Wannabe goals. We all made them for the new year, right? Unbelievably, we're now knocking on the door to June.
Often our goals are unspoken but sincere, something we know we need to accomplish to advance our writing. They inspire us for a moment then, in the face of our busy lives, we allow them to fade.
Write my synopsis. Develop my marketing plan. Finish my outline. Finish/Revise my book. Query my top five publishers. Learn how to blog. Get reviews. (Fill in your goals here.)
You know you need to do it. You keep thinking you will. But you don’t.
Read this. Follow the steps, and you’ll do it.
It starts with number one. Three Dog Night sang, “One is the loneliest number that you’ll ever do.” When it comes to goals, I consider it the most difficult number.
If you're having trouble reaching your goals, try starting with number one. It will help you progress to number two. If you’re not prepared to tackle number one, don’t read this blog. This information is only for those who are tired of letting important goals evaporate in the face of procrastination, laziness or fear.
Still reading? Okay, here’s the not-so-secret formula.
NUMBER ONE. Tell someone important. Your critique group. Your most stalwart friend who supports your dreams. “I am going to (specific goal) this (week/month/summer).
It must be specific. Not, “I’m going to write more,” but “I am going to write to The End by August.” Not, “I’m going to market more,” or “I am going to develop a marketing plan,” but rather, “I’m going to write a marketing plan by August.”
Something good happens when you commit to another person or group. The goal becomes real. Increase your odds of success further by insisting that your friend follows up weekly to ask about your progress.
NUMBER TWO. Generate ideas. Browse the Internet, searching for topics such as “How To (Goal)” and “Top 10 Ways to (Goal).” Then create a mind map, incorporating what you’ve learned from your initial research.
You complete number two to better achieve your number three goal.
NUMBER THREE. Brainstorm with someone with RMFW who has accomplished this goal. (Having completed number two, you will have learned enough to ask good questions and you will demonstrate to your expert RMFW member that you’ve given this some thought, and have taken those first steps already. Show you’re committed to learning, and others will be more willing to help you.)
Many RMFW members have become known for their expertise in writing, editing, public speaking, workshops, book tours, blogs, reviews, podcasts—the list is extensive. Connect with fellow members through the on-line loop, the free monthly educational programs, and special events such as our upcoming annual conference. Browse the workshops and see who’s presenting a workshop in your area of interest. Most are free with your conference registration, some are reasonably priced master classes. Your RMFW membership is a big, big asset. Harness it and feel the power and inspiration of having even more friends cheering you on.
Remember that this is brainstorming, not mentoring, which represents an extensive commitment that may scare off your targeted expert. Make it clear you’re only looking for suggestions and resources that you will pursue to complete your own plan of action.
NUMBER FOUR. By now, you will have gathered a daunting amount of information and options to consider. Sort by level of difficulty, easiest to most challenging. If your goal includes some area of marketing, sort by affordability. Sort also by effectiveness, based on what you learned in steps three and four.
NUMBER FIVE. Create your action list. Based on the completion date you initially told your critique group or stalwart supporter, put dates on this action list that will reasonably bring you to the finish line.
Make adjustments, if needed. Share your list, and if you keep a hard copy or digital planning calendar, insert those dates with a big star, color code—whatever triggers you to remember the importance of your intermediate goals.
It’s a simple concept, proven over time and as reliable as gravity. It’s also proven over time that you must take step one first.
With a new book coming out in June, I have had the pleasure—and the pain—of deciding what I need to do to get the word out. My decisions are similar to the ones anyone launching a book makes. Being realistic, there is only so much time and money, and never enough. There is also a limited payoff to the some of the choices, so where do you get the biggest bang for your buck. I figured I would share the marketing plan for my upcoming release, RED SKY, in the hopes that it might help some of you.
