When we’re writing in DEEP POV, we are inside the head of the character. That character is in the center of his own world. This is where this deixis (pronounced DIKE-SIS) stuff comes in. By the way, if you want to get really confused, Google deixis and skim through the first few links. OY! I…
Author: Jax Hunter
DEEP POV Lesson 6 – Using “You” in DEEP POV
Nic pulled himself from the car and tried to wake up. The cold air helped, but not much. Funny. Nic–every member of the Special Forces for that matter–was trained to take combat naps. It was a useful ability to put yourself into deep sleep for ten or fifteen minutes at a time and come out…
DEEP POV Lesson 5 – Using Internalization on Purpose
DEEP POV uses internalization purposefully. As you’re studying DEEP POV, you may think there’s an awful lot of internalization. You may be right. And as writers, we need to make sure our internalization – our DEEP POV – is not all over the place. Every thought the POV character has in a scene should be…
DEEP POV Lesson 4 – Filtering Words
Filtering words? What’s that? Michael R. Emmert, on the Scribophile blog, says, “To picture what filtering is, picture sea sand being poured through a screen into a bucket. The screen removes any larger objects as the sand is poured. Filtering eliminates pieces, and leaves an altered product. In fiction, the concept of filtering is similar:…
DEEP POV Lesson 3 – A Few More Rules
Here’s one of my favorite scenes from the Queen of DEEP POV, Suzanne Brockmann. Love being deep in Max’s head as he reