Author Archives: RMFW Guest

The RMFW Spotlight is on Saytchyn Maddux-Creech, Membership Chair

The first Monday of the month the RMFW Blog features one of the members of the board of directors or a volunteer. This month Saytchyn Maddux-Creech has agreed to answer our questions. We hope this helps members and potential members get acquainted with the incredible folks who keep Rocky Mountain Fiction Writers going and growing. And just in case these spotlights inspire other members to step forward and volunteer, feel free to email Judy Matheny, Volunteer Coordinator at volunteer@rmfw.org.

1. Saytchyn, tell us what you do for RMFW and why you are involved.

SaytchenI serve as the Membership Chair, which means I primarily help people who’ve forgotten their passwords to log onto the RMFW website. I also answer questions members and prospective members have about the group, troubleshoot membership-related issues, and try to recruit every writer I meet who isn’t already a member.

I’d long wanted to be more active with RMFW but didn’t think I could do much from Fort Collins. I’m grateful to Vicki Law for recommending me as Membership Chair to the board. It’s a job I can perform from home or anywhere I have Internet access.

2. What is your current WIP or most recent publication, and where can we buy a book, if available?

Most of my stories published in literary magazines are still online and may be accessed on the stories page of my terrible website. My latest stories, “Devildoms” (Dangerous Hedge) and “L’Hermitage” (Typehouse Literary Journal), will be published in January.

I’m making revisions on a dark fantasy/near-horror novel that won third place in The Sandy Writing Contest this year. I plan to finish by the end of November.

3. We’ve all heard of bucket lists — you know, those life-wish lists of experiences, dreams or goals we want to accomplish– what’s one of yours?

To write a great book, and then another, and then another…

Aside from writing, I want to earn a degree in either astrophysics or geophysics (or both!) and retire to a luxury cottage in Wales with a maze-like overgrown garden.

4. Most writers have an Achilles heel with their writing. Confess, what’s yours?

I began the writing life as an experimental writer. In the MFA program at Colorado State University, I allowed myself to be partially molded into a literary writer. Both of these styles got me into the habit of losing myself in a world and forgetting to tell the story. World-painting is wonderful, Saytchyn, but get to the story.

5. What do you love most about the writing life?

Writing. I’m happiest when writing. I get depressed when I take a few days off. When I’m writing, even if it’s not going fabulously, people can tell. I’m more pleasant. If I’m not writing, I’m agitated and crabby.

Also, Writers. I love to be with and talk to other writers. I love conferences, workshops, classes, and retreats. I am an introvert, generally, but not with other writers.

6. Now that you have a little writing experience, what advice would you go back and give yourself as a beginning writer?

I’d hesitate to try to persuade myself to change anything, for fear of ending up someplace terrible. But I would probably say, “Start putting in your 10,000 hours as a storyteller at the same time you start putting in 10,000 as a writer. Learn earlier that everyone has something to teach you.”

Saytchen_desk7. What does your desk look like? What item must be on your desk? Do you have any personal, fun items you keep on it?

I must have something to write with—a computer or a notebook and a pen. I have a lot of tokens on my desk—gifts from other writers and things that inspire me—and on the wall beside my desk is a map I drew of my story world. But I can write anywhere, and all I need is a computer or a notebook and a pen.

8. What book are you currently reading (or what was the last one you read)?

The last book I read was Dust and Light by Carol Berg. I loved it, and you can read my review on Goodreads. I’ve been reading friends’ manuscripts and have only recently started reading The Diviners by Libba Bray, but if the beginning is any indication, I think it will be bewitching.

6 Best Marketing Tips for Authors

By Heather Webb

Heather WebbAll authors are looking for that magic marketing formula. How much money should we spend on ads? What should our websites look like? How much time should we spend on social media? How do we distinguish ourselves amidst all of the white noise? But these are the wrong questions. The best way to establish oneself as an author, to be an effective marketing guru, isn’t quantifiable. *rips out hair* So what should an author focus on for promotion?

CULTIVATE YOUR VOICE Be yourself, which is to say, be unique! Don’t try to rip off another author’s style. It will not only feel phony to you and your readers will see that you’re trying too hard. Don’t assume they can’t tell. Give them more credit than that. A quick point about online articles and interviews—they are more informal in voice. You don’t want to sound like a stiff or a nag, or you’ll bore your readers.

BE CREATIVE Start your own writing-related services, writer group, or hashtag. Set up a bookstand with your novels at a soccer match, purchase inexpensive paraphernalia with your cover on it or maybe your character’s names. Sell it on your website, distribute it at conferences. People like stuff! Make cupcakes with your book cover on them and bring them to the day job, the community center, or the library. You get the idea. Think outside of the box.

RESEARCH A writer’s research is never finished. Pay attention to what is selling in the book market. Listen to what readers want. Track the changes happening in the industry. How will this information affect your current platform? How can you change to incorporate new trends and more importantly, to reach MORE readers? Do your research, if not daily, weekly.

