This is your last official lesson, Campers. I hope this class has been valuable. For this lesson, I just want you to see a full scene from Over the Edge by Suzanne Brockmann, the QUEEN of DEEP POV. Please excuse the language—we’ll blame Stan; he’s a Navy SEAL. Enjoy. It was the full moon’s fault….
Author: Jax Hunter
Deep POV Lesson 11 – MRUs
MRUs? Huh? An MRU is a Motivation Reaction Unit. It’s a term coined by the inestimable Dwight Swain, and it’s a magic key to keep your reader immersed deep in the story. It may not be DEEP POV, but it’s closely related. So, I’ll just give you a taste and send you off to Google…
Deep POV Lesson 10 – Headhopping vs. Seamless POV Shifts
Some folks are POV purists, preaching that each scene should be from one POV and only one POV. Fine. I’m not going to argue. I’m not a POV purist. Powerful writing pulls the reader in and doesn’t let her up for air. I’ve read many books that shift POV in a scene, sometimes more than…
Deep POV Lesson 9 – Establishing POV
At the beginning of a scene (or when you switch POV in as scene, which we’ll talk about tomorrow), you have to clearly establish whose POV the scene is in. If you don’t, your reader will slow down or stop reading to clarify who’s talking. It’s like when there’s a long dialogue exchange and the…
Deep POV Lesson 8 – Anchoring Words
One inherent problem with DEEP POV is the possible awkwardness of being deep in Scarlett’s POV and having to add what’s going on in Rhett’s head. Of course, Scarlett is not omniscient, and neither is your book’s POV. So Scarlett can only interpret Rhett’s thoughts through her five senses: Scarlett knew Rhett was angry. His…