Melton, who is entertainly funny and insightful. Next on my list is Big Magic: Creative Living Beyond Fear, by Elizabeth Gilbert.


Mizerably Happy is Rene' Zimbelman's first novel. Writing has always been in her blood, whether it be song lyrics, journal entries, poetry or short stories. She was born in Boulder and received her degree in Marketing from the University of Colorado. Rene' enjoyed writing website and promotional copy for a cable television network in Los Angeles, but ached to put pen to paper (or fingers to keyboard) and write a novel.

Currently, she live in Centennial, Colorado, with her husband, two boys and Jack Russell. They are endlessly patient as she delves into her untitled sophomore effort.

You can find out more about Rene' and her writing at her website and her blog. She can also be found on Twitter.

The RMFW Spotlight is on Liesa Malik

2015_Liesa Malik_Author1. Welcome, Liesa! Tell us what you do for RMFW and why you are involved.

I love being involved with RMFW! In 2003, I never imagined being so engaged, but each time I volunteer for something, new rewards come right along with the responsibilities. Currently, I am critique group moderator for the Littleton Writers critique group that meets on Tuesdays and Thursdays in Aspen Groves’ Tattered Cover. Actually, Mike Hope does a great job taking care of Tuesdays, so I’m more often at the Thursday meetings. I also write a monthly post for the RMFW blog, and am the PAL chair, which means I welcome new traditionally published authors into the group, help with the Writer of the Year, and have the pleasure of moderating the First Sale Panel at Colorado Gold.

2. What is your current WIP or most recent publication, and where can we buy a book, if available?

Thanks so much for asking! My second book, Sliced Vegetarian, was recently released through Five Star Publishing. You can purchase the book through the major venues of B& and, but if you’re in Littleton, please check out the Barnes and Noble at Chanson Crossing (Wadsworth & Bowles) or Natural Surroundings gift shop in old town Littleton. Ron and Nina Else of the Broadway Book Mall also carry my books. And if you haven’t read my work and aren’t sure you’re ready to invest in this new author, please ask for either Faith on the Rocks or Sliced Vegetarian at your local library. Both are cozy mysteries set in Littleton, CO with a widow and retired special education teacher as the protagonist. Next up? I’m working on a story called Pot Shots—heh, heh, heh.

3. We've all heard of bucket lists -- you know, those life-wish lists of experiences, dreams or goals we want to accomplish-- what's one of yours?

To make a living writing. Seriously, I’m about as old as the Rockies and have learned that enjoying today is the real goal in life. I enjoy writing, of course, ballroom dance, sketching and watercolor painting, and my family. What else could I ask for but to win the lottery, run for president of the United States, or help make Denver the literary capital of the West?

4. Most writers have an Achilles heel with their writing. Confess, what's yours?

In a word, Pat? Productivity. It is amazing to me how long it takes to get an idea into a readable format--all part of the downside of a plotter personality. Until I know where I’m going with a work, writing doesn’t really happen.

5. What do you love most about the writing life?

Spiral notebooks, index cards, introducing myself to potential interview subjects by saying I’m a novelist, flowing pen strokes and clacking keyboards. It’s all great, and I love every bit of it—even revisions and edits!

2015_Liesa Malik_Sliced Vegetarian6. Now that you have a little writing experience, what advice would you go back and give yourself as a beginning writer?

Stop playing solitaire and use your time better. Learn to read, and read voraciously. Even if you’re never published, your mind will grow and you’ll have a better chance of developing your creativity. Reading can take all sorts of forms these days, and to understand that you don’t have to read from page one to “the end” to consider yourself as having read a work is important. Learn to skim, to search for facts in the written word, to keep a quotation log, to enjoy words everywhere and in all sorts of combinations. Then go for what you want in writing. Develop that vision and make it so.

7. What does your desk look like? What item must be on your desk? Do you have any personal, fun items you keep on it?

I’m somewhat spoiled here, Pat. I have a desk with my computer and a couple of monitors on it. Very cool. But sometimes that computer can run my life more than the other way around, so I also have a table that’s clear except for my spiral notebook. That’s where I brainstorm a lot.

As for the little things on my desktop, I have a timer that motivates and helps me structure any project I’m working on. I also have a slinky because I need to be moving a lot, and my husband isn’t too fond of my bad habit of gum chewing while thinking.

8. What book are you currently reading (or what was the last one you read)?

Yea! Books! This summer I had the chance to read All the Light We Cannot See by Anthony Doerr, and The Readaholics and the Falcon Fiasco by Laura DiSilvario. I also got to read some pre-published samples for the CO Gold writing contest. THANKS to everyone who entered, I had some super reading there. Lastly, I’m reading a couple of non-fiction books: Create Your Writer Platform by Chuck Sambuchino and The Frugal Book Promoter by Carolyn Howard-Johnson. And yes, I keep those great writer safety nets—The Chicago Manual of Style and Strunk & White’s The Elements of Style close at hand always. Sorry, Goodreads, I’m really far behind on updating you.


Liesa Malik is a freelance writer and marketing consultant originally from Bloomfield Hills, Michigan, but currently living in Littleton, Colorado, with her husband and two pets. She has always enjoyed reading mysteries, from The Happy Hollister series, through Trixie Belden and into Reader’s Digest’s Great True Stories of Crime, Mystery and Detection.

A graduate of the University of South Florida with a degree in Mass Communications, Liesa has built on her writing interest with long-standing membership in Rocky Mountain Fiction Writers and recently joined the board of Rocky Mountain Mystery Writers of America. Most days you can find Liesa either at her desk, at a local ballroom dance studio, or on the web. Visit her website or blog. Liesa’s most recent book release is Sliced Vegetarian, a Daisy Arthur mystery.

Look What’s Coming from Rocky Mountain Fiction Writers!

rmfw-logo"Rocky Mountain Fiction Writers (RMFW) is a non-profit, volunteer-run organization dedicated to supporting, encouraging, and educating writers seeking publication in commercial fiction. To that end, the organization strives to:

  • Provide an environment of support and encouragement among members
  • Stimulate interest in and appreciation for the art of writing
  • Act as a dissemination point for information concerning commercial fiction writing
  • Bring together authors, editors, agents, and other related professionals for the mutual benefit of all"

Free programs, a fall conference, and a spring retreat!  Who could ask for anything more?

Western Slope: Montrose Free Program

Great Beginnings presented by Sharon Mignerey

Saturday, August 15, 9:00 AM to Noon
Hampton Inn Montrose
1980 North Townsend
Montrose, CO

Participants at “Great Beginnings” are encouraged to bring the first chapter of a work in progress, as this hands-on class is designed to help writers–new or old hands–sort through conflicting advice about first chapters, and create compelling opening chapters that draw readers into the story.

Writers hear all kinds of conflicting advice such as: you MUST introduce a compelling character in an inciting incident, but someone else says you MUST show that compelling character in his/her ordinary world; the reader MUST care about the character’s previous life but then again, you MUST avoid backstory; world building that anchors characters and reader is vital but, no, you MUST NOT do anything that stops the forward momentum of the story….it’s enough to make a writer’s head explode when all the writer wants to do is tell the story.

This workshop will help writers do that – tell a story – while also identifying the elements needed for their specific story to keep the reader turning the pages. This is a free workshop presented by Rocky Mountain Fiction Writers.

Writer of the Year Panel

Tuesday, August 25, 7:00 PM
Tattered Cover Colfax
2526 East Colfax Avenue
Denver, CO 80206

Western Slope: Grand Junction Free Program

Everything You Need to Know About the Next RMFW Anthology presented by Mario Acevedo

Saturday, September 5, 9:00 AM to 12:30ish (Light breakfast at 9:00 AM.)
Grand Junction Business Incubator Center
2591 Legacy Way
Grand Junction, CO

Mario Acevedo, the new Rocky Mountain Fiction Writer anthology editor will present a talk about the anthology, its history, this year’s theme, and why contributing to the anthology will add to an author’s experience as a writer. Mario will discuss the submission and selection process, and the literary expectations of short fiction versus novel-length fiction.

2015 Colorado Gold Conference

Friday, September 11 - Sunday, September 13
The Westin
Westminster, Colorado

2016 RMFW Writers Retreat

March 10-13, 2016
Franciscan Retreat Center
Colorado Springs, Colorado
Registration Opens October 1, 2015

Join RMFW at the official website "Become a Member" page.

What if You Want to Quit Writing?

By Patricia Stoltey

Recently I've read quite a few blog posts by discouraged writers, Yahoo! Group posts from writers who are tired of the struggle, social media updates that read like the last whimper from someone who's given up.

Back in the old days, when we took on a job, we were expected to stick with that employer/career for a lifetime  (assuming the job was a good one and there were opportunities for advancement, of course). In an odd way, that decision has also applied to those in creative fields--painters must paint forever, writers must churn out more words--even when a day job is necessary to put food on the table and maintain shelter.