Webb_Rodins LoverENGAGE Reach out! Find ways to connect to different groups of people, both in person and online. Attend conferences, book fairs, and author signings. Volunteer at writing organizations. Cheer on your fellow writers in their quest to publication. Form relationships with people. When your agent tells you to get on Twitter, what they mean to say is, TALK TO PEOPLE. Make friends. Swap anecdotes, swap war stories, or craft ideas, or gardening tips. Anything! What you’re actually doing is forming your tribe. Your tribe will gladly help promote your works because THEY LIKE YOU. Because they’re your friends. And NOT because you spammed everyone with and reviews and quotes from your novels. (I’ve avoided more book buying by seeing people clip a really horrible line from their book and posting it on Twitter or Facebook.) (Be sure to follow the 80%–20% self-promotion rule here. More writers break this rule than not, and it’s REALLY annoying.)

FOCUS ON READERS While it’s true we should be involved in our writing organizations, it’s imperative that published authors, in particular, shift the focus of their efforts toward readers. We love to get caught up talking to other writers and industry pros and traveling to conferences, but other writers aren’t your target audience. Reach out to book clubs. Purchase ads in book club newsletters. Speak at your local library. Write articles on your blog that tie in with your novels, your platform, and interesting or fun or exciting information readers would like to see. Readers talk and share these morsels with others. Word of mouth is still the single most effective method of spreading the word about your books. Direct the bulk of your efforts to getting readers talking.

WRITE AMAZING, DROOL-WORTHY BOOKS The best way to gain more readers, to harness your success, is to write more books. The kind of books that send readers on a journey, that wrench open minds with a crow bar, that break hearts. Never stop working on your craft. It’s a skill and can only improve with practice, hard work, and time.

So get writing! And remember that being yourself and building relationships are the most effective marketing tools.

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Heather Webb writes historical fiction for Penguin, including BECOMING JOSEPHINE and the forthcoming RODIN’S LOVER (Jan 2015). In addition, she is a freelance editor and contributor to award-winning sites WriterUnboxed.com and RomanceUniversity.org. When not writing, she kicks around a local college teaching craft and industry courses, flexes her foodie skills, or looks for excuses to head to the other side of the world.

Learn more about Heather and her books at her website and blog. She can also be found on Facebook, Twitter, and Goodreads.

Free Your Writing Soul, and Write Better as a Result

By Tina Ann Forkner

My debut novel released in 2008 from a legacy publisher. Sounds like a dream come true, doesn’t it? And it was, for a while. When my next novel came out in 2009, it looked to some people like I was on the publishing journey every aspiring writer wanted. When 2010 came and went and I didn’t have a contract, I didn’t worry too much. I was tired, and besides, plenty of writers have gone a few years between books and it didn’t hurt their careers. Maybe 2011 would be my year, but that year came and went too.

Forkner_Waking Up Joy2012 and 2013 were years of several near misses, a few promising projects that fell through before a contract could ever be signed, and several all-out rejections. And now here we are in 2014 and Waking Up Joy has finally released. Yes, that’s five years from my last book, people. Five. So why did it take so long?

The answer is complex, but soon after my second novel was published, the book world was doing somersaults in the midst of huge economic and technological change. Somewhere in the middle of all the publishing craziness when my early novels were releasing, I lost sight of what mattered most. With publishers’ budgets shrinking, I needed to work harder to let people know about my books and it was no longer about writing.

All the pressure made me feel as if blog posts, tweets, and status updates were the keys to selling my books, and I didn’t like it. I felt as if I were toting a box of my books around on my back hollering to anyone who might be listening, “Here, buy my book! PLEASE!” I felt pathetic. I felt fake. I felt like a fraud, but I did it because a lot of people had invested time in my book. I wanted to be a good author, but when multi-published authors like myself were no longer guaranteed publishing contracts, I felt discarded and hurt by the industry. Not knowing when publication would come again, I asked myself why I was still busting my backside for no pay while I had bills to pay and my family stood outside my office door asking if I could come out and play.

I wanted to play again, so I decided to stop taking the pursuit of publication so personally, and I slowed down. Fortunately, I had a great agent who believed in the book I was writing and I knew he would continue to shop my proposals. In the meantime, I had three beautiful kids I’d shown off at both of my book launch parties who were growing up faster than the book industry was changing, and I decided to focus on what meant the most to me. I wrote, of course, but I did so at my own pace. I kept a half-hearted online presence, just in case I ever got published again, but overall, I laid low. Let me tell you, scaling back for a while was the best decision I ever made.

Slowing down might sound like a career killer to some writers, and sometimes I wondered if it would be, but I was willing to risk it for my own sanity, and for my family. It’s not as if I didn’t write during the breaks I took (I took more than one). I did, but on the days I opened my manuscript to revise and fine tune my story, I wrote slower and better. Sometimes, I didn’t write novels at all, and those were the times I gave to my family, to myself, and to my soul. I also went back to work, which I highly recommend for all writers. It’s good to get away from your desk to be around human beings, and I don’t have to tell any of you, there’s nothing like getting paid.

