Author Archives: Patricia Stoltey

About Patricia Stoltey

Patricia grew up on a farm in central Illinois so naturally had to use the old farm in her first mystery. The second Sylvia and Willie tale takes place near and in the little touristy gold mining town of Oatman, Arizona. Patricia's third novel, a standalone suspense called Dead Wrong, is scheduled for release November 2014. Visit her blog at http://patriciastoltey.blogspot.com.

An Interview with Literary Agent Pooja Menon, Kimberley Cameron and Associates

poojamenon1Pooja Menon joined Kimberley Cameron & Associates as an intern in the fall of 2011, with the aim of immersing herself in the elusive world of publishing. She soon realized that being an agent was what she was most drawn to as the job was varied and challenging and satisfied her craving to work with books. In the fall of 2012, she began taking on her own clients. As a relatively new agent, Pooja is looking to build her client list and is eager for submissions by debut novelists and veteran writers. She represents fiction and non-fiction for both Adult and YA markets, and is searching for writing that has an easy flow, timely pacing, unique perspectives, and strong voices.

In Adult fiction, she is looking for upmarket women‘s fiction, literary/commercial fiction, thrillers, mysteries/suspense, historical and multi-cultural fiction. In YA, she is looking for strong voice-driven contemporary fiction (from the light/romantic variety to fiction dealing with darker themes and subjects), horror, mysteries/thrillers with psychological twists, fantasy, historicals–all of which need to be uniquely spun, fresh, with voices that are strong and multi-layered. She‘s also looking for multi-cultural fiction that is either set abroad or is set in the US with characters from a different culture or background.

Pat: Welcome to the RMFW Blog, Pooja. Could you start by telling our conference attendees (and potential attendees) about your educational background and experience and what specifically led to your literary agent position?

Pooja: Of course! I went quite the linear way to be honest. I always knew I wanted to work in publishing. At the time, I envisioned more of an editorial role when I thought of jobs. I planned on moving to NY and trying to get into one of the Big 6 (at that time) and working my way up. So I did my BA in English Literature from England and then, because I loved to write, I did an M.F.A from Otis College of Art and Design in LA, which was really great because it’s a small program and we’re all very collaborative (the professors and the students) and they have a publishing module/program where they release a select number of literary books each year–each of us learnt what goes into publishing a book while working on these.

Once I finished, however, life changed direction and I got married and my husband’s job required me to be in the Bay Area. So I began looking at other options and found Kimberley Cameron & Associates. I’ll be honest, until that point I didn’t know much about a literary agent and nor did I consider it a career option because I had thought of something else all along. But once I learnt more about it, I applied for an internship with Kimberley and I interned and assisted with her for a year. I realized that the job offered me a ton of freedom with the kind of projects I wanted to work on, offered me the freedom to work with the kind of people I wanted to work with, and I got to do more than an editorial role. Agents wear a lot of different hats and I enjoyed learning about all these various hats. Then in the fall of 2012, Kimberley asked me to join and I jumped at the chance.

Pat: Have you attended many writers’ conferences since you became an agent? If so, tell us a little about your conference experience, what you like most and least. If you haven’t been to many conferences, please describe your expectations, especially about the author pitch sessions.

Pooja: I did, actually. This year has been conference heavy! I attended a couple of local one day and weekend conferences, went to San Miguel in February, Houston in April, Boise in May, this July it will be my second time at the PNWA conference in Seattle, my first at Colorado Gold (so excited), quite frankly, I’ve attended quite a bit and really enjoyed them. I love meeting new writers who come to me bursting with ideas for their projects; I enjoy talking to them about their work and how far they’ve come and where they got their inspiration from. I love hearing about how active in the writing community they are—attending conferences and writing critique groups, doing readings, learning up on the industry, etc (this kind of a writer makes me a very happy agent). It’s really great.

What I like the least is when I meet people during pitches who’ve come to talk to me about their work but won’t take a word of criticism/suggestion/advice without getting irked or defensive. This industry requires people to be open and willing to learn and edit and revise, requires people to be tough skinned when getting critiqued. It also bothers me when people don’t respect the idea of space. I’m very aware that they’ve spent money to be at conferences and they’re eager to learn, but when an agent goes to the restroom or finds a moment to have lunch (unless it’s a lunch/informal pitch session), that definitely is not the best time to pitch your work. Respect boundaries and space. That’s what I think authors (definitely this is a minority) can work on.

