Author Archives: RMFW Guest

Guest Post – David Boop: The Snowflake Theory of Characters

By David Boop

Over the lifespan of your writing career, you’ll hear lots of catchy sayings about the craft.

Write what you know.

End chapters on a cliffhanger.

Never fight a land war with Russia in the winter.

The last one may only pertain to alternate history writers, but I’m sure you’ve heard a bunch. One of my favorites goes;

Your character has to be the right person, the only person, who can do X (with X being the anointed task.)

That’s a heavy burden on an unsuspecting office worker, pining for the secretary he’ll never be cool enough to ask out, or the poor milkmaid who dreams of joining her brothers in battle, but is just a girl. Characters are indeed swept up by the story to become the only people who can do this all important thing at the appointed time. Which brings us this little gem…

Characters should be like snowflakes, no two alike.

Yeah, that saying kinda sucks and I don’t blame you for wanting to burn this article. Too bad it’s on a blog and tablets are expensive to replace.  Trust me, I’m not giving you the uniqueness spiel as a writing tip. MY snowflake analogy goes deeper.

Snowflakes are not just one thing.

They’re cold. They’re wet. They can be beautiful, and wished for around Christmas time. They can clump into large groups that force me to sweep off my patio when I’d rather be inside editing. Snowflakes have the ability to be many things, some at the same time.

One of the greatest sins in writing, in my opinion, is the character who is only one thing and incredibly good at it.

Let’s make a character. Let’s call her Kendra the paralegal. One day, Kendra stumbles across a murder and uses her powers of paralegalness to solve a crime in a book we’ll call “Illegal Eagles.” (Cute, eh?) We’re to understand Kendra because she’s us. She’s plucky, good at her job, and just waiting for people to notice her. As she solves the crime, there is no doubt in her mind that this is what she is supposed to do. In each successive book, Kendra finds other backstabbing lawyers or philandering judges to expose, growing more confident that this is her lot in life: crime-solving paralegal.

Where’s the fun in that? How’s that like me?

I’m plagued by doubts. Thoughts run from “I got lucky” to “the publisher owed me a favor” to “that was probably the last sale” even after doing this for over ten years straight. Conversely, when I finish a piece, I’m cocky. “This is the best story I’ve ever written, guaranteed to win me accolades and fame.”

I try to write characters that are not just one thing. They have as much potential to fail as succeed. And they should fail in their tasks occasionally. If they don’t, then we’ll never believe them. Adversity will come, it’s unavoidable. It’s how we handle it that makes us human and, in some cases, heroes.

Ask yourself, why is “The Empire Strikes Back” heralded as brilliant while “Return of the Jedi” maligned? (The answer has nothing to do with ewoks.) It’s because ESB is one screw-up after another orchestrated by overconfident heroes, who barely escape their own embarrassing deaths caused by sheer stupidity. No one expected that after “Star Wars,” and the plot actually mirrors many of my Mondays. RotJ, conversely, is a series of successes. Even when it appears the heroes have screwed up, it only leads to a bigger victory. The outcome is never in doubt as reflected in the character’s attitudes and abilities.

If you want to make your characters more believable, they should have more than one aspect to their personality. Blowhards are usually covering for insecurities. Mousy people in real life are often vicious trolls online. If your characters don’t have different sides of their personality, then your readers will quickly grow tired of them. A snowflake that doesn’t melt becomes boring real quick. (I grew up in Wisconsin, I know this is true.)

Deepen your characters like the many-faceted crystals of a snowflake and your readers will stick out their tongues for more.

 

David Boop is a bestselling Denver-based speculative fiction author. In addition to his novels, short stories and children’s books, he’s also an award-winning essayist and screenwriter. His novel, the sci-fi/noir She Murdered Me with Science, will return to print in 2015. David has had over forty short stories published and two short films produced. He specializes in weird westerns, but has been published across several genres including media tie-ins for titles like The Green Hornet and Veronica Mars. 2013 saw the digital release of his first Steampunk children’s book,The Three Inventors Sneebury, with a print release due in 2016. David tours the country speaking on writing and publishing at schools, libraries and conventions.

He’s a single dad, Summa Cum Laude graduate, part-time temp worker and believer. He’s a member of the International Association of Media Tie-in Writer, the Society of Children’s Book Writers and Illustrators, Horror Writers of America and the Western Writers of America. His hobbies include film noir, anime, the Blues and Mayan History. You can find out more on his fanpage, www.facebook.com/dboop.updates or Twitter @david_boop.