So, if you’re reading this and you know for a fact you don’t need a break, then that’s great. We are all on a different mile of this writing journey. But if you think you’re burning out and publication has become more important than the beautiful act of writing, or worse, more important than your personal well-being, then you might consider scaling back. Personally, it has worked for me.

It’s funny how when I slowed down and focused on the act of writing instead of on the frenzy of publication, the writing flow came back. Now that I’m releasing a new book, I’m back in the race, so to speak, but this time it’s not really a race, and I’m ready.

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Tina Ann ForknerTina Ann Forkner is a Women’s Fiction writer and the author of the new novel Waking Up Joy from Tule Publishing Group. She is also the author of Rose House and Ruby Among Us from Random House. Tina’s new book is set in Oklahoma where she was raised, but she makes her home in Cheyenne, Wyoming where she is a substitute teacher and lives with her husband, three teenagers, and two spoiled dogs.

Learn more about Tina and her novels at her website. You can also find her on Facebook, Twitter, and Goodreads.

Guest Post: Daven Anderson “I survived Colorado Gold, and you can, too!”

By Daven Anderson

As we find ourselves enjoying another lovely fall season in colorful Colorado, some of you reading this may be lamenting that the only “Colorado Gold” you won last month were the fallen leaves you raked from your backyard.

You didn’t win. You didn’t final. Agents aren’t camping out in your backyard, contracts in hand.

Fear not, my literary friends, for I am here to tell you that you have not reached the end of your story.

Quite the opposite, in fact. You have reached the beginning.

The true prize from the Colorado Gold is not to win or final, but to learn. To learn to listen objectively, instead of taking constructive criticism personally. To learn that professional writing is a journey of the soul, not just a process. And to learn that the true skill a professional writer must demonstrate, on a daily basis, is perseverance. The best writer in the world is equal to the worst writer in the world, when both are writing nothing.

I still apply the many lessons I learned from my three-year Colorado Gold odyssey. One of which is that the qualities which make your odyssey personal are the oddities no one else can ever gain insight from. The criticisms you received are unique to you, your work, and the judges’ mood the evening they read your entry.

Some of you may choose not to re-enter a particular work in future years if it did not win or final in Colorado Gold. But those who can persevere, and learn from the criticisms, can make their work much stronger than it was before.

I entered the same novel in Colorado Gold three years in a row, 2010, 2011 and 2012. The latter two entries incorporated many hard-won revisions, in line with the insightful criticisms I received for my previous entries.

Re-reading my 2010 entry filled me with the urge to put a bag over my head. I am frankly shocked it scored as well as it did. After the 2010 contest, I was filled with the motivation to hone my skills.

In 2011, I entered Colorado Gold flush with confidence, knowing that my entry’s prose had improved a seeming ten-fold, compared to the foppish tones of its predecessor. The comments were much more positive overall, yet my score was only four points higher than the year before. In gearhead terms, my “new Mustang GT” barely beat my “clapped-out Pinto” when the final scores were tallied.

Ah, what to do for 2012? Maybe the judges were confused about the juxtapostion between my prologue and Chapter One. And I had heard much talk of prologues being anathema to agents and editors. So, for my 2012 Colorado Gold entry, time to broom the prologue and start with Chapter One.

Of course, my hard work in 2012 was rewarded with my lowest score yet. Yes, even my rank amateur 2010 entry outscored its 2012 successor. Yet the comments and critiques I received for the 2012 entry were notably more positive than for either of my previous entries. Even within the small world of Colorado Gold entries, the scores alone don’t tell the whole story. And this was the most important lesson I learned from that year’s contest.

Yes, my novel “Vampire Syndrome” failed to win or even final in Colorado Gold, for three years in a row. The only thing “Vampire Syndrome” had won by the end of 2012 was a publishing contract. I am far from being a unique example here, as a fair number of my fellow RMFW members also have released traditionally-published novels that did not win or final in Colorado Gold.

So, in summation, lament not your “loss” in Colorado Gold. Those who learn and persevere have what it takes to win the writing game. You may lose the “battle” of Colorado Gold, but the lessons you learn can lead you to your true victory. The triumph of prose, and the self.

The RMFW Spotlight is on Christine Jorgensen, RMFW Secretary

The first Monday of the month the RMFW Blog features one of the members of the board of directors or a volunteer. This month Christine Jorgensen has agreed to answer our questions. We hope this helps members and potential members get acquainted with the incredible folks who keep Rocky Mountain Fiction Writers going and growing. And just in case these spotlights inspire other members to step forward and volunteer, feel free to email Judy Matheny, Volunteer Coordinator at volunteer@rmfw.org.

????????????1. Christine, tell us what you do for RMFW and why you are involved.