Pat: The bio at the beginning of this interview has a pretty long list of fiction genres that you might be interested in representing. RMFW is all for and about fiction writers, so please elaborate a bit on your favorite genres, what you hope to find in the pitch sessions, and which genres are least likely to excite you. Are you interested in the New Adult genre?

Pooja: In terms of what excites me the most, I’m very fond of multi-cultural fiction that deals with family, love, boundaries, etc within a larger framework or plotline. Think of Khalid Hosseini or Jhumpa Lahiri or Adiche Chimamanda or Isabel Allende or Amy Tan or Ann Patchett or books like Shadow of the Banyan Tree and The Tiger’s Wife. Literary fiction that has strong commercial appeal. Now, by all means, not all stories have to be set in multi-cultural settings. I enjoy literary fiction and commercial fiction of any kind, set anywhere as long as the concept is fresh and unique: The Night Circus, The Orphan Train, historical fiction by Sarah Dunant, mysteries or thrillers by authors like Tana French and Kathy Reich’s, or ones that are off-beat (Gone Girl, domestic thriller that’s off-beat and dark and set in a suburb or Alexander McCall, polar opposite, for instance) from the norm.

Frankly, aside from romance, epic sci-fi and fantasy, military fiction, and light frothy beach reads (not overly fond of these), I’m open to anything unique and different. I’m hoping to be surprised and meeting authors’ at pitch sessions is usually the perfect way to be surprised. Many a time, even though I might not generally read books in a particular genre or category, I might make an exception if the writing and the characters are THAT strong and have moved me in some big way. So be ready to bring me your best work!

Pat: What advice do you have for the authors who pitch their work to you at conference?

Pooja: Be calm, be professional and courteous, and prepare your pitch and practice it before coming to a conference because agents would prefer you to pitch them face to face in a conversational manner as opposed to, a) reading off a page b) rambling on and on about your story in an attempt to tell us your whole story in four minutes.

Prepare a one minute pitch, a three minute pitch, a four minute one, depending on the pitch times for the conference you’re attending. One minute pitches regardless because if you’re pitching to an agent over drinks in an informal setting, you want to capture their attention at once, then a strong, intriguing one minute or shorter pitch would be the key. Also, practice on your spouse or friend or parents or partner until they think you’re doing it organically and until you think you are confident enough.

Lastly, we’re just people looking for an amazing story. We’re there to meet you because we want to be and because we want to find stories that make our hearts race. So don’t be nervous. What’s the worst that can happen, really? Practice makes perfect and if you didn’t click with one agent or made mistakes at one conference, there are plenty more for you to try at or learn from. It’s never a waste!

Pat: What changes is your agency experiencing because of the rise in self-published books? Do you see any differences in the quality and genre of submissions you receive?

Pooja: First off, I have to say, the explosion of self-published books hasn’t affected us as much. Mainly because books that are self-published and have sold millions of copies have been the exception, not the norm. We get queries all the time from people who’ve gone the self-published route and then learnt that a lot goes into it to take it off the ground and they would rather focus on writing and have agents take care of that bit, Unfortunately, once a book is put out and if they don’t garner enough sales or attention, there isn’t much an agent can do for them.

In the case of books that do well, people have asked us why they need an agent, and my answer is that if that’s the case, we can still get them a better deal. For instance, if an author has millions of e-book sales, an agent can get them a great print deal with a big publisher, better distribution and packaging deals for print books, movie or TV deals, work on getting an aggressive deal on other subsidiary rights, so many things an agent can do for that author while allowing the author to keep the rights of the e-books he’s sold on his own. So, in essence, agents move and evolve with the industry and our roles get more and more complex, but never less necessary or important.

Pat: The website states your agency is open to emailed queries that include a one-page synopsis and the first fifty pages of the manuscript. When you open one of these queries, what most encourages you to read on, and what makes you stop reading and reject the submission?

Pooja: A stellar query makes me want to read more. Even if a query isn’t so stellar, I still do read the first ten pages at least if I feel like the story has potential or perks my interest in some way. It’s all based on the writing for me, if I feel like the story doesn’t capture me from the first page, I would still read a few more pages in, but if I still feel like I have to force myself to keep going, that would be an easy decision for me to make. When we go through the edits with our clients, we sometimes end up reading that manuscript a dozen times! If I struggled to read it the first time, it will be a painful process indeed to get through it even a second time around.