Timing is everything
There are a lot of things you can do to promote your book, and some of them must be done months in advance. Early in the year, my publisher sent me a marketing plan with the dates of actions to be taken and the name of the person responsible for taking those actions--one advantage of having a traditional publisher, and still the tasks are the same. I added to it things like signings, travel, promotional items. The time frame goes something like this:
6 months ahead of pub date
Pitch the book for print reviews, guest articles and to local media. This includes sending galleys and later finished books to reviewers. My publisher's PR department took responsibility for this, and it resulted in some nice reviews in Publishers Weekly, Kirkus, and Booklist, as well as guest blog assignments and local media interviews.
Give away galleys and books to help create buzz. There is a community of booksellers, librarians, media professionals and book lovers interested in reading e-versions of pre-published books. My publisher puts my book up on NetGallery, and later does Giveaways to boost reviews on sites like Amazon, B&N and Goodreads. I've added to it by doing Giveaways of the book once I receive my author copies--but those are limited. Sometimes you have to buy more, and that can get expensive.
Set up signings at the local bookstores. Some stores have longer lead times than others, and if you want a time close to your launch it doesn't pay to wait. Once you know your pub date, have your publicist call (r you call) the bookstores where you want to appear. My advice is to choose wisely. Venues differ. Upside, at Tattered Cover you'll be asked to speak and then sign books. Downside, if you don't have a traditional publisher willing to pay the fee, it will cost you $150 to set a date and you may have to consign your books. At a Barnes & Noble, you'll find yourself at a table in the front of the store hawking your book to their customers. Mark Stevens is the king of hawking, and he enjoys this type of venue. I don't, so I avoid this type of signing like the plague.
OF NOTE: A publicist once told me not to set up too many signings in one locale. The theory being, you can only ask your friends, family and fans to show up so many times. With Red Sky, which launches in June, I've only set up two signings—one at the Tattered Cover-Colfax store; the other at Hearthfire Books, in my hometown of Evergreen.
Two months ahead of publication
Order promotional materials and swag. Most authors do bookmarks or postcards. Some give out chocolate. Some do tchotchke items. For example, Suzanne Proulx, who wrote a series of books featuring a hospital risk manager, ordered pens that looked like hypodermic needles to promote her novel, Bad Blood. Robin Owens printed the cover of her book on the back of a pocket calendar. Brilliant! I carried that card around for a year, flashing it numerous times in front of numerous people. The key is to be creative. Put something into the hands of bookstore owners, librarians and fans that will make them want to order and buy your book. Make sure you have a good design, and research your printer. There are a number of companies that offer discounted printing, but quality differs—and quality matters.
OF NOTE: One of the best promotional values around is Rocky Mountain Fiction Writers Blue Mailer. If you’re a PAL or iPAL member, for a modest fee you can place a blurb about your book in three consecutive bi-monthly mailers sent out to regional booksellers and librarians. For an additional charge you can include an insert. NOTE: there are specs for mailings and inserts, so be sure you meet expectations.
One month before publication
Take advantage of other opportunities
Library talks are fun, and a great way to get your book in front of readers. So are local book club talks. I've been lucky and my books have sold to the national book clubs, including Harlequin Book Club for my upcoming RED SKY. The entry on my publisher's marketing plans reads, "Cross promotion between all clubs. Coming soon email, new arrivals email and comparable titles email." I have no idea what that means, but I'm thrilled the publisher is handling things.
Agree to speak or teach, or sometimes you can simply show up. Just make sure it fits with your goals. Last weekend Mario Acevedo, Nathan Lowell and I attended "Books and Brews" in Greeley. What can beat twelve authors, and a room full of readers playing trivia, and specialty beer? In June, I'll present a workshop at the Parker Writers Group monthly meeting, and in September I'll teach a workshop at the Colorado Gold Conference along with WOTY Nominee Shannon Baker.