I am currently Secretary of Rocky Mountain Fiction Writers. I am neither a glutton for punishment nor an avid note taker, but I do believe that if one gains from an organization and believes in it then one should give back. This is my way of saying thank you for all the support and comraderie I’ve had all the years (and they are many) that I’ve been a member of RMFW.

2. What is your current WIP or most recent publication, and where can we buy a book, if available?

My latest novel is Missing, the first Detective Casey Jansen crime novel. The author name is CTJorgensen, to distinguish it from my previous humorous amateur sleuth novels. This one isn’t the least bit humorous. Missing is a finalist in the mystery catagory for Colorado Book Awards, 2014. (MIssing can be found at online booksellers including Amazon and Barnes and Noble in hardcover and ebook.)Jorgensen_Missing

My current work in progress is Disappeared, which is being revised (or will be when I finish this task) in order to be submitted. It will be the second in this series.

3. We’ve all heard of bucket lists — you know, those life-wish lists of experiences, dreams or goals we want to accomplish– what’s one of yours?

Hmm, Bucket List. In the most distant and unlikely to achieve category is trekking in Bhutan, achieving national best seller status, getting film options on the books.

In the category of slightly more achievable is seeing my China book in print (in some form), visiting Croatia and the Greek Isles and seeing Disappeared nominated and winning the Colorado Book Award.

4. Most writers have an Achilles heel with their writing. Confess, what’s yours?

Procrastination wins in this category. Call it Spider Solitaire, playing bridge, playing golf, (actually practice ranging) or snacking, it’s all procrastination. And, I’m a champion.

5. What do you love most about the writing life?

I love those moments when I’m totally into writing and occupying a whole other world where time and space are not a factor. I’m sure most writers enjoy this strange place. If it were scary to be there I’d think it really was schizophrenia, but it’s so enjoyable and free that it is all fun and play. Untangling a situation to find the people inhabiting it and tromping around in their motivations is just so interesting.

The other truly satisfying moment is when I’ve written a scene I really like or come upon an idea that works perfectly. Then I have this high. No other way to express it.

6. Now that you have a little writing experience, what advice would you go back and give yourself as a beginning writer?

Trust yourself, get at it earlier, work harder and produce more.

7. What does your desk look like? What item must be on your desk? Do you have any personal, fun items you keep on it?

OMG, no possible way to describe this desk. What I do have that I love is a print by Salvador Dali depicting Don Quixote on his horse looking at a windmill so far away. The picture so summarizes the writing life.

The other item is an artificial palm tree right in from of my desk, just for fun.

8. What book are you currently reading (or what was the last one you read)?

I bought Julie Kazimer’s Frog Prince book and totally loved it. I gave it to my friend to read (she’s also enjoying it) so I can’t remember the exact title, but it is such a hoot.

While I’m writing I tend to read more nonfiction than fiction, then once the project is completed I dig into my TBR stack. Tainted Mountain, by Shannon Baker is top of the list.

Other favorite authors are Tana French, Minette Walters and Stephen White.

Thanks a bunch for sharing with us today, Christine.

The Easy Button

By Terri Benson

Benson_Unsinkable finalMy day job includes coaching start-up businesses at a Business Incubator, and as a writer, I counsel people who want to write. Recently one of my clients opened the meeting with “I’ve started on a book. What I need is advice on how to find an editor who will give me a big enough advance that I can work full time on finishing the book.”

I so badly wanted to hand him that big red button that says “EASY” on it and have him give it a whack. You know, the one we hit to find the greatest story ever written, most savvy agent, or big publishing house editor who is floored by our writing. The one that ensures we have a huge marketing machine selling the heck out of our books, royalty checks pouring in, and a personal assistant who schedules our blog tours, book signings, workshop presentations, and makes sure we have time for a mani/pedi.

I got news for you, and for him. There ain’t no easy button.

We all know this, of course. But it doesn’t stop us from wishing we could just write, and have the rest of the icky work done by someone else. Not going to happen, folks.

Instead of wasting your time wishing away the unfun stuff, embrace it (this would sound so much better coming from an inspirational speaker). Because we have to write, it’s in our blood. If we want to publish (assuming most of us do), we have to finish our work and get it into the hands of someone who can make that happen. If it’s not a traditional publisher or Indie publisher, it’s us/our hands. Never before has the concept of “DIY Publishing” been so open. It’s not seen as “vanity” anymore. Big, well-known writers are self-publishing, and unknown writers are making some substantial royalty checks doing it.