Pat: When you like what you hear during a conference pitch session, what would trigger a request for the full manuscript?

Pooja: Usually I stick to asking from 25-75 pages based on how well the pitch is put forward or how intrigued I am by the story. I never request a full because I’ve seen a lot of manuscripts fall apart in the middle, so I prefer the cautious and bit by bit approach.

Pat: We know that literary agents spend a lot of their “spare” time reading manuscripts, but what else do you do for fun? Do you have any interesting hobbies, quirky pets, or unusual weekend activities?

Pooja: Ah fun! Well, there was a time when I used to work every day even through the weekends and quickly realized that’s a recipe for disaster. I was getting burned out and my family wasn’t too pleased by it. So I’ve scaled back a lot.

I love reading for pleasure, so I still try and find time for that. We do a lot of hiking with my dog (my quirky goldendoodle) and meet up with friends and watch plays/musicals/movies, I try and fit in working out in there somewhere despite my dislike for it, I do love dancing so I’ve been toying with the idea of signing up for classes. Ditto with wanting to learn how to bake and cook Thai/Ethiopian food, though I have to find time for it. Love to travel, so we try and do a lot of local trips if we can and go outside once a year at least. I also love trying new cuisines so we go around in the city and out of the city in search of food.

Thanks so much for answering our questions, Pooja. We look forward to meeting you at Colorado Gold.

How to find all those Colorado Gold agent/editor/speaker interviews

Our regular blog contributors and guests have been busy interviewing the agents, editors, and speakers who will attend the Colorado Gold Conference in Westminster September 5-7.

We’re trying to make it as easy as possible for you to find and read those interviews. On the day they post, we put the link on the Rocky Mountain Fiction Writers Facebook page and the RMFW Google+ page. The link usually gets tweeted a couple of times as well.

On the home page of the RMFW website, there’s a link to the interview list. The link is called 2014 Conference Guest Interviews. That link takes you to a concise list of the published posts with an individual link to each.

Additional interviews scheduled so far include Elizabeth Copps on Tuesday, July 15th. We’ll have more on the schedule soon.

Meanwhile, you can go to the 2014 Conference Guest Interview page to view the ten interviews published so far.

August RMFW Workshop Announcement: Homicide 101 (For Writers, Not Criminals)

August RMFW Workshop
Homicide 101 (For Writers, Not Criminals)
Saturday, Aug. 23
1 to 3 PM
Sam Gary Branch Library
2961 Roslyn St., Denver (Stapleton neighborhood)

Presented by: Tracy Brisendine

One of the most fascinating and feared crimes is murder—it can completely immobilize a community and tear a family apart. It can also make for some really great writing.

The life and death of your story can depend on the authenticity of your detail, so step beyond the crime scene tape and get it right! Learn basic homicide investigative techniques, motives that induce a person to kill, commonly used cover-up methods, and the importance of physical evidence at a death scene.

Do you know the fundamental characteristics of gunshot wounds, stabbings, and blunt force trauma? What about the tell-tale signs of an asphyxiation death? You will after this class.

So if you plan on offing someone, fictionally of course, don’t miss this free program.

About Tracy:

Tracy Brisendine’s invisible pet dinosaur landed her in the principal’s office in second grade, and it was downhill from there. In order to protect her mental health, she allows some of her ideas to bleed out onto the page. When she is not battling demons of deviance, she serves as RMFW’s Publicity Chair.

Tracy lives in Denver, Colorado with her husband and snaggle-tooth dog named Max. She worked in law enforcement for seven years and has a bachelor’s degree in Sociology, with a concentration in Criminal Justice, from Colorado State University. Currently, Tracy works as a locate investigator for the City of Denver, and writes urban fantasy as TJ Valour.

Follow Tracy on Twitter: @WolvesCanEatMe
On Facebook: http://www.facebook.com/AuthorTJValour

RMFW Spotlight on Susan Brooks, Colorado Gold Conference Chair

Susan BrooksSusan Brooks has been conference chair since 2011.  She is Editor-in-Chief of YA and Children’s Divisions of a traditional publisher and has an MA in Publishing from George Washington University.