But times have changed. Job hopping is normal. Changing careers in the middle of the stream is a growing trend. Our work lives are more like this: Try something new, master it or not, decide it's not the ideal life you thought it would be, and move on.

I'm hearing a lot less of "I write because I have to write," and a lot more of "This is a monumental waste of my time."

There was an article in the Los Angeles Times by Carolyn Kellogg last year about Philip Roth ("Philip Roth has quit writing fiction. He means it. Really.") that should make all of us think about what our writing means to us and why we keep flailing away when the process is not going well.

"What does Roth do instead of write? 'I swim, I follow baseball, look at the scenery, watch a few movies, listen to music, eat well and see friends. In the country I am keen on nature,' he says. He added, 'Barely time left for a continuing preoccupation with aging, writing, sex and death. By the end of the day I am too fatigued.'

Of course, Roth is over 80, has published more than 25 books, won awards, and has earned a joyful retirement. He retired and he doesn't miss writing fiction, just as many of us retire from real world jobs and don't miss them at all. Roth stuck to his writing until he had accomplished great things and could enjoy his remaining years.

What if you haven't achieved as much as you'd hoped, or worse, you're just beginning and are feeling overwhelmed and suicidal?

Back in 2012 Chuck Wendig at his Terrible Minds blog posted 25 Reasons You Should Quit Writing. The whole writer angst thing is part of the writing process, part of the of the writing life. But Wendig's #24 reason to quit writing is:

"I don’t think you like writing very much. Mostly you just complain. Boo-hoo pee-pee-pants sobby-face wah-wah existential turmoil. Writing is hard, publishing is mean, my characters won’t listen to me, blah blah blah. I don’t get the sense you really enjoy this thing, so why don’t you take a load off?"

Rocky Mountain Fiction Writers is an organization of writers at every stage of the craft from beginner to published to winning awards. It will be the rare member who doesn't periodically cycle through stages of whining, feeling rejected, dumping projects, and wanting to quit. Most of us will cycle back into productivity and optimism.

And some will quit. There lies the truth behind today's blog post. Some will quit. Maybe at 25 after two years and no writing success. Or at 80 after a successful award-winning career. It's not the end of the world if you quit writing and do something else. It's not the end of the world if you take a five-year break and write more when you're older.

I played at writing during my real world working years but didn't get serious (if you can call the way I do it "serious") about it until almost five years after retirement. I think about quitting almost every week. Sometimes twice in one day.

So how long have you been writing? How often do you feel like quitting?

What Will You Lose if Your Computer Crashes Five Minutes from Now?

By Patricia Stoltey

This afternoon my geeky husband had a breakthrough (after a visit to the even geekier guys at our favorite BB store). Just in the last two hours he has retrieved all of my missing files from the bad hard drive and put them on both his computer and my external hard drive. Now I'm ready to start putting the folders in their new home. I am humbled, and I have learned my lesson.

Let's hope you have a good backup and recovery process in place.

My desktop hard drive quit about a week ago, It was sudden. No warning shots across the bow.  No flailing around for a day or so before collapse. Everything was fine the day before when I turned it off. When I tried to boot up the next morning, it was dead.

We didn't miss a trick. My husband is a geek retiree who knows lots about PCs and hard drives and all that stuff. He spent a whole day trying to bring that baby back to life long enough to do one more safety backup to my external hard drive.

When he wasn't watching, I tried some other non-geeky stuff.

Nothing worked.

DeadSo...the good news:

1. I backed up to my external hard drive a few months ago, and I save important documents to flash drives. Most of my writing docs should have been safe except the really old ones. I have printed copies of the old stuff.

2. Most of the downloads from my cameras were done before I backed up to the external hard drive, so most of my family photos are safe.

3. My new desk top computer arrived Saturday and I spent the weekend installing software and getting all ready to carry on...

But....the bad news:

1. I haven't been able to find anything on that external hard drive except the photos and a few things from the desktop. So far not one single solitary Word or pdf document. Thankfully, I have the truly important documents in two other places: flash drives and as email attachments in folders in my internet email account.

So heed my warning....

Backup options -- you probably know all about all of these, but that won't help if you're not backing up on a regular basis.

1.  Flash drives (thumb drives). Buy these at any office supply store and almost everywhere else. The little gadgets plug into a USB port and hold a lot of data. They're small and easily lost. I use the ones that have a little loop at the end so I can put them on a string or key chain. They also don't have much room for file names or identifiers on the outside so you might want to add tags to each one with that key chain loop.