So, in the absence of an easy button, here’s the scoop:

  1.  Write a great book (good isn’t good enough); use contests, critique groups and beta readers to get feedback on your writing – and listen to what they say!
  2. As you are writing (not after the fact), put together a marketing plan – know who will read your book, where it would go in a store, the cover it needs; write a great back cover blurb; brainstorm writers/reviewers who could review for you.
  3.  Set a timeline for finishing the book, edits, having it read by critique groups and/or beta readers and/or professional editors; have all the details covered BEFORE the book is ready to publish, not once you think it is.
  4.  Get a cover done – check out the local talent; you don’t have to pay huge fees to get a great cover (don’t do it yourself unless you really can).
  5.  For traditional publishing or an agent, list your top 10 choices, and stalk the heck out of them – follow them on twitter, subscribe to their newsletters/blogs/websites, get your submission in PERFECT condition, read every article you can on query letters, FOLLOW THE SUBMISSION GUIDELINES, put on your big girl panties (or boxers, whatever) and send the sucker out. If you never send it, you can’t blame anyone but yourself for never being published. Be ready for the rejection letters and read every word they send you, because you can learn from them. Writers are so close to what we write that sometimes we can’t see the forest for the trees; kill your darlings and make the book better – then do #5 all over again.
  6.  If you don’t feel the need to go traditional, and you’re positively sure your book is ready to see the light of day, get your manuscript correctly formatted and get it posted.
  7.  Then (better yet, while) doing #6, refer to #2, and market your book and yourself in every conceivable way possible. There are millions of books and writers out there – if you want to sell your book, you need to stand out.
  8. And do all this while you’re working on your next book. And attending conferences and workshops to hone your skill and learn new and different marketing ploys. And dealing with your other life – the one where you have to work a day (or night) job, that includes family, friends, mortgages, crashing computers, and your mother-in-law calling to mention she noticed your house wasn’t very clean and asking if you’ve been sick.

No, there’s no easy button. But hey, it’s not like you picked an easy job, either.

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Terri Benson1As a life-long writer, Terri Benson has one published novel, award winning short stories, and over a hundred articles – many award winning – in local and regional magazines and on-line e-zines. She has been a member of RMFW and Western Slope events are hosted by her employer, she also belongs to RWA. Benson currently promotes Western Slope events for the RMFW Publicity Committee, pelts RMFW with articles for the newsletter, and randomly blogs.

Her historic romance, An Unsinkable Love, a truly Titanic love story, is available from Amazon.

Guest Post from A Beer for the Shower: The Ten Commandments of Writerly Collaboration

By A Beer for the Shower

Hi folks. We’re Brandon and Bryan. We co-write a lot of things together. Sometimes it’s web-comics. Sometimes it’s novels. And sometimes it’s a product dissatisfaction email for that Pineapple Slicer-N-Dicer 3000 that only succeeded in coring a left arm down to the elbow nub.

But whatever the writing project may be, we often work on it together. No, it’s not because we’re co-dependent man-children; that’s just a coincidence. It’s because we find that collaboration in writing has helped all aspects of our lives, and as self-proclaimed experts who’ve been doing this for longer than some folks have been married, we’ve got plenty of insights on this topic. And so we proudly present to you: The Ten Commandments of Writerly Collaboration.

I. Thou Shall Not Butter Thy Partner’s Biscuits – Wow, that sounds dirty. Well, don’t do that either. But what we really mean is not to be a suck up. If all you do is nod and say “this is great” when it’s really not, without giving any form of constructive criticism, then you’re not helping yourself or your writing partner. Collaboration is all about honesty. You have to be able to tell your partner the truth – even if it’s not always what they want to hear. After all, bad writing doesn’t just make your partner look bad, it makes you look bad, too.

II. Thou Shall Not Take the Name of Thy Work in Vain - Well, not more than one or two dozen times a day. Any more than that and it’s pretty clear you should have chosen a better topic/genre/storyline to begin with. Don’t start having buyer’s remorse when you’re 80K words into your intergalactic space opera. Pick something you’re going to love until the bitter end and stick with it. Inconsistency is the killer of collaboration. Which leads us to our next Commandment…

III. Thou Shall Remember the Brainstorming Day, and Keep it Holy – Once a week we get together to work on new story ideas. Some people might call those meetings “the creative process,” but we like to think of them as “a mildly legitimate excuse for midday drinking.” Coming up with ideas is the most fun part of the collaborative gig, so don’t cut yourself short and really spend some time using your double brainpower to not just pick out an awesome story to tell, but to continue working on it as a team.

IV. Thou Shall Not Bear False Copyright Against Thy Writing Partner – This one’s pretty easy. Sometimes in a collaborative project things just don’t work out. Some people just aren’t meant to work together. Don’t be a dick. Don’t go on and finish the project without your partner’s explicit consent. Unless you scrub out all of their writing and do it all over again… In which case, you’re still a dick.

V. Thou Shall Not Covet Thy Neighbor’s Prose – As you’ve probably already guessed, consistency is key in forming a collaborative voice. Instead of trying to mimic one another’s already established “voice,” sit down and create the theoretical style of prose you both want a specific project to have before you start writing. And if possible, try to compromise on something that’s common ground between your writing style and your writing partner’s.