Donate to auctions. I am constantly being asked to donate signed books to auctions. I usually do, but I always try for added value. I want not only the winning bidder to remember the book, but the lookie-loos, too. For example, my fellow Rogue Women Writers and I donate baskets to mystery and thriller convention auctions. We each contribute a signed book, and then we add interesting things from the Spy Museum in Washington D.C. in keeping with our international espionage themes. Things like: Campbell soup can concealers, "rear view" mirror sunglasses," truth detector" devices, top secret bags, mugs and hats.
Segueing to conventions, every genre has one. In the mystery field, it's Bouchercon. The regional equivalent is Left Coast Crime (LCC). For cozies it's Malice Domestic. For thrillers it's ThrillerFest. And, trust me, they can cost you an arm and a leg. Mike Befeler and I once calculated that it cost a minimum of $1,000 to attend an out-of-state conference. Double that for ThrillerFest. We were taking into account airfare, hotel costs, meals, promotional items, and registration fees--yes, unless you're a star, you're expected to pay your own way--so there may be some additional hidden costs. The message is not to not go, but to figure out which cons are important for you to attend. For instance, at ThrillerFest I can meet with my editor and agent, as well as rub elbows with the big hitters in my genre—many of whom I can later ask for book blurbs. Colorado Gold is near to my heart, and I would go just to see all my friends.
OF NOTE: Always accept a panel assignment, and try not to be that difficult writer who can only speak at 10:00 a.m. on Saturday alongside Lee Child. Word gets around.
There are other cons, too. The Independent Booksellers across the country hold conventions, and a number of states sponsor book festivals. Many of the writers groups will have a presence at these events, and it's worth it to volunteer to man the booth for an hour and meet the booksellers. This year, I'm going to Chicago for the American Library Association convention in June. I'm paying my airfare, but my publisher has agreed to donate 100 books for me to sign and giveaway.
Be sure and budget!
Only you know what you can afford to spend. My advice, make a plan and stick with it! Don't be me. I'll admit, there have been times when I've transferred attending a con into the "personal fun" category rather than assess the expense to my book promotion budget. Don't tell!
Seriously, if you're not careful you'll spend every dollar you make writing books, twice.
This year my goal is to expand my readership, so I'm going to ThrillerFest and Bouchercon for some face time with my editor and agent, and to connect with East Coast and Canadian readers. I'm sending out mailings, creating a display poster for the ThrillerFest hall, making donations, guest blogging, speaking at several events. Just to give you a sense of the cost, my total in expenditures to promote RED SKY so far are—wait for it—a whopping $5,660. Not as bad as you might think. I budgeted $5,000.
OF NOTE: For what it's worth, Diane Mott Davidson second-mortgaged her house to fund a tour of the west coast with four prominent cozy writers. She also gave away scads of cookies, sometimes with the help of friends. Ask Chris Jorgensen about how she and I sat in the back seat of Carol Caverly's car and stuffed chocolate chip cookies into small giveaway bags enroute to the Omaha Bouchercon. In addition to writing good books, Diane's marketing efforts eventually landed her a gig on "Good Morning America" and a spot on the New York Times bestsellers list.
Now, I'm not advocating you refinance your home, or that you sell your first born. But give some thought to how much you can afford to put into promotion, and make a plan. Allocate wisely and it just might pay off!
I’m usually a “the glass is half full” kind of a gal. However, I finally washed my car, (inside and outside), and then I waxed my Buddy. Buddy is just past five years old. He’s blue with a high ground clearance for vehicles in his class.
Oh, hail! The frozen balls crashed into him without warning. What the…? The apocalypse? Why not before I washed and waxed him? (I now endearingly refer to Buddy as, Dimples.)
Buddy takes a direct hit.
Yeah, we were all surprised.
Next, my cousin stopped by to show me the damage on her car. Wow. Looked like the metal had been ripped by ammunition—big bullets. Of course, standing right next to me, she then informed me of her current health status. “I’ve got the worse flu I’ve had in years. Really stirring the outhouse, (elbow jab) if you know what I mean.” Then she sneezed—unexpectedly like the arrival of the hail. “Worry not. You shouldn’t get sick.”