Guest Post: Bonnie Biafore – Enough Already

Hi, I’m Bonnie. I’m a recovering workaholic.

The pace I kept was starting to affect my health and the quality of my writing. The friskiness and humor that are the hallmarks of my writing were disappearing faster than unguarded burgers when my dogs are around.

So…..I’m going to play devil’s advocate to some of the writing advice out there.

  1. Don’t write every day.

Writing isn’t like eating or breathing to me. Writing is my job and I’m trying hard to treat it as such. When I worked for a company, I had weekends and holidays off, and took vacations to recharge my batteries, sharpen the saw, fill in analogy here.

Working for myself was a different story. From 1999 to 2012, I worked close to 7 by 24. I’ve had relapses since then.

Now, I take time off from writing. Time off can be writing related: people-watching to get ideas for characters or traveling to get ideas for settings or storylines. Some time off, though, should be dedicated to total recharge.

  1. Don’t set a rigid writing schedule.

I do set a schedule. It just isn’t rigid. When I’m updating a book, I know I have to revise 15 pages a day, 5 days a week for 2 months. Which hours of the day or which days of the week aren’t as important to me. (OK, this is my full-time job so I get to set my work hours and days. Those of you with other jobs might not have this luxury.) There have been times—many times, when I sat down to write, and spun my wheels for 2 hours before I realized what was happening. If those 2 hours were my writing time, I’d have a word count of, say, 20 words for the day.

Now, I watch for spinning wheels. When I notice them, I stop and do something else. Sometimes, I simply switch to writing something easier. (With my non-fiction writing, some stuff is easier to write.) Or I might do something else that needs to get done.

A favorite trick of mine is to knock out a short to-do so I can scratch it off my list. The energy boost I get from completing a minor task is often enough for me to tackle something more difficult. Sometimes, a change of scenery helps. Write in a spiral-bound notebook instead of at the computer, or use a laptop computer to sit on the sofa, at a coffee shop, or in a train station.

  1. Walk away.

Many times, the spinning wheels come from a writing problem: opening sentences, chapter cliffhangers, or a sentence that just doesn’t sound right. I’ve learned to take a break, usually to walk the dogs. Invariably, I end up recording the sentences I need on my cell phone as I walk in the woods.

  1. Don’t follow other people’s advice!

Everyone is different, so what works for me might be disastrous for you. I know what time of day I’m most productive, the best time for creative work or drudgery. I’ve learned that when I wake up at 1am thinking about work, I need to turn on the light, work for an hour or so, and then go back to sleep. I know that when I get on a roll, I need to cancel other plans so I can make the most of that opportunity. I know when something I’ve written is right, even if others tell me to change it. I’m learning to recognize the days when my brain and body are crying “Uncle!” and then take the day off mostly without feeling guilty about it.

Go ahead. Listen to what others have to say. Then, figure out what works for you and what doesn’t.

----------------------------------------

End of rant here:

Writers are great. They work in a competitive, stressful industry, yet they share their knowledge and support each other’s endeavors. They work hard. They’re fun to be around.

Thanks for letting me be part of the group.

You Need Critique

By Lesley L. Smith

Photo by Patricia Stoltey

Photo by Patricia Stoltey

There's a stereotype of the writer hammering away on her typewriter late into the night in a cold lonely garret in Paris. Okay, nowadays, she's stereotypically hammering on her computer keyboard. Maybe she's wearing those gloves with the fingertips missing. Maybe she's drinking bourbon or scotch or rye. In pretty much every scenario, however, she's writing alone. That part of the stereotype is true. (Why can't it be the Paris part?) Generally, writers write alone. That's why we need feedback. We need someone else to put his or her eyes on the page and tell us if what we've written makes sense (and to warn us about wandering body parts). Another word for feedback is critique.

Like many of you, I've been writing a long time. It wasn't until I became a member of Rocky Mountain Fiction Writers (RMFW) and joined a critique group that my writing really started to improve. It's hard to see our own work objectively. Getting input from your significant other, your BFF, or your mom is not the same thing as getting input from another writer. Your friends support you by saying nice things. Your fellow writers support you by critiquing your work.

There are many reasons to join a critique group:

  • Get feedback on your writing. Find out what works and what doesn't work in your own pieces. Learn about the mechanics of writing. Learn about the art of writing.
  • Get to know other writers. Be part of the writing community. Help other writers become better writers.
  • Experience those "Ah ha!" moments. When you have to stop and think and explain to another writer why something works or doesn't work it often leads to an increased understanding about writing.
  • Meet writing deadlines. If I'm being honest, usually the only reason I finish my pages for the week is because they're due at critique group.
  • Your reason here. There are almost as many reasons to go to critique group as there are writers. Please share in the comments.