VI. Thou Shall Not Restrict Collaboration Just To Writing Novels – One of the big things we always hear is, “Well, why do I need to collaborate? I write novels on my own just fine.” But collaboration is good for more than just passing off half your work to a warm body. It’s a great way to familiarize yourself with someone’s writing style (and vice versa) so that you have the ultimate critique partner. Or maybe it’s just a way to write a few short stories together and get yourself familiar with someone else’s writing process. Collaboration isn’t just about output, it’s also about learning.

VII. Thou Shall Not Kill… The Written Word – Come on, when you’ve got two brains instead of one, there’s no excuse for pumping out some awful fad novel just for the sake of an easy sell. Put some real brainpower into your collaborative idea and make that sucker as clever and well-written as possible. Well, unless that easy, brainless sell makes you both millionaires.

VIII. Thou Shall Honor Thy Father And Thy Mother… And Thy Writing Partner – In other words, if you feel stuck or you get suddenly busy (as things happen), just keep your writing partner in the loop. Don’t blow them off and hope they won’t notice those last 10 text messages they sent are all un-replied to but each have a status of ‘Message Read.’ Just tell them it might take a little more time. Or, one of our favorite tricks is to tell the other person, “I’m a little bit stuck on this part. You mind taking over for now?” It’s a great way to shirk responsibility temporarily but in the most thoughtful way possible (no, really).

IX. Thou Shall Not Murder Thy Writing Partner – No, seriously guys. You will go to prison. And you’re too pretty for prison. Trust us. But in all seriousness, collaboration can be pretty damn stressful. Which is why you’ve got to find the right person: one that you can work well with. It’s a trial-and-error process, unfortunately. There’s no way around that. And both of us have plenty of horror stories from our sideshow selection of failed collaborations past.

X. Thou Shall Get Jiggy Wid It – We just really wanted to say that statement as a Commandment. But kidding aside, the last, and possibly most important Commandment of all just means to have fun. If you’re not having fun, it will show in the writing. And while some see collaboration as a stressful stranglehold over who gets to butcher what, it’s important to see it for what it really is – a thrilling opportunity to explore a new story from two perspectives.

So even if you don’t aspire to be the next Stephen King and Peter Straub or the next J and K Rowling, we think it’s worth it for every writer to collaborate at least once. Not just because it’s a rich experience that allows you to see something you love through the eyes of another, but because if you should fail, you can at least say, “Hey, it was his fault, too.”

Brandon and Bryan are a pair of fraternal, non-related twin brothers who draw and write politically incorrect things on the popular web comic/blog A Beer for the Shower. Their published works include the novella collection The Graveyard Shift, and the novels Dead and Moaning in Las Vegas, The Missing Link, and The Sensationally Absurd Life and Times of Slim Dyson, all of which have great reviews from people that are not their mothers. Brandon’s solo novels include Lovely Death, and Chasing the Sandman. Bryan’s most recent solo novel is Demetri and the Banana Flavored Rocketship. Maybe some day they will grow up and get real jobs, but until then, you can find them over at www.abeerfortheshower.com doodling, writing, and generally not taking anything all that seriously.

Our solo Amazon pages are:
http://www.amazon.com/Brandon-Meyers/e/B009KXWSEO/ref=dp_byline_cont_book_2

and here:
http://www.amazon.com/Bryan-Pedas/e/B00A71IYS2/ref=dp_byline_cont_book_1

Guest Post by Chris Pitchford: Dream jobs. Sometimes it’s not enough to have just one

By Chris Pitchford

Benny had two of my all-time favorite jobs. He was a writer and he commanded a space station. Actually, he was a character played by Avery Brooks in one of my favorite television shows. In one memorable episode of Star Trek: Deep Space Nine, Benny’s original writing was attacked by hostile indifference. The publisher pulped an entire run, destroying the magazine’s complete monthly edition, rather than let a story featuring a prominent person of color see the light of day. Benny’s remaining options were few. When it was suggested that he publish his story himself, he said, “More people would read it if I wrote it in chalk on the sidewalk!”

That idea has stayed with me ever since, and I’ve misquoted it regularly. So why am I self-publishing my new novel, The Agility of Clouds? (“The what of what?” my mother might have said—our memories will surely differ on this account. “Clouds can’t be agile…” She is one of my toughest critics. Naturally, I dedicated the work to her. I suspect this pleases her yet simultaneously drives her nuts). The Agility of Clouds is part Jane Austen, part James Bond; but more than that, it is a story of a woman who questions what it means to be a woman and what it means to be flawed but moral. As I am none of those things, I had plenty of questions to work with.

But when it comes to the question regarding whether to self-publish, the answer is much different today than it was in the nineties when DS9 originally aired. And that decade had more in common with the Golden Age of Science Fiction when the story was set than today. (As a self-published author, I can truthfully attest that more people have read my novel, Sonata: A Fantasy in One Movement, than read what my kids and I wrote on my sidewalk). While the market for short genre fiction is still strong, it’s not nearly the same today as it was seventy years ago. Being published in periodicals was how some of my favorite authors of the last century, Edgar Rice Burroughs and Ray Bradbury among others, cut their teeth as professional writers. Unfortunately, being a novelist means that my work isn’t well suited to periodicals. I love reading Analog, Locus, Strange Horizons and others. But the self-contained book is the definitive text for me, so what could I do?