(I realize people all over the Denver Metro area had far worse damage to their homes, themselves, their vehicles and pets than my family. I am truly sorry for the disheartening and frustrating events and hope you find a bit of humor to help you cope.)
Really needing new, professional clothing, I hesitate to go shopping. One pair of pants says I’m one size, another pair=another size and so on.
Back in the old days—before internet and cell phones—a friend and I went to San Francisco for the day. He didn’t know tickets had to be purchased weeks in advance for a tour of Alcatraz. Foiled, we decided to be happy and get our picture taken on a beach; the setting sun was to our backs. The person we asked to photograph us took off with the camera. A few jogs away the would-be thief thrust my camera into the sand. No film. Well, irony and happy endings are in the eye of the beholder.
My sister-on-laws first roses of the year bloomed on Sunday.
I can’t imagine how the architect and construction crews felt when building the Bell Tower of Pisa. The construction was not only interrupted by a war, but the building had a definite lean to it. Still does. On the bright side, built in 1173 the edifice still stands.
Honestly, I’m a little reluctant to visit the Eiffel Tower. What if the elevator gets stuck? On the other hand, what if the lift doesn’t work at all? There’d be fewer tourists. Besides, after that long flight and being at sea level, the stairs shouldn’t be that difficult….
A Colorado native, Rainey, (writing as L. Treloar), has been a RMFW member since 2012 (or so), and is happy to belong to one of the best critique groups ever: The 93rd Street Irregulars. She has self-published The Frozen Moose, is currently re-editing the first manuscript in a political thriller series, and has entered two contests with her 2016 NaNoWriMo Historical Fiction novella. In her spare time, she enjoys organizing anything from closets, to military family retreats, to rodeos and parades. Along with teaching her cat to retrieve, she volunteers at church and The Horse Protection League. With an Associate degree in Applied Science/Land Surveying, she learned she far prefers words over math.
Discoverability is one of those newish buzzwords that tries to describe the process by which a reader finds a book to read. The problem with the generally accepted view of discoverability is that the goal is not to have people discover a book. You can't build a career on a book. As an author you need readers to discover you. That may feel really scary but fight it. If you're an author, it's the reality of your chosen work. You can't be a concert pianist if you never get out of your living room.
Discoverability Only Matters Once
What we tend to lose track of is that most of an author's fanbase is made up of people who discovered him or her just one time. Once a reader knows your name and what you write, you don't need to be discovered by that reader again.
If you're smart and if you write something that that reader likes, you'll keep him or her reading your stuff forever—or at least until you piss them off by charging too much, writing too much stuff they don't like, make them wait too long between works, or toss some other sand into their gears.
How Does A New Author Do That?
Lean on your network.
There’s a difference between network and platform. Your network is a collection of your peers. Writers, artists, editors, and others engaged in the creative endeavor of bring literature to the audience. Your platform is your audience. They're the people who support you by buying your stuff.
Your network doesn't need to discover you. You need to build the network. You've already started by being a member of RMFW. Your network should have members who like and respect your work. It should have at least a few members whose work you like and respect. They don't all have to be in the mutual kumbaya society, but having a half dozen people with whom you share sensibilities is important.
Individually, new authors have very small audiences, perhaps as few as a hundred readers garnered over months of frustration. Ten such authors—with similar sensibilities and writing in related genres—have a thousand.
A thousand true fans represents critical mass. Once you get there, discoverability is a function of how fast your true fans share. It is no longer the author's problem.
The combined audience of ten authors won't give you that thousand true fans, but it's a nice start. Use that group to prime the pump by giving them something positive to talk about.
Give Them A Reason
My friend Evo Terra regularly says something like "If you want people to talk about you, do something remarkable." Having people talk about you means you get discovered by people who hear the talk.
One book is not remarkable. One book a year is not remarkable. One really OMFG book? Not remarkable for more than one news cycle.