Registration for the Colorado Gold Conference opened on May 1st. The conference is scheduled for September 5-7 at the Westin in Westminster, Colorado.

1. Susan, tell us what you do for RMFW and why you are involved.

I am the current conference chair, which means that I organize Colorado Gold. RMFW is such a wonderful organization and I love the mission of helping people learn. My biggest goal as conference chair is that each conference is better than the last one.

I initially got involved with RMFW in 2008. I had taken a long break from writing and after some life changes I wanted to write again. I knew I needed a critique group because I hadn’t written in such a long time. I searched online and found RMFW. I learned about the free monthly programs and I went to a few those. I met wonderful people at each event. One of them asked if I wanted to volunteer and do hospitality for the monthly workshops. I agreed, and once I started doing hospitality, it was a slippery slope. Pamela Nowak reeled me in to replace her as conference chair in 2011.

2. What is your current WIP or most recent publication, and where can we buy a book, if available?

My current WIP is a paranormal romance and I am working on my second draft. I have been published for other writings, but no novels as of yet. I blog at http://susanbrooks.wordpress.com/ and I occasionally tweet as @oosuzieq.

3. We’ve all heard of bucket lists — you know, those life-wish lists of experiences, dreams or goals we want to accomplish– what’s one of yours?

I really love helping other people solve problems, especially with stories. I think it is hard for us as writers to see our own plot or character problems. We all need another set of eyes to see what we are blind to. That is why I like editing so much. I really want everyone to be successful and am sometimes surprised by really good stories that get rejected. So one of the bucket list projects is to start a traditional publishing company. I want to publish stories that I really like!

4. Most writers have an Achilles heel with their writing. Confess, what’s yours?

My Achilles heel is that I am a pantser by nature. I love the creative process of just sitting down to write something and exploring my characters, and finding out what happens with them on the page. It suits my recursive brain to write this way. When one of my characters says something I didn’t anticipate for example, I love being surprised by that. But, the problem with being a pantser, and an ADD pantser whose brain naturally runs in tangents, is that I have spent a great amount of time writing pages of my particular story that do not actually have anything to do with my intended plot. These tangents are fun, but they don’t get me to the end. And when you have ADD it is most important to be focused.

Over the years I have learned that I must create an outline so that I can get to the end. I don’t outline every detail and I am still happily surprised by some things that happen on the page, but I know what has to happen in the chapter I am working on so that I can get to the next chapter, and get to the end. This means I have become a plotter by necessity. I absolutely must have the structure. It’s funny because I have set up a rather intensive structure in other areas of my life, such as project management tasks for the conference. It just took me a while to figure out that I needed structure for my writing too.

5. What do you love most about the writing life?

I love the element of discovery. I love when I am writing, based upon my outlines now, and something happens on the page that I did not intend. It’s magical and surprising and it excites me and sometimes frustrates me because I have to revise my outline to make it work. Sometimes I can’t make it work and I have to edit it out. But, discovering that creative spark is my favorite thing. The rest of the process is not my favorite. It is work and I have to settle down and focus in order to do it.

6. Now that you have a little writing experience, what advice would you go back and give yourself as a beginning writer?

I would definitely talk myself into outlining from the start. The thing about the outline is that you can change it if something magical happens on the page which you didn’t intend. Just tweak the outline so that everything gets resolved. With an outline you still know what you need to write in the next chapter which is imperative to move forward as a writer. Outline, little Suzie! Outline.

7. What does your desk look like? What item must be on your desk? Do you have any personal, fun items you keep on it?

Well, I have two desks actually. And I write at both of them. I also write at the kitchen table, and at the coffee table in the living room. I write with a lap desk on the chaise lounge with the cat, and occasionally in a coffee shop or a bar. I don’t have one particular place, which is probably an ADD thing. I aspire to have a regular place, and a regular writing time, and a regular routine, but I don’t. Over the years I have just come to accept this about myself.

The most important thing is not the location, but my ability to focus. I actually found an audio recording that induces brain wave patterns for focus and that has been the most helpful. The recording is saved on my laptop so I just plug in the headphones and go to work in whatever places seems best at the time. The recording is that item that I must have. Otherwise, every little thing distracts me, from shiny objects to birds flying by. I also use the audio recording when editing, or working on conference tasks or doing other things that require more than 20 seconds in a row.