Traditional publishing then and now is going strong. According to John DeNardo (SF Signal) http://www.sfsignal.com/archives/author/john/, over 300 titles are scheduled to be published on genre-related topics in the month of August alone. It is apparently a very crowded field. So crowded, tossing one’s novel over a virtual transom in hopes of it landing upon a suitable editor’s desk is surely the height of fantasy. Also, successfully pitching one’s work to hungry but savvy agents is also a dream come true for only a few. Did I mention how crowded the field is? And the demands of publishing all those titles mean that control passes largely from the creator to the producer. Like Benny, an author can do all that a creative type can but the final say is ultimately in someone else’s hands.

The alternative, being self-published, is almost a misnomer, as many, many people can still be very much involved. Getting early feedback from readers was critical—but also inspiring—for the work on The Agility of Clouds. Littleton Writers and RMFW were almost as tough and as supportive as ‘me own mudder.’ Once the novel was written, getting a real, honest-to-goodness, hard-as-tacks editor was next on the list. And Karen Conlin of grammargeddon.com was just the independent wordsmith with a background in fantasy (having worked at TSR, once the home of Dungeons and Dragons) that this project needed. Also, a brilliant illustrator was one of the early readers who inspired me, and so my main character, Seramis Helleborine, took visual form under the pen of Marjorie Schott, http://www.facebook.com/WaterstriderDesign.

I’m not getting any younger (thankfully, as I never want to see the inside of a Junior High classroom as a detainee ever again), so it turns out to be a good thing that self-publishing is much quicker than traditional publishing. But a publisher can’t rush some things. And a publisher also has to make decisions using vastly different criteria. As a writer, I wanted to see the cover of the book sport a fully realized airship, an eighteenth-century caravel soaring through the skies. But as a publisher, I looked at what covers of books that sold looked like and saw that main characters were featured more often than the gee-whiz cool things. Gone are the days of the DAW edition of The Gods of Mars by ERB featuring two almost indistinct warriors battling upon a flying ship on the cover. Fortunately, working with an illustrator and a cover artist meant that I could do both. The cover presentation would be designed to sell books (and somehow be legible at postage-stamp sizes on Amazon), and the content would cater to the dreams and hopes I’ve had since I was a child for action/fantasy with a strong female lead character.

Speaking of Amazon (and selling books in the same sentence—coincidence? I think not), their options for self-publishing allow for a great deal of freedom and control. From CreateSpace to Kindle Direct Publishing, the publishing options start at free so the price is right for someone just starting out. Benny would have rather enjoyed the empowerment, I think. Of course, while it remains doubtful that I will have the opportunity to share with Benny the two dream jobs of writer and space station commander, at least one of those jobs is possible with the addition of adding one more to my curriculum vitae: that of self-publisher.

http://chrispitchford.com

How to Grow a Novel

By Barbara Graham

Graham_MurderBySunlightProbably because I’m in the midst of trying to get my garden to produce something other than really healthy weeds, and my next book is in the formative stage, the comparison between gardening and writing a novel seemed ideal.

After all, they both start with high hopes and big plans. Each beginning I think—this will be the garden/book that won’t have “issues” like weeds, blight or repetitive phrases. The characters will be fascinating and the tomatoes won’t have blossom end rot.

Before beginning such a fabulous project, there is some studying involved. I peruse the seed catalogs and gather ideas for the best vegetables for the sunny end of the garden. Can they grow in our short season? For the book, what will the story line be and because I write mysteries, who should I kill this time? The first book in my mystery series, Murder by Serpents: The Mystery Quilt was inspired by a headline in the newspaper. It simply read, “man found dead in car.” No snakes, no other tie to the storyline. I began playing with the scenario. Why would a man be dead in his car? Any number reasons. You pick one of your own and write that book.

So, we plant a seed and soon there is a sprout. The seedlings go into the garden on the recommended date but I like to cover the tender sprouts. I often use plastic milk bottles without lids and the bottoms cut out. They form individual greenhouses. Also too tender for early exposure, ideas and characters being developed now should avoid the early critique situations. Let them get some roots and a good strong stem before hearing from the critics. Something fabulous could wither and die from early exposure to the world.

Pull the weeds and throw on some fertilizer. Add more words, maybe create a world with murderous garden gnomes. This is the waiting game. Slog through the pages adding on. Fix the dialogue. Protect it from outside intruders like deer stomping the tender leaves with their sharp hooves, making a mess, it is your world to save.

The garden is planted, out of human control, except for watering and constant weeding. Heavens, some weeds are taller than the desired plants. Every first draft of the next book, I find myself wondering “who wrote this mess?” Is that a weed or something worth keeping? Sometimes in the early stages, they look the same. There is much work to be done. Peering at the vegetation, you see emerging baby carrot tops. They look like fine parsley but sharing the same spot is some nasty broadleaf weed. The weed must be carefully extricated without killing the carrot. It is the garden equivalent of excising the wrong word in a sentence, a writers’ weed destroying the intended meaning.