Regularly recommend somebody from your network.
Participate with readers in social media.
Build a body of work as fast (and as good) as you can.
Earn the reputation you want to have by being willing to build it one reader at a time.
It'll take a couple of years. Maybe three, maybe five.
If you write good stuff, if you build a good network, if you pay attention to the details of your craft, then readers will discover you and--through you--your work.
It's up to you to make sure they only need to discover you once.
Teresa Funke is a high-in-demand coach who assists writers with all sorts of advice for every step of the process.
As a writer and self-publisher, she has has done some creative and innovative things that have worked.
And a few that have not.
So she wanted to share what she’s learned, to help others avoid making the same mistakes.
Today, with decades of experience under her belt, Teresa talks about a new online tool called the Self-Publishing Blueprint that she produced to help writers sort through the many options and choices that are out there.
As Teresa puts it, the Self-Publishing Blueprint is the only tool you will ever need to cut through the confusion of self-publishing and save yourself from costly mistakes.
Teresa Funke is the author of six award-winning works of fiction set in World War II. She is the owner of Victory House Press, and successfully
produces and markets her own books.
Visit her website to learn more about Teresa and access additional resources for writers or read her motivational blog "Bursts of Brilliance for a Creative Life."
Follow this link to the blueprint, including a $50 discount.
I’ve been having some issues with writer’s block lately, so I decided to write about writer’s block. Then I got writer’s block regarding my post about writer’s block. (Insert Inception joke here.) Just to put some icing on the cake, I’m also teaching a class about how to deal with writer’s block at Savvy Authors in May.
What have I done to myself?
I think I’ve given myself writer’s block.
Anyway… Over the last few days, I’ve managed to get pen to paper again and found some words coming out. Not a huge number, although I did squeak out about 800 today, which is a vast improvement over none. And I’m beginning to wonder if it’s because of the Sculpey.
What does Sculpey have to do with writing, you ask? Well, I have no idea. It’s just a theory. But recently, getting frustrated over my lack of wordflow, I got a sudden urge to buy either a cake decorating set or a stack of Sculpey bricks. The Sculpey was cheaper and has considerably fewer calories, so, armed with a coupon, I marched into Michael’s and bought a box of assorted colors and a book featuring Very Impressive Sculpey Art I Will Never Be Able to Do.
And I made some earrings.
Two days later, I started writing again.
Coincidence? Maybe. But I’m going forward on the theory that there’s a cause/effect relationship here. I was feeling blocked, so I looked for another creative outlet. I found one, expressed it, and in the midst of finding some form of creative zen, the words started flowing again.
It’s made me wonder if this kind of thing has happened in the past, and I just haven’t put two and two together. I frequently get obsessed with creative things. I’ll go into a craft store and buy a bunch of colored pencils, or watercolors, or a stack of pastels. One time I went on a rubber-band-bracelet kick. It’s as if sometimes my brain needs a swift kick in the creative rear—or a break from the particular creative demands of writing.
Let’s face it—writing a novel is a long-term proposition. It takes tens of thousands of words all strung together in an order that (hopefully) makes sense. You have to stay focused for weeks and months and even years sometimes. There are a gajillion small details. So maybe our muses get intimidated, and approaching another art form helps soothe them. Think about it. I made a pair of earrings a couple nights ago. It took me less than an hour. I have a final product I can do something with. It was physically soothing and achieved a nice result. That’s a lot different from putting one word after another for weeks and weeks before I can slap “The End” on a book.
Many other forms of creativity are also more physical. Putting paint on a canvas. Smooshing pastels into a piece of paper. Kneading bits of clay. Knitting a sock. They’re meditative, too, and in many cases while you’re creating a smaller, more physical project, the writing part of your brain can wander around and play with ideas while you’re not really paying attention.