Of course, it's not all wine and roses. Sometimes you go to a critique group and it's not a good fit. But, if this is the case, there's an easy fix: leave the group and find another group.

Another thing to keep is mind is you don't have to change your work because of critique, it's your work, after all. Listen, consider, and then, do what you want.

How can you find this wonderful thing called critique?

  • Many local libraries and bookstores have critique groups.
  • There are a lot of critique groups online these days (search for "online writers critique groups"). Also check out Meet-ups.
  • I've met critique partners at local writers workshops and conferences.
  • Many local Writers Groups have critique groups. For example, RMFW has an entire critique webpage, including critique guidelines and listings of critique groups in the Denver metro area and online.

Please ask your questions about critique and critique groups in the comments.

Finally, I couldn't write a post about critique without including a shout-out to my many critique partners over the years. There have been a lot--and, no, I'm not reading anything into that. :) Thank you for all your help! Thank you Rebecca, Grayson, Jamie, Adrianne, Donna, John, Jim, Mary, Emily, Deb, Mike, Susan, Joseph, Monica, Barb, Nancy, Judy, Zuzana, Jill, Jordan, Dave, Betsy, Renata, Georgia and all the rest. I sincerely appreciate your help, support and insight! Maybe we should have our next meeting in Paris?

~~~~~~~~~~~~~~~~~~~~~~~~~

Lesley L. Smith has an M.F.A. in Writing Popular Fiction, and her short
fiction has been published in various venues. She's an active member of
the Science Fiction/Fantasy Writers of America and Rocky Mountain Fiction
Writers. You can find her on the web at www.lesleylsmith.com.

Is It Worth It?

By Lisa Brown Roberts

Lisa Brown RobertsLast fall, I participated on the RMFW First Sale Panel. We had a great time talking about our books, and taking questions from the audience. One question has stuck with me ever since. Someone asked, “Is it worth it?” Essentially, all the blood, sweat, and tears getting to this point of publication- is it really worth it?

My response was, if you can walk away and not miss writing, then it’s probably not worth it. But if you can’t stop writing, if this is your calling, your obsession, your neurosis and your passion, then, yes it’s worth it.

Now that I’ve gone through intense rounds of editing with an amazing editor who pushed me as an author, now that my book is “real,” now that early reviews are trickling in, now that I’ve nearly drowned in promo and marketing tasks, now that I’ve spent days feeling like I’m either going to puke and/or that I’m floating on clouds.

Yeah, it’s worth it.

Even though I got my first one-star review (maybe more, by the time you read this). Even though lots of people want free books and don’t quite understand why I can’t oblige. Even though a creeper somehow tracked down my day job phone number and called me at work to say we apparently had a lot in common, based on my social media presence.

Yeah, it’s worth it.

Roberts_How to FallBecause here’s the most amazing thing I’ve learned over this last year and a half from contract to book on the shelf: There is an amazing tribe of supporters out there. I knew this in part because of my fantastic SCBWI critique group. But then I met more of this tribe when I branched out from SCBWI to also join RWA and RMFW. Then I found even more of the tribe at my publisher and agency, and online. People I’ve never met in person have been some of the kindest and most supportive.

When I have bad days or freak-out panic attacks or “my books stink and should never be published” phobia…all of those typical neurotic writer issues…I’ve been tremendously grateful to know that support (and maybe a glass of wine) is just an email or tweet or phone call away.

Yeah, it’s worth it.

Because the main reason I write, to connect with readers, to touch them emotionally, that’s finally happening. And when a blogger reached out to say how much she loved my book and fell in love with my characters, and that she’d be posting a great review? That made it all worthwhile.

I always told myself that if my book resonated with just one stranger, someone not obligated by familial or friendship ties to say they liked it, that I’d know I’d done my job, and that it would all be worth it. I’m sure my publisher is hoping my book connects with more than one reader (as do I), but from the perspective of outside validation that the story “worked,” of empowerment to keep writing, I’m learning that yes, it’s worth it in ways I only imagined before getting to this point.

None of my worries and doubts have decreased by getting published; in fact, I have new ones. Three years for neurotic writers! (A big tribe, that one…)

But for every anxiety about this whole journey that I confess in whispers to writing friends, I receive sympathy, commiseration, and encouragement times one-hundredfold.

So to the gentleman who asked that question last fall, I stick by my answer. If you can’t walk away from writing, don’t. I promise you, it’s worth it.

