Looking to dig deep and expand your learning at conference? Master Classes are back this year and we've added new times for more offerings!
These classes are four hours in length and provide more specialized instruction on writing and the business of being an author. This year’s classes are scheduled for Friday morning and, based on attendee feedback surveys, we've added a new Saturday morning and afternoon class as well.
The fee to attend a master class is $60. Space is limited.
Check out this year's lineup:
Friday Morning Master Classes
Avoid Real Life Drama: Nuts and Bolts of Contracts and Tax Law | by Lisa Adams
When you enter the digital or print marketplace, it helps to understand both the contract and tax aspects of your publishing adventure beforehand. This is true regardless of whether you are an indie author or traditionally-published. Knowledge is power and a wonderful drama avoidance tool.
Emotion in Fiction: Making Characters Real, Making Readers Feel | by Angie Hodapp
Memorable stories are rooted in emotion. Come learn how to make the three actors of emotion in fiction-writer, character, reader-connect on the page. Then learn dozens of ways you can use character, story, and prose to elicit emotion in readers-and make your stories unforgettable!
Finish Your Book in Three Drafts: The Secrets of Book Architecture| by Stuart Horwitz
Have you ever asked yourself while writing: How many drafts is this going to take? It doesn’t seem like such a question would have an answer but Stuart Horwitz proposes it does–and that the answer is three, provided you approach each draft in the right spirit, and know what action steps to take between drafts. This presentation will discuss the best outlook and direction for each of the three drafts so that you can increase your efficiency, satisfaction, and engagement with both your writing process and your final product.
Nailing an Agent-Grabbing Opening | by Heather Webb (Submit pages by August 1)
Learn what makes an opening grabby-or trite-and how to win the agent's eye for which you're vying. The class will be divided into instruction and workshop time. Attendees are invited to submit up to five (5) pages ahead of time for feedback from the instructor, as well as during class from peer groups.
Writing a Killer Mystery | by Susan Spann
Plotting the perfect crime requires more than merely killing off imaginary friends. You need a sterling sleuth, well-crafted clues, a cast of (un)usual suspects, and a killer eye for details. Come learn the inside tricks of writing standalone and series mysteries, with useful techniques for both plotters and pantsers. Whether you’re a veteran mystery writer or plotting your very first (fictional) murder, this master’s class will give you the practical tools to write complex and compelling crime fiction.
New! Saturday AM and PM Master Classes
Vocal Training for Writers: An Introvert’s Guide to Developing a Fabulous Book Tour Persona | by J. Dylan Yates
55% of people fear public speaking more than death. Why? Lack of training! Writers can overcome public speaking fears using writing skills. This workshop helps align your storytelling talents with your vocal presentations. Get prepared to deliver your biggest promotional asset-your own voice! This fun, engaging workshop utilizes relaxation exercises, professional acting techniques and 1-on-1 coaching. You’ll be given the tools to create a polished, professional speaking presentation. Traditional public speaking principles will be used to develop individual promotional plans. We’ll use vocal and physical relaxation exercises, beginning acting techniques, individual vocal production feedback using personal writing pieces chosen by the attendees. Each attendee will receive a handbook for future reference. BRING: yoga mat or towel, a personal writing piece for reading, a sense of fun, humor, and wear comfy clothing.
Tell and Sell Your Story Smarter | by Betsy Dornbusch
Queries and Synopses are required sales tools for any writer who wants to be-and stay-professionally published. Besides being necessary to sell on spec, they can become valuable tools not just for selling, but for writing. A big secret for success is to write them from the very start, before you get much past the idea stage, and let them evolve with your book. They can validate your idea and give you a process to balance market vs. craft. But even if your book is finished, you can figure out how to write selling copy for your story. In this workshop we'll learn how to write queries and synopses to use not only as sales tools but as novel-crafting aids. There will be plenty of writing time and work-shopping opportunities so participants can walk out of the class with a solid query and synopsis. BRING: Laptop and/or pen and paper.