I think it just might have been the key (although I hope it doesn’t stop working now that I’ve made that connection). So next time you’re feeling like the writing isn’t quite clicking, maybe give it a try. Buy a bar of Sculpey, or just bake up some Play-Doh. Draw some birds or paint a picture. See if it shakes the words loose. It’s worth a try, and even if doesn’t take care of the writer’s block, you’ll still have something to show for it.
Welcome back, Campers. This month we'll look at three other types of romance heroes: the Delta, the Theta, and the Beta heroes. (And how about those Oxford commas!)
The Delta - the dark and dangerous. His past is so dark, so damaging, and combines with such a darker temperament that he exiles himself from society and takes on loner/outlaw status. His issues have to do with the past and how to overcome it - guilt, shame, rage, isolation versus need for love.... Delta means change, and these heroes most of all must change to be able to give and accept love freely.
Conflicts for Delta
•Guilt vs Trust
•Outlaw vs Authority
•Freedom vs Home
•Self-sufficiency vs Family
He lets no one see inside. Trusts no one.
The Theta - the wounded. Theta means both death and art. These are the wounded creators, the ones too sensitive to put on the Delta's armor, and too passionate about life to kill themselves. Their very vulnerability to life's suffering makes them creative. They can be artists or writers or healers, but
their way of dealing with pain is to create with it. The Theta's issues have to do often with the self-destructive nature of the artistic temperament--substance abuse, loneliness, the need to stay open to life without dying of the pain of it.
Conflicts for Theta
Addiction vs Pain
Art vs Life
Past vs Future
Care-taker vs Care-needer
Then there's the Beta, and him I define not as a wimp but more as a good-time guy. He's the open, friendly fella always willing to lend a hand or a shoulder to cry on. He likes a party and has many friends, most of whom take advantage of his good nature. His issues have to do with 'self' boundaries - care-taking, giving too much, and not planning for the morrow because today is too involving. He could be a leader but is too lazy or too busy or too uncaring to do that. Mostly he just wants to enjoy life today.
Conflicts for Beta
Commitment vs Freedom
Loyalty vs Loyalty (friend/job/girl)
Trust vs Betrayal
(Delta expects betrayal – Beta doesn’t)
My favorite Beta hero - Jack (Bill Pullman), the nice younger brother, in "While You Were Sleeping"
Example: He's playing cards with his comatose brother and says, "Whoever gets the high card, gets Lucy." (No direct confrontation.) Love this guy!
Feel free to leave comments about these heroes – your favorites – and any questions you have.
That does it for our Romance Heroes for this month. Next month, we’ll talk about the last one.
Until then, remember BIC-HOK - Butt in Chair, Hands on Keyboard. Scribendo disces scribere.
About a year ago, my agent and I tried to sell a 65k fairytale-pun-ie mystery.
We didn’t even get a request for a full.
*Admittedly (or so I don't start crying at the lack of requests), it wasn’t a project either of us was pushing. It went out to a handful of editors at best.
Following the less than world on fire responses, I decided to indie pub it. It wasn't a decision I made lightly. Not every book I write needs to be in the world. Which is the greatest lesson I have ever learned (Self-publishing a bad book can haunt your career). This novel, though, does need to see the electronic reader light.
At least I believe so.
*please leave me my delusions.
Since I was slammed with other projects until the last month, this project sat on my hard drive gathering dust-kilobytes. I brushed it off last month, did a run through revision, and then a copy edit (for an indie book I do a much deeper copy edit as it’s as close to final as I can get it). I hired on a cover designer.
Last week, my agent emails with a full request.
This week, an offer.
Suddenly I find myself with two options for publication. This is where the universe came in -- I was all ready to indie pub it, and now I had this other option with a small press. The offer made me realize that I don’t have as much time to invest as the indie pubbing needs (due to another project’s sudden appearance). It would suffer because of it.
Things fell into place for a reason. I needed to take the hard look at what I could accomplish, and the universe knew it, taking some of the pressure off releasing the fairytale book in order for me to focus on a bigger project.