~~~~~~~~~~~~~~~~~~~~~~~~~

Lisa’s debut novel, How (not) to Fall in Love, releases from Entangled Teen on February 3, 2015. She’s having a book signing and launch celebration at Hampden Hall/Englewood Library on Saturday, February 7th at 4:00 and would love to see you there.

Lisa Brown Roberts still hasn’t recovered from the teenage trauma of nearly tweezing off both of her eyebrows and having to pencil them in for an entire school year. This and other angst-filled memories inspire her to write and read YA books about navigating life's painful and funny dramas, and falling in love along the way. Catch up with Lisa at lisabrownroberts.com, Twitter, Facebook, Tumblr, Goodreads, and Instagram.

Enough with the resolutions. It’s time for a revolution.

By Terri Benson

Unsinkable-finalI’ve been reading blogs and articles, seeing TV advertisements, and generally being inundated by the need for New Year’s resolutions. Lose weight. Go back to school. Start a new job. Everyone must strive to be better. Because clearly, I’m not as good as I should be, according to “them.”

Well, I’ve had it with “them.” I’m not going to resolve to do anything. What I am going to do, is start my own little revolution.

Instead of doing what others tell me to do, I’m going to fight against the tide. I don’t need a new and better me. I’m OK as I am. I’m happy. I’m healthy. At my age, I’m pretty much done with going to school. I will never be Cindy Crawford no matter how much weight I lose—and my husband loves me anyway. As far as a new job—the one I have will do just fine, unless or until I find one that makes me happier. I don’t need to have a new career.

I don’t need to learn all the new technology; to Tweet, Blog, FaceBook and Pinterest on a daily basis. I don’t have to read every blog, Tweet or post that shows up on my social media. I don’t have to accept every LinkedIn request.

My revolution also encompasses my writing. Because while I’m not going to go back to school, I want to learn to write better. But I don’t need to resolve to do that, because writing is as much a part of me as breathing and I’ll never get enough of reading good words, and working to put good words on paper. I don’t need someone to tell me to write “X” number of words a day. I just need to write when, and what, makes me happy. Writers, like alcoholics trying to quit, can’t be made to write by anyone but ourselves.

So the revolution I propose, and you’re welcome to join me, is a “Let’s just be happy and healthy, and remember that we’re writers because we want to be, not let anyone tell us there’s only one way to do it” revolution.

My banner will be a ripped-off cover of Strunk and White, because rules are made to be broken. And I will decide if and when I’ll submit my work, if I’m ready to market it up one side and down the other, and most of all, I’ll decide if I need to envy great writers or be devastated if I don’t get “the call.” Because being happy is really all that’s important.

Are you with me?

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Terri Benson2As a life-long writer, Terri Benson has one published novel, award winning short stories, and over a hundred articles – many award winning - in local and regional magazines and on-line e-zines. She is a multi-year member of RMFW and Western Slope events are hosted by her employer; she also belongs to RWA. Benson currently promotes Western Slope events for the RMFW Publicity Committee, pelts RMFW with articles for the newsletter, and randomly blogs.

Her historic romance, An Unsinkable Love, a truly Titanic love story, is available from Amazon.

Writing a reader-friendly historical romance

by Janet Lane

For thou with me while iuel shall I not dread…

???????????????????????????????My first inspiration to write fiction involved a thought that flashed through my mind when entering rather boring sales data into date fields. I inadvertently entered something like 1798 instead of 1998, and a “What if?” idea flashed above my head, just like in the commercials. What if my protagonist entered an ancient date and was somehow transported to that time?

That initial spark grew into a time travel romance, which has yet to see the light of day, but the vision revealed my passion for the past. I told my husband, John, that I was writing a novel. I visited Denver Public Library and hauled home a dozen monster books on England, covering the twelfth through the eighteenth centuries, and dragged them to bed with me for late-night research.

“I thought you were going to write a book,” John said. “You’ve been reading these books for a month.”

And so my research began. I eventually settled in the fifteenth century, in Somerset. To this day it feels to me as if I indeed traveled to the past.

Writing about it, though, was a different story. I studied dialogue in historical fiction novels, learning antiquated sentence structure and vocabulary, and laboriously inserted it into my story. I was bombarded by helpful contest judges with comments like, “Your dialogue is so stilted.” “Your scenes sound formal, unnatural.” And, “Don’t be afraid to use contractions!”