2.  An external hard drive for regular backups of all files. They're available from retailers that sell computers. If you don't set up automatic backups, you do have to remember to plug the drive into the USB port and manually save. And then I strongly suggest you immediately take that drive, connect it up again, and see if the files you wanted to save are really there....and to find them.

3.  Online cloud backups offered by your computer's manufacturer or independent companies. These will charge a fee but most of them are pretty reasonable. Dell has it. Carbonite and Mozy are companies that come to mind.  Google "cloud backup service" and see what you find.

4.  Your own personal cloud which is a piece of equipment (like a bigger external hard drive). You can schedule regular wireless automatic backups.

So come clean. If your computer crashed five minutes from now, what would you lose?

The Free July Program is on the Western Slope

Western Slope Free Program - No RSVP

Two workshops, two presenters, one morning.
Join us!

Saturday, July 11th, 9:15 AM to 12:00 PM
Grand Junction Business Incubator Center
2591 Legacy Way, Grand Junction, CO

~with Warren Hammond

Your character needs a voice, and so does your setting. Whether it's dark-and-stormy or bright-and-sunny, it's time to bring your setting to life just like your characters. Learn to take your writing to a new level by infusing your story with mood, tone and atmosphere.

~with Angie Hodapp

A query letter is a one-page pitch letter—an absolute necessity for novelists seeking agents. Writers dread writing them, agencies receive hundreds each week, and most of them elicit no more than a form rejection letter. However, there are many things writers can do to avoid that fate. Angie Hodapp of Nelson Literary Agency will walk you through writing a standout query while avoiding common pitfalls. Learn the anatomy of a query letter, including what it should (and shouldn’t) say about both you and your completed manuscript, and practice writing synopsis paragraphs that are clear, concise, and compelling. Get tons of tips and tools that will maximize your chances of landing a publishing contract.

What’s Going On At Rocky Mountain Fiction Writers?

The Colorado Gold Conference

JefferyDeaver200x230Have you signed up yet? With keynote speakers like Jeffery Deaver and Desiree Holt, how can you go wrong? Add in agents and editors--Danielle Burby, Trish Daly, Denise Dietz, Tiffany Schofield, Chelsey Emmelhainz, Sarah Joy Freese, Erin George, Carrie Howland, Emily S. Keyes, Melissa Jeglinkski, Ben LeRoy, and Latoya C. Smith--and you know Westminster, Colorado is the right place to be September 11-13, 2015.

If you haven't registered yet, you better do it now. Last year the conference registration was filled in record time. You don't want to miss out. For all the information on master classes, conference sessions, meals, hotel, and how to register, click here to go to the website's conference pages.

The Podcasts

Mark Stevens is currently hosting a series of interviews and programs with the Rocky Mountain Fiction Writers Podcasts. Podcast #5 featured Heather Webb with "Finding Your Voice." #4 -- Holt Finalist Tina Ann Forkner Talks Romance & James Norris Previews RMFW Workshop on Boosting Character Conflict.

The complete list of podcasts and links are available in the website Podcast section right here.

The Blog

Are you following the Rocky Mountain Fiction Writers blog Monday through Friday? With a team of regular contributors and several guest bloggers each month, all from the RMFW membership list, the blog is a great way to meet other members and enjoy the information they're willing to share with the tribe and all aspiring writers interested in what we do here at RMFW.

Did you follow Jeanne C. Stein's lessons in genre writing? Get a chuckle (or a groan) from reading the humor of Julie Kazimer or Aaron Ritchey? Explore ways to get reviews with Janet Lane? All these and more are available on the blog pages of the RMFW website.

By the way, you can sign up to receive email notices of each new blog post so you don't miss anything. Just scroll down the blog page until you find the Email Address (in red) box in the right sidebar.

The Social Media Connection

Go to the Home Page or the Blog Page and you'll find the little Social Media icons in the right sidebar with links to Facebook, Twitter, Pinterest, Google+ and more.

Are you a member?

If you visit the website, listen to the Podcasts, attend the conference, enjoy our monthly free classes, or read the blog, but haven't become a member of Rocky Mountain Fiction Writers yet, why not today?  Here's the link for membership information.

What’s Going On at Rocky Mountain Fiction Writers?

The Colorado Gold Conference

JefferyDeaver200x2302015 Rocky Mountain Fiction Writers
Colorado Gold Conference

September 11-13, 2015
The Westin, Westminster, Colorado

Keynote speakers: Jeffery Deaver and Desiree Holt

Register now at the RMFW website conference page.