8. What book are you currently reading (or what was the last one you read)?

This is a funny question for me to answer. As I mentioned earlier, I am a tiny bit ADD. And part of my reading process is that I read multiple books at a time. It tends to take me awhile to get through them all, but I always remember where I left off and I don’t get the storylines confused. I don’t know how that works, but it is how I read. I am reading several books to learn new things, like Google Analytics, but I won’t list those here because they are boring and not at all fun.

At this moment, I am re-reading Dragonfly in Amber by Diana Gabaldon. She is one of my favorite authors and has a new book coming out in this summer. I wanted to re-read the series from the beginning because it has been so long since I read them. I am also reading Hotel Transylvania by Chelsea Quinn Yarbro. This is a series that I haven’t read since…I can’t remember when, She does some interesting things with character development. The main character is Saint Germain, a heroic vampire.

I am also reading The Chronicles of Amber by Roger Zelazney. Zelazny is wonderfully creative with plot, and again, this is something I read long ago and wanted to read again. I am reading Bruce Lipton’s Biology of Belief. Lipton is a rogue cellular biologist. Science interests me, though it definitely is not my forte. I am also reading a few different books on mythology, which are perpetually in the book stack just because I love the topic. None of these books mentioned were in my “angst pile” which is that stack of books that I want to read but haven’t yet. Reading all the books in the angst pile might need to be listed above as a bucket list item!

Current and Upcoming Events with Rocky Mountain Fiction Writers

Special Note: Time is running out.  The Colorado Gold Writing Contest for unpublished novelists will be accepting entries until June 1st. You’ll find all the rules and entry instructions (and the names of the final judges) on the contest page of the RMFW website.

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Upcoming Classes (for more information and registration, click on the class title):

Scenework: Writing the Robust Scene (Online Class)
Presented by Trai Cartwright
Monday, June 2 thru Sunday, June 15

Reading Aloud: Public Speaking for Writers (Free Program)
Presented by Chris Devlin & Aaron Ritchey
June 7, 2:00 P.M. to 4:00 P.M.
Lakewood Arts Council, Lakewood, CO

RMFW Advanced Screenwriting
Presented by Trai Cartwright
June 15 thru August 3
3498 Elmsworth, Lobby Media Room,
Cherry Creek, CO

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Registration is Open for the Rocky Mountain Fiction Writers Conference
September 5-7, 2014
The Westin, Westminster. Colorado
The schedule of workshops and master classes, the list of visiting agents, editors, and guest speakers, and registration information can be found on the conference page of the RMFW website.

Don’t forget that we’re interviewing as many of the agents, editors, and keynote speakers as we can before mid-August. You can find the a list of links to the published interviews on the Special Guest Interview Page.

The Colorado Gold Contest for Unpublished Novelists

noimageYou’ve been working hard on your manuscript–writing, revising, self-editing, then rewriting after your critique group reviews your efforts. Now you have your first finished novel. What should you do next?

For over thirty years, the Colorado Gold contest for unpublished writers has given aspiring novelists the chance to get their work in front of an acquiring agent or editor while also providing feedback and encouragement for the craft of writing.

Writers enter the first 20 pages of a manuscript plus a 3 to 4 page synopsis in one of six categories. Two judges from Rocky Mountain Fiction Writers will evaluate and score each entry. The top five submissions scoring 130 points or more in each category will make the finals and will then be judged by one of the agents or editors attending the Colorado Gold Conference.

One winner will be named in each category. Winners receive $100 and a certificate. The remaining finalists receive $30 and a certificate. Winners will be announced at the Colorado Gold Writers Conference awards banquet September 6th, 2014, at the Westin Hotel in Westminster, Colorado.

The 2014 Contest Categories are:

Action/Thriller
Mainstream
Mystery/Suspense
Romance
Speculative Fiction
Young Adult

The contest final judges have been announced. You’ll find those names on the website as well (the link is at the end of this post).

Contest Dates:

The contest is open now for submissions.
Closes June 1, 2014, 11:59 PM MST.

Entry Fee:

$30 per entry or $55 per entry to receive a critique from one of the first two judges.

