There are hundreds of writing conferences to choose from; how to pick the best one?
It’s RMFW’s Colorado Gold. That was easy. Shortest blog post ever.
Ok, but if you want to go to more than one, here are some factors to consider based on my country-wide tour of writing conferences this year.
Size. WorldCon in Chicago was the biggest con I attended this year, with a significant fan presence. AWP in Philadelphia was also quite large, populated mostly by writers of literary realism and poetry as well as academics. World Fantasy in New Orleans and StokerCon in Denver felt more manageable in the sense that programming was less logistically overwhelming and geographically more condensed (smaller hotels). Some folks like variety, others prefer intimacy.
Genre. I found the panels at the genre-specific cons, like Stoker, to be most helpful. As a horror writer, I plan to attend StokerCon as often as possible (yes, even when its in Pittsburgh next year). Since my work almost always involves mystery and crime as well, BoucherCon is also on my list for next year. I’ve heard good things about Thriller Fest, too.
Location. Local cons are more affordable and a good way to meet other writers in your immediate community. I took my entire family to Chicago over Labor Day for WorldCon, which was a nice way to get in some work and pleasure.
Price. Most cons offer scholarships. Apply early for the best chance to receive one. Or submit a workshop/panel proposal for a shot at reduced rates. Find a roomie. Take advantage of the hospitality suite to cut down on food costs.
Awards. Who doesn’t want to receive one, or support friends when nominated? Writing life is often anything but glamorous. Why not embrace the spirit of celebration?
Do I have to go to any? Yes. Well, no. But yes. If you are established, not necessarily. If you are just starting out, you might stick with smaller, closer cons. For anybody in the middle, I think the benefits far outweigh the costs. I’ve learned a lot, but more than anything, I’ve made so many new contacts and friends. I always come away feeling inspired, validated and less lonely. Participating in a conference is about much more than self-promotion. It’s an opportunity to connect with fellow artists and give back to the communities that sustain us. I hope to see you all at Colorado Gold next fall! In the mean time, please share about your favorite conference(s).
I love smaller, regional conferences. For folks who write for children (picture books, early chapter books, middle grade, and young adult), I find the regional SCBWI (Society for Children’s Book Writers and Illustrators) workshops and conferences are really helpful, and are a little less overwhelming than the huge international SCBWI conferences in LA and NYC every year.
Great tip for writers of children’s literature. Thanks Kelley!
I’ve gotten most of my agents from PPWC but I feel the CO Gold Conference is more of a family/community. They are both connected to great contests that offer feedback. Valuable!