My research was helpful for scene-setting, describing dinners and clothing, but dialogue continued to mystify. Writing in the 1400s, was I limited to the vocabulary of the time? Fearful of being called a research flunkie, I hauled entire chapters to the library (little was available on the Internet then), painstakingly researching the history of each suspect word.

Chaucer was not much help: “Whan that Aprill with his shoures soote
The droghte of March hath perced to the roote,
And bathed every veyne in swich licour
Of which vertu engendred is the flour;
Whan Zephirus eek with his sweete breeth
Inspired hath in every holt and heath.” (During a plotting session, I asked Jasmine Cresswell for help. She amazed me by speaking flawless Middle English. It was exquisitely beautiful, but more suited for academic tomes than historical romances.)

Four historical romance novels later, I’ve reached a comfort level with my dialogue. Here’s what I have found useful for my fifteenth century characters.

  1. I write my first draft dialogue as it naturally leaves my pen or keyboard. I refine it later in revisions.
  2. I take more freedoms with narrative than dialogue. For example, if I find a word that came into use in the sixteenth century, I have no problem with using it in narrative. I hesitate to use such words in dialogue, however, and research further for similar words specific to my century. If I can’t find a suitable substitute, however, I am not a slave to etymology. My genre is historical fiction.
  3. I purge all obvious slang and anachronistic words or expressions that will wrench my reader from the historical world I’ve so carefully created. I purge them from both narrative and dialogue.
  4. I get help. Fresh, more experienced eyes can catch seemingly small errors that may disappoint and upset an avid reader who knows better. For example, fellow RMFW member and accomplished historical writer Denee Cody pointed out that I used a screw-top lid when a scrivener inked his pen to begin recording a legal document. Forewarned, I had the scrivener remove the stopper. (I also avoided referring to a cork.)

Contractions and more familiar sentence structure make the writing more graceful and easy to read--provided it isn’t peppered with anachronistic words or phrases such as my protagonist “rocking” his latest set of armor or having a “meltdown” moment.

Lane_TraitorCover11_14_14And there are appropriate times to inject a feeling for the past, when my characters appropriately say, “Good morrow,” “Nay,” or “Godspeed.”

To evoke the past, I added historical dialogue in my latest release, Traitor’s Moon, but I made it brief and added a succinct background for the reader. Queen Margaret is recruiting young boys to accompany the king to the Battle of Blore Heath (King Henry VI was devout and ill, and even in times of war, Margaret brought young boys to the battles to entertain him by singing hymns.)

Here’s that dialogue.
Enchanted, James clapped his hands and began singing, “Gabriel fram heven-King, sent to the Maide sweete, Broute hir blisful tiding, And fair he gan hir greet...” He sang the carol with a clear and perfect pitch, a song of the angel coming to Mary with news of the conception and salvation of mankind.