By now, I’m sure you’re chomping at the bit to know how to enter. First you head over the RMFW Website and check out the Contest Page. That’s where you’ll find the links to the 2014 Official Rules and Entry Instructions.

Good luck!

RMFW Spotlight on Monica Poole, Critique Chair

Each month we feature a Q and A with an RMFW board member or a non-board volunteer. These are wonderful folks who generously share their time and expertise, keep RMFW alive and growing, and provide opportunities for members to perfect their craft. An important part of the writing process is getting feedback from critique partners and groups. The RMFW critique groups are active throughout and beyond the Denver area.

Monica Poole1. Monica, tell us what you do for RMFW and why you are involved.

I encourage members to seek out, join, and actively participate in a critique group. Visiting a critique group was my first introduction to RMFW. I had been to a few other critique groups organized by other writing groups, and they were the blind leading the blind. Visiting the RMFW group was an eye opening and immensely helpful experience. I came away from that meeting knowing that RMFW was a group of writers who not only knew how to write, but who also knew how to share their writing knowledge with others. I want every member to have that sort of positive experience.

2. What is your current WIP or most recent publication, and where can we buy a book, if available?

I’m working on three books, two are in the fantasy genre. One is really intense with a lot of character angst and the other is a little more fun, as much as any of my books can be called fun. I tend to build dark, dystopian type worlds. The third book is a nonfiction account of my daughter’s journey through her diagnosis of schizophrenia and how our family was able to treat that through diet. It was a long journey that led to my opening my specialized bakery. It took me away from fiction writing for 10 years, but I’m back.

3. We’ve all heard of bucket lists — you know, those life-wish lists of experiences, dreams or goals we want to accomplish– what’s one of yours?

My mother noticed that I liked making up wild stories and bought me a red, plastic Fisher Price typewriter when I was in second grade and told me to write down the stuff I had made up. Don’t ask me how I knew how to type in second grade, but I did.

I didn’t believe adults would read stories about made up worlds. Then in fifth grade our teacher read aloud The Hobbit. I thought, hold on, Middle Earth doesn’t exist and adults like this book. I’m going to be a writer. That was it for me. I’ve been writing ever since. But when I tell people I write, the first question is, are you published? I’m very ready to answer YES to that question.

I’d also like to do some traveling, but NOT to any of the places I’ve made up.

4. Most writers have an Achilles heel with their writing. Confess, what’s yours?

I too often go down a bunny trail when I’m writing. Then I like where the path leads and I want to work that plot line into the book. Let that happen too many times and you can end up with a tangled mess. Dropping fun plot lines is always a tough cut, but in many cases, it has to be done.

5. What do you love most about the writing life?

Getting to the end of a scene and writing that last line and knowing it is a good scene. This is especially true if the character in the scene just overcame the big obstacle or had a revelation. I love that feeling. It’s addictive.

I also really love meeting with other writers, working with them in a critique setting. The positive feedback as well as the corrective suggestions keep the creative juices flowing.

6. Now that you have a little writing experience, what advice would you go back and give yourself as a beginning writer?

Just write it already! Get the first draft done. The words are never perfect, or even good, right out of the shoot.

7. What does your desk look like? What item must be on your desk? Do you have any personal, fun items you keep on it?

Oh my, no one wants to see my desk  I write at work, in my office and my desk is a mess of papers and empty coffee cups.

My current WIP is always open on my computer, whatever computer I happen to be working on. Whenever I get a few minutes, I jot down as much as I can. The boss doesn’t mind. I write at work, at home on my laptop, and if I don’t have my laptop, I jot ideas down on a notebook in my car, usually at a stoplight, but I have been known to write and drive. I’m always thinking about a scene, the next one or the one I’m having trouble with, and I never know when the right idea will fly into my brain.

8. What book are you currently reading (or what was the last one you read)?

I am re-reading The Wheel of Time series and am into the second book, The Great Hunt I believe is the title. I’ve never paid much attention to book titles. All I know is that there are a lot of books in this series and now that the series is completed I want to read them all straight through. When I started the series, years ago, I had gotten through book 7 but it became too tedious waiting for each new installment. So I decided to stop reading until they were all out. So here I am.

I’m also reading book 5 in the George RR Martin Fire and Ice series. Again, I can’t remember what it is called. I can hear all of the writers out there who painstakingly labor over their titles, just having a fit, but oh well.