Is anything worth keeping? Yes. Throw some more fertilizer in there, use better words. Plants and story are both improving at last. The plot has only a couple of small holes now, easily mended, and your hero is worthy of the name. There are small, dark green tomatoes on a plant. Green peppers on another. The potatoes plants are tall and covered with small purple flowers. There are jewels in the dirt.

One more rewrite. A walk through the garden again. The ripening tomatoes are even more gorgeous than expected. Maybe you should enter them in the county fair. Let the judges see what a real tomato smells like. As for the novel, a few more rewrites, queries and maybe a contract, all yours for the picking.

~~~~~~~~~~~~~~~~~~~~~~~~~

Barbara Graham began making up stories in the third grade instead of learning to multiply and divide. A native Texan, she later lived in Denver, New Orleans and East Tennessee. Inspiration for Silersville (home of her imaginary friends) comes from her Tennessee period. An unrepentant quilting addict, she lives in Wyoming with her long suffering husband and the spoiled dog. Her motto is “Every book needs a dead body and every bed needs a quilt.”

Her most recent book, Murder by Sunlight: The Charity Quilt is book five in her Quilted Mystery series featuring Tennessee Sheriff Tony Abernathy and his quiltmaker wife, Theo. Visit Barbara at her website.

Barbara is giving away one copy of Murder by Sunlight: The Charity Quilt to a lucky U.S. or Canada reader who leaves a comment on this post by midnight Mountain Time Friday, September 12. The winner will be selected using random.org and the name posted here on Saturday.

Guest Post by Rebecca Taylor: “Am I Good Enough?”

By Rebecca Taylor

I think there may be a singular question that, at some time or another, burns in the soul of every writer.

“Am I good enough?”

As we barrel towards the 2014 RMFW conference this weekend, I know it’s a question that many writers are hoping to have answered for them. Whether they are waiting to hear about the contest results, hoping to stun an agent during a critique workshop, or praying for a partial request after a pitch appointment— the central premise for many aspiring writers is the same.

Am I a good enough writer to make it? Will I receive some evidence, a contest win, a request for more pages, a good critique, that will provide me with a fricking floatation device that would suggest I continue to dog paddle out here, alone, in the middle of this dark and stormy writer’s life instead of jumping aboard the next Disney Cruise ship filled with normal, happy, smiling people that get enough sleep?

And if I’m not good enough, will you just say so? Out loud and clear as a bell so that my head and heart can stop bleeding from wanting this thing that I don’t have a chance in hell of ever achieving?

Over the years, I’ve come to believe that this question doesn’t actually get answered to the satisfaction of many writers. Furthermore, it’s not even the correct question.

When we want someone to tell us, just tell us the truth, regarding our writing ability, we are only really looking at one piece of the “making it” puzzle—the talent piece. We want to know if people, the experts, think we have any talent for writing.

Talent is important, but it’s only going to get you in the door, and sometimes, if you don’t have these other two pieces, you’re not even getting that far.

What you need to find out is if you have three things:

  1. Talent—specifically, a great narrative voice
  2. A great Concept
  3. The skill to Structure a novel

In my opinion, number two and three are totally learnable skills (if you’re willing to actively seek out and study ways to get better.) Admittedly, number one is more difficult. I happen to think that anyone can improve his or her narrative voice, but that we tend to have a range of innate ability, or talent, to work with.

This is just my opinion.

Having said that, I know and you know that there have been PLENTY of books published by traditional houses that excel in concept and structure, but fall pretty flat in the narrative voice, or innate writing talent, department. So really, if we have nailed a great concept and we’ve become a Jedi Master of novel structure, there’s still hope for those of us with only a mediocre amount of talent—right?

So what’s my point? My point is, while you may be hoping for an agent or editor to fall all over themselves as soon as they hear about your fantastic book (or your concept) just remember it’s almost never as simple as, “Am I good enough?” (or am I talented?) The real question is more like, “Do I have a sufficient amount of writing talent that I have applied to a great concept in my skillfully structured novel?”

I mean, don’t ACTUALLY ask an agent this because they will definitely lean waaaay back, give you the “you’re a crazy writer” look, and then signal to the moderators to escort you as far away from them as humanly possible …just realize that these are the things that agents are looking for after they smile and say, “Send me the first thirty pages.”

Rebecca Taylor 2000X3000Rebecca Taylor is the young adult author of ASCENDANT, winner of the 2014 Colorado Book Award. The second book in the Ascendant series, MIDHEAVEN, will release in 2014 and her standalone novel, THE EXQUISITE AND IMMACULATE GRACE OF CARMEN ESPINOZA, is now available.

You can find more information about her work at www.rebeccataylorbooks.com.