That’s my personal history on the struggle with historical dialogue. Have you had a similar struggle in your genre? If so, how did you solve it?

~~~~~~~~~~~~~~~~~~~~~~~~~

Lane_Coin Forest 1 2 3 copyJanet Lane is an Amazon Bestselling Author. The latest book in her Coin Forest series, Traitor’s Moon, released recently on Amazon as a Kindle. Her awards include Best Novel of 2006 Award--Preditors and Editors; Best Seller List--Rocky Mountain News, and Best Romance Novel—RMFW Colorado Gold contest. Her social media sites include her website, Facebook, and Twitter.

Running a Kickstarter – Is it for everyone?

By Guest Contributor Mason J. Torall

The Internet, in all the craziness that it’s added to our world today, has done some amazing things. Chief among them is definitely the power to network with damn near anyone around the globe. The whole world has been opened to us in the past two decades, and I hope that the positive impacts of that continue to grow.

In being a budding writer (I hesitate to call myself ‘professional’ yet), I’ve found that the crowdfunding site, Kickstarter, is a special opportunity. Kickstarter is a website where you may host a project, ask for donations, and offer rewards in exchange for pledges in order to make your project happen. In a way, it’s like a PBS telethon for the digital age but a bit more… you.
Now, speaking to my personal experience on the site, I can’t say definitively how I’ll feel, since my own project is still live, but as to my experience thus far?

That I can go into, both as a backer and as a creator.

As a backer, Kickstarter is a piece of cake. The site itself is friendly, well designed, and easy to navigate. If you know what project you’re looking for, that’s awesome, but I will say it’s a pain in the ass to try and find “that project I heard about for that thing”, unless it’s featured at the top of the searches. There are over 700 projects live in the Publishing section ALONE, so it’s obvious to say that if the project you want isn’t making waves, you better start digging.

On the flipside, as a creator, you should know that putting a project on Kickstarter—or any crowdfunding site—is serious business. Don’t take it lightly, especially if its something that means something to you, which it should. I made the mistake of announcing my Kickstarter WAY too early, and I may have suffered for it, I’m not sure yet. But what I can say is that I wish I’d held my tongue longer.

In order to launch a project on Kickstarter you have to consider EVERYTHING. You need to know what you’re offering, how you want to make it, who you want to make it through, etc. And then you have to answer all of these damn questions: Who are you working with? What rewards should you offer? How much should you ask for? What rewards should go for what money? How much will it cost to fulfill rewards and retain positive funds to actually make the project?

And that’s only the tip. Turns out, you also need to open an Amazon Payments account, which requires you to have a business entity in order to handle funds, which took me well over two months because I had no idea what I was doing. Also, if you have questions, be ready to wait. The Kickstarter staff are understandably busy, but they are also slow. The FAQ page on the site will answer 95% of your questions, but of course it’s that last one that’ll get ya. When I had a query, it took over two weeks to get a response. Granted, they were nice and informative when I heard back, it just took awhile.

Additionally, you can’t see a lot of useful stuff beyond the project itself until you actually go live, but when you do, the creator page has everything you need: names of backers, lists of pledges, on-the-fly editing to the campaign, a directory of activity, updates you’ve put out, surveys you can submit to backers regarding rewards or their preferences and/or upgrades, and statistics about where your pledges are coming from, for how much, which rewards, and other useful breakdowns.

In short, there’s a lot there. Kickstarter is a lot of work. Hell, mine took me nearly a year to get up, and I know I still probably should have waited to grow an audience of willing backers. Don’t let that overwhelm you though. I always say there’s no substitute for hard work, and I know that whatever happens with my project, I’ve put my best into it.

Ultimately though, I can say with confidence that running a Kickstarter has been a worthy experience. Getting support feels great, no matter how small, and you’d be surprised who comes out of the woodwork to support you. It’s interesting to see. Not to mention the fact that if you do get funded, you’ve proven that your idea has monetary merit, and no matter who you are or what you want to create, that’s an encouraging thought.

Finally, I’d be an idiot if I didn’t plug my own Kickstarter, so if you’re interested, check out my live project for my debut novel, The Dark Element, right here:

https://www.kickstarter.com/projects/689142360/the-dark-element-a-debut-novel

As of this writing, I’m nearly halfway to my goal and 9 days into the campaign, so we’re doing well. Please check me out, email me with questions if you like, and support a budding author! The project will be live until December 17, and you can donate as little as $5 to get your name printed in the book!

The RMFW Spotlight is on Saytchyn Maddux-Creech, Membership Chair

The first Monday of the month the RMFW Blog features one of the members of the board of directors or a volunteer. This month Saytchyn Maddux-Creech has agreed to answer our questions. We hope this helps members and potential members get acquainted with the incredible folks who keep Rocky Mountain Fiction Writers going and growing. And just in case these spotlights inspire other members to step forward and volunteer, feel free to email Judy Matheny, Volunteer Coordinator at volunteer@rmfw.org.

1. Saytchyn, tell us what you do for RMFW and why you are involved.

SaytchenI serve as the Membership Chair, which means I primarily help people who’ve forgotten their passwords to log onto the RMFW website. I also answer questions members and prospective members have about the group, troubleshoot membership-related issues, and try to recruit every writer I meet who isn’t already a member.