Colorado Gold Writing Contest for Unpublished Novelists

The deadline for entering is June 1st, 2015

New This Year
Enter the first 4000 words of your manuscript and a 750 word synopsis in one of six categories. Final judges will pick 1st, 2nd and 3rd place winners.

The final judges for Colorado Gold 2015 are:

Action/Thriller: Denise Dietz, Senior Editor, Five Star Publishing
Mainstream: Danielle Burby, Agent, Hannigan Salky Getzler Agency
Mystery/Suspense: Trish Daly, Associate Editor, William Morrow/HarperCollins
Romance: Latoya Smith, Executive Editor, Samhain Publishing
Speculative Fiction: Emily S. Keyes, Agent, Fuse Literary
YA/MG: Melissa Jeglinski, Agent, The Knight Agency

You'll find lots more information and submission requirements on the RMFW website contest page.


Upcoming Free Programs

Sean-CurleyThe State of Independent Publishing presented by Sean Curley

Saturday, May 9, 9:00 AM to 12:00 PM
Grand Junction Business Incubator Center
2591 Legacy Way
Grand Junction, CO
Western Slope Free Program for members and non-members

Joining the Revolution: Self-Publishing Made Simple presented by Teresa Funke

Saturday, May 16, 1:00 PM to 3:00 PM
Anythink Wright Farms Library
5877 E. 120th Ave.
Thornton, CO 80602
Denver Free Program for members and non-members


The #RMFWBlog

And while you're checking out these great opportunities, please stop by the blog and scroll through the posts -- a team of regular bloggers and lots of visiting writers provide writing advice and encouragement most weekdays.

We use the hashtag #RMFWBlog on Twitter so you can always find information on the most recent posts there. We also post the links on Facebook and Google+. To make sure you don't miss anything, you can sign up for email notifications of new posts.

Your Book…Or Your Critique Group’s?

By Patricia Stoltey

Yes, I’m piggy-backing on Mary Gillgannon’s excellent Friday post called “Your Book…Or Your Editor’s?" She raised some important points about picking your battles and keeping an open mind about suggested editorial changes.

Going into a book contract without a little flexibility along with confidence in your story and characters is a risky business. You can’t work well with your publisher’s editors unless you have both.

As the member of a critique group, or even with a single critique partner, you may face similar challenges as you submit chapters to your group for review. Getting through the first round of critiques, especially if you’re submitting first draft quality, is not so bad. You wouldn’t be part of a critiquing arrangement unless you’re open to constructive criticism, suggestions, and even an occasional round of laughter at a huge mistake. Right?

By the end of the first draft, you will have a bunch of character notes, corrections (some big, some nit-picky), suggestions, alternate plot ideas, and timeline errors that must be considered during the revision process.

Whether you revise as you go, or put it all together after the first draft is written, there is now a big decision to make. Will you submit revised chapters to the group?

My own process is to submit basic first draft quality writing to my group because I want them to have free rein in picking on anything and everything.

If I do decide to submit revised chapters, it’s usually because I’ve made big changes. And if I only want “big picture” observations, I say so. I also tend to discourage line-by-line editing because it’s a waste of the critique member’s time. I go over my manuscripts so many times after the critique group’s contributions, and I make so many changes, that most outside editing is lost in the shuffle anyway.

There are risks involved when you submit revisions for critique, so it’s important to:

1. Define your novel’s genre. There are structural differences for romance, for traditional mystery, for thriller, for horror, for YA.
2. Know if your novel is plot-driven or character-driven.
3. Understand your novel’s theme or message.
4. Decide if you’re open to big changes to plot or character during the next revision.
5. Tell your critique group ahead of time what you want…and what you don’t want.

If you take revised work back to your group but leave the options open, you may receive suggestions for major plot changes, deleting or changing characters, or using structural techniques that don’t really apply to your genre.

What happens then?

You might have a crisis of confidence and feel your novel is absolute garbage.

And start making random changes to absorb all those great suggestions.

And end up with a mess.

More experienced writers tend to work through this stage with their critique groups and learn when to implement and when to reject suggestions. Writers new to the craft, or just new to critique group dynamics, may need to go through a learning phase before they understand that suggestions are just suggestions, like the results of a brainstorming session.

If you know and understand what you’re writing and why, you’ll learn to trust your instincts when absorbing feedback from a critique group or critique partner. And you’ll learn to guide your critique partners before they examine your submission so they don't waste time on comments you’ll only ignore.

In the end, it’s your book. Take control.