Do you find your projects fall into place like this? What is the universe telling you about your writing at this moment?
The Colorado Gold Conference Book Sale is a great way to promote yourself as an author and sell copies of your books. Not only are there over 400 attendees, the public is also invited to attend the Friday night book signing. Please spread the word to your friends and fans.
Sign up begins June 1st at 10:00 AM
There are two book sale opportunities at Colorado Gold:
1. The Conference Bookstore (Fri 1pm - Sun 2pm) 2. The Friday Author Signing Event (Fri 8-10pm)
Lots of people ask if they are eligible for the bookstore and signing on Friday. Here is a breakdown of who is eligible for both of these things:
Eligible for Bookstore:
Keynotes, Mentors, Special Guests, Presenters, and Panelists.
All RMFW Members, even if you're unable to attend the conference.
Eligible for Friday Night Author Signing:
Keynotes, Mentors, Special Guests, Presenters, and Panelists.
RMFW PAL members (Traditionally Published Author League)
RMFW IPAL members (Independently Published Author League)
For information on how to become a member of RMFW PAL or RMFW IPAL, click the links or locate the information under the menu above: About > Published Authors > IPAL or PAL Membership.
Ways to Participate in Friday Night Author Signing and/or Bookstore
CONSIGNMENT (Bring your own books):
New for 2017: If you choose to consign your books, this will be handled through RMFW. RMFW will pay you 85% of the selling price of your books sold. You will be responsible for bringing your own books and checking them in at the bookstore on Friday. If you are coming in from out of state and consigning, we have arranged for you to be able to ship your books to us ahead of time. Be sure to contact us to arrange this.
ORDERED through WHO ELSE! BOOKS:
If you choose to have your books ordered and brought to conference by Who Else! Books, Nina and Ron Else are happy to order your books for the conference bookstore.
How Are Authors Chosen for the Friday Author Signing Event?
VIPs, Mentors and Special Guests, our Honored Guiding Member, and WOTY and IWOTY nominees are guaranteed a table at the Friday night book signing. We are currently working on the floorplan for the Friday night event. At the time of this writing, it appears we will have a total of 54 spaces for authors. Because space is limited, we are implementing a first-come, first-served sign-up for all other authors. There will be a proportionate amount of space allocated for IPAL and PAL members, based on their membership.
After the sign-up process, we will contact you personally to confirm the information you submitted about your books. We will also post the authors on the website in case emails don’t reach recipients. Also note that if there are any cancellations by those authors who were assigned a table, the next name on the waitlist will be chosen as a replacement.
When and How to Sign Up
Sign up begins June 1st at 10:00 AM and runs through July 15th at 11:59 PM (or until we are at capacity). You’ll fill out a form on the rmfw.org website, accessible from a link on the home page and conference page. The form will ask for the same information as in previous years. Make sure you complete the entire form.
Everyone who wants to be in the bookstore and signing must complete the form. Be prepared to provide the following information:
How you plan to participate: bookstore, Friday author signing, or both
Author information including your name, pen name, and email address
PAL/IPAL membership status and additional information about your eligibility
Information about each of your books for ordering and payment purposes
Whether you’re bringing books on consignment or prefer to have your books ordered
Any additional special instructions
Now mark your calendar! Return here to the RMFW website on June 1st and reserve your spot in the bookstore Friday author signing event. Because space is limited, we are implementing a first-come, first-served sign-up for all other authors. There will be a proportionate amount of space allocated for IPAL and PAL members, based on their membership.
Note to Presenters: If you plan to recommend any books on writing craft during your sessions, we appreciate your sending the titles to Nina of Who Else! Books at email@example.com. She will do her best to include your recommendations in the conference bookstore. And don’t forget to mention during your workshop that the bookstore has your suggestions in stock.
Correction: 5/8/17 - This blog was originally posted with language that stated books ordered through Who Else! Books would pay a percentage back to the authors. This was incorrect. Only consigned books will result in payments back to the authors.