I’m also reading The Book Thief, and a young adult fantasy titled Eon. Then there are all of the books and bits of books that I read for the members of my critique group or from past critique groups or for writing contests.

I like to have lots of stuff going on at once.

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Thanks so much for answering our questions, Monica.

Readers, if you’re a member of RMFW and want to find a critique group in your area, you can contact Monica at critique@rmfw.org.

The Second Book is Like Sex … by Aaron Michael Ritchey

Aaron_Michael_Ritchey.jpgWell, Long Live the Suicide King is now in the world. It’s in the collection of books that human beings have produced. I have an ISBN for it, which is the second ISBN I have. Two down and another hundred to go. Edgar Rice Burroughs said that if you wrote a hundred books, at least a couple might be good. So that is the plan.

Now, I’ve been asked if the second time is better, worse, easier, harder?

It’s infinitely easier. Like sex.

My first time with actual sex was a disaster. I won’t go into details, but let’s just say no one, not the warmest, fuzziest romance writer nor the sleaziest porn producer could capture the tragi-comedy of my first sexual experience. But I’d like to think I got better with the whole sex thing. I did it right at least twice: both the sex thing and the book thing.

I wrote the book, edited the book, and got the book out into the world. Which for me is a minor miracle. I used to write books and book and books and then shelve them because I was too afraid to query agents or editors. And I knew that what I had was blech, but my next idea? My next magnum opus would shatter the publishing world with its brilliance. With the fire of a new idea scorching me, I would start with the lovely blank page and churn out another novel no one would ever read. And so on and so on and so on. It was good practice, but in the end, for me, if I am not seeking out readers, writing becomes an exercise of self-pleasure. And that is what I did alone for years and years.

Ritchey_Suicide KingI don’t get to sit on books anymore. I’ve spent decades working on my writing, and for me to not share my books with the world because of self-centered fear is a crime. And sad. I’ve lived most of my life too terrified to move, but not anymore.

Yes, the second book was easier. I know so much more about pre-orders, about reviews, about starting early, about the kind of marketing material I need. And I didn’t dread my book launches because a book launch is a party I throw for all the people I love.

I’m excited about hand-selling my new book, however odd it might be. The Never Prayer had a nice hook. Angels, demons, love, sure. The new book is my happy, little suicide book. It’s funny, but yeah, it’s about suicide. Yikes. However, it’s also about hope, donuts, Christian girls, the ‘hood, and a very Laurence Fishburne villain.

Like 13 Reasons Why meets The Matrix! Without the sci-fi element.

Yes, I’m still nervous about having another book out there. And yeah, I have high hopes and impossible dreams swimming around in my head, but do you know what?

I’m enjoying the process.

For right this second, I don’t need riches and fame to be happy about my writing career. I’m enjoying where I am and what I am doing right now, which is a miracle. And at times? I even pine for my pre-published days!

But that is a waste, longing for the past.

I’m doing the deal right now. I’m writing books and I’m finding publishers for them. Not big publishers, but publishers, and I’m excited about the prospect of going rogue and independently publishing.

So to celebrate, I’ll be doing a little giveaway, not just my new book, Long Live the Suicide King, but also Black by Catherine Winters and The Prophetess: At Risk by Linda Rohrbough.

All you have to do is leave a comment on this post by the end of Saturday (May 3rd) that describes one good thing about the writing life you are experiencing right now. Or, if you’re not a writer, something good about reading books, owning books, buying books, shelving books, underlining books, or anything book!

I’ll mail you out the books and it will be epic! Free books!

Life is sweet!

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Aaron Michael Ritchey’s first novel, The Never Prayer, was published in March of 2012 to a fanfare of sparkling reviews including an almost win in the RMFW Gold contest. Since then he’s been paid to write steampunk, cyberpunk, and sci-fi western short stories, two of which will appear in a new fiction magazine, FICTIONVALE. His second novel, Long Live the Suicide King, is out and giving hope to the masses. As a former story addict and television connoisseur, he lives in Colorado with his wife and two ancient goddesses posing as his daughters.

For more about him, his books, and how to overcome artistic angst, visit his website. He’s on Facebook as Aaron Michael Ritchey and he tweets – @aaronmritchey.