I’d long wanted to be more active with RMFW but didn’t think I could do much from Fort Collins. I’m grateful to Vicki Law for recommending me as Membership Chair to the board. It’s a job I can perform from home or anywhere I have Internet access.

2. What is your current WIP or most recent publication, and where can we buy a book, if available?

Most of my stories published in literary magazines are still online and may be accessed on the stories page of my terrible website. My latest stories, “Devildoms” (Dangerous Hedge) and “L’Hermitage” (Typehouse Literary Journal), will be published in January.

I’m making revisions on a dark fantasy/near-horror novel that won third place in The Sandy Writing Contest this year. I plan to finish by the end of November.

3. We've all heard of bucket lists -- you know, those life-wish lists of experiences, dreams or goals we want to accomplish-- what's one of yours?

To write a great book, and then another, and then another…

Aside from writing, I want to earn a degree in either astrophysics or geophysics (or both!) and retire to a luxury cottage in Wales with a maze-like overgrown garden.

4. Most writers have an Achilles heel with their writing. Confess, what's yours?

I began the writing life as an experimental writer. In the MFA program at Colorado State University, I allowed myself to be partially molded into a literary writer. Both of these styles got me into the habit of losing myself in a world and forgetting to tell the story. World-painting is wonderful, Saytchyn, but get to the story.

5. What do you love most about the writing life?

Writing. I’m happiest when writing. I get depressed when I take a few days off. When I’m writing, even if it’s not going fabulously, people can tell. I’m more pleasant. If I’m not writing, I’m agitated and crabby.

Also, Writers. I love to be with and talk to other writers. I love conferences, workshops, classes, and retreats. I am an introvert, generally, but not with other writers.

6. Now that you have a little writing experience, what advice would you go back and give yourself as a beginning writer?

I’d hesitate to try to persuade myself to change anything, for fear of ending up someplace terrible. But I would probably say, “Start putting in your 10,000 hours as a storyteller at the same time you start putting in 10,000 as a writer. Learn earlier that everyone has something to teach you.”

Saytchen_desk7. What does your desk look like? What item must be on your desk? Do you have any personal, fun items you keep on it?

I must have something to write with—a computer or a notebook and a pen. I have a lot of tokens on my desk—gifts from other writers and things that inspire me—and on the wall beside my desk is a map I drew of my story world. But I can write anywhere, and all I need is a computer or a notebook and a pen.

8. What book are you currently reading (or what was the last one you read)?

The last book I read was Dust and Light by Carol Berg. I loved it, and you can read my review on Goodreads. I’ve been reading friends’ manuscripts and have only recently started reading The Diviners by Libba Bray, but if the beginning is any indication, I think it will be bewitching.

6 Best Marketing Tips for Authors

By Heather Webb

Heather WebbAll authors are looking for that magic marketing formula. How much money should we spend on ads? What should our websites look like? How much time should we spend on social media? How do we distinguish ourselves amidst all of the white noise? But these are the wrong questions. The best way to establish oneself as an author, to be an effective marketing guru, isn’t quantifiable. *rips out hair* So what should an author focus on for promotion?

CULTIVATE YOUR VOICE Be yourself, which is to say, be unique! Don’t try to rip off another author’s style. It will not only feel phony to you and your readers will see that you’re trying too hard. Don’t assume they can’t tell. Give them more credit than that. A quick point about online articles and interviews—they are more informal in voice. You don’t want to sound like a stiff or a nag, or you’ll bore your readers.

BE CREATIVE Start your own writing-related services, writer group, or hashtag. Set up a bookstand with your novels at a soccer match, purchase inexpensive paraphernalia with your cover on it or maybe your character’s names. Sell it on your website, distribute it at conferences. People like stuff! Make cupcakes with your book cover on them and bring them to the day job, the community center, or the library. You get the idea. Think outside of the box.

RESEARCH A writer’s research is never finished. Pay attention to what is selling in the book market. Listen to what readers want. Track the changes happening in the industry. How will this information affect your current platform? How can you change to incorporate new trends and more importantly, to reach MORE readers? Do your research, if not daily, weekly.

Webb_Rodins LoverENGAGE Reach out! Find ways to connect to different groups of people, both in person and online. Attend conferences, book fairs, and author signings. Volunteer at writing organizations. Cheer on your fellow writers in their quest to publication. Form relationships with people. When your agent tells you to get on Twitter, what they mean to say is, TALK TO PEOPLE. Make friends. Swap anecdotes, swap war stories, or craft ideas, or gardening tips. Anything! What you’re actually doing is forming your tribe. Your tribe will gladly help promote your works because THEY LIKE YOU. Because they’re your friends. And NOT because you spammed everyone with and reviews and quotes from your novels. (I’ve avoided more book buying by seeing people clip a really horrible line from their book and posting it on Twitter or Facebook.) (Be sure to follow the 80%--20% self-promotion rule here. More writers break this rule than not, and it’s REALLY annoying.)

FOCUS ON READERS While it’s true we should be involved in our writing organizations, it’s imperative that published authors, in particular, shift the focus of their efforts toward readers. We love to get caught up talking to other writers and industry pros and traveling to conferences, but other writers aren’t your target audience. Reach out to book clubs. Purchase ads in book club newsletters. Speak at your local library. Write articles on your blog that tie in with your novels, your platform, and interesting or fun or exciting information readers would like to see. Readers talk and share these morsels with others. Word of mouth is still the single most effective method of spreading the word about your books. Direct the bulk of your efforts to getting readers talking.

WRITE AMAZING, DROOL-WORTHY BOOKS The best way to gain more readers, to harness your success, is to write more books. The kind of books that send readers on a journey, that wrench open minds with a crow bar, that break hearts. Never stop working on your craft. It’s a skill and can only improve with practice, hard work, and time.

So get writing! And remember that being yourself and building relationships are the most effective marketing tools.

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Heather Webb writes historical fiction for Penguin, including BECOMING JOSEPHINE and the forthcoming RODIN’S LOVER (Jan 2015). In addition, she is a freelance editor and contributor to award-winning sites WriterUnboxed.com and RomanceUniversity.org. When not writing, she kicks around a local college teaching craft and industry courses, flexes her foodie skills, or looks for excuses to head to the other side of the world.

Learn more about Heather and her books at her website and blog. She can also be found on Facebook, Twitter, and Goodreads.

Free Your Writing Soul, and Write Better as a Result

By Tina Ann Forkner

My debut novel released in 2008 from a legacy publisher. Sounds like a dream come true, doesn’t it? And it was, for a while. When my next novel came out in 2009, it looked to some people like I was on the publishing journey every aspiring writer wanted. When 2010 came and went and I didn’t have a contract, I didn’t worry too much. I was tired, and besides, plenty of writers have gone a few years between books and it didn’t hurt their careers. Maybe 2011 would be my year, but that year came and went too.

Forkner_Waking Up Joy2012 and 2013 were years of several near misses, a few promising projects that fell through before a contract could ever be signed, and several all-out rejections. And now here we are in 2014 and Waking Up Joy has finally released. Yes, that’s five years from my last book, people. Five. So why did it take so long?

The answer is complex, but soon after my second novel was published, the book world was doing somersaults in the midst of huge economic and technological change. Somewhere in the middle of all the publishing craziness when my early novels were releasing, I lost sight of what mattered most. With publishers’ budgets shrinking, I needed to work harder to let people know about my books and it was no longer about writing.

All the pressure made me feel as if blog posts, tweets, and status updates were the keys to selling my books, and I didn’t like it. I felt as if I were toting a box of my books around on my back hollering to anyone who might be listening, “Here, buy my book! PLEASE!” I felt pathetic. I felt fake. I felt like a fraud, but I did it because a lot of people had invested time in my book. I wanted to be a good author, but when multi-published authors like myself were no longer guaranteed publishing contracts, I felt discarded and hurt by the industry. Not knowing when publication would come again, I asked myself why I was still busting my backside for no pay while I had bills to pay and my family stood outside my office door asking if I could come out and play.

I wanted to play again, so I decided to stop taking the pursuit of publication so personally, and I slowed down. Fortunately, I had a great agent who believed in the book I was writing and I knew he would continue to shop my proposals. In the meantime, I had three beautiful kids I’d shown off at both of my book launch parties who were growing up faster than the book industry was changing, and I decided to focus on what meant the most to me. I wrote, of course, but I did so at my own pace. I kept a half-hearted online presence, just in case I ever got published again, but overall, I laid low. Let me tell you, scaling back for a while was the best decision I ever made.

Slowing down might sound like a career killer to some writers, and sometimes I wondered if it would be, but I was willing to risk it for my own sanity, and for my family. It’s not as if I didn’t write during the breaks I took (I took more than one). I did, but on the days I opened my manuscript to revise and fine tune my story, I wrote slower and better. Sometimes, I didn’t write novels at all, and those were the times I gave to my family, to myself, and to my soul. I also went back to work, which I highly recommend for all writers. It’s good to get away from your desk to be around human beings, and I don’t have to tell any of you, there’s nothing like getting paid.

So, if you’re reading this and you know for a fact you don’t need a break, then that’s great. We are all on a different mile of this writing journey. But if you think you’re burning out and publication has become more important than the beautiful act of writing, or worse, more important than your personal well-being, then you might consider scaling back. Personally, it has worked for me.

It’s funny how when I slowed down and focused on the act of writing instead of on the frenzy of publication, the writing flow came back. Now that I’m releasing a new book, I’m back in the race, so to speak, but this time it’s not really a race, and I’m ready.

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Tina Ann ForknerTina Ann Forkner is a Women’s Fiction writer and the author of the new novel Waking Up Joy from Tule Publishing Group. She is also the author of Rose House and Ruby Among Us from Random House. Tina’s new book is set in Oklahoma where she was raised, but she makes her home in Cheyenne, Wyoming where she is a substitute teacher and lives with her husband, three teenagers, and two spoiled dogs.

Learn more about Tina and her novels at her website. You can also find her on Facebook, Twitter, and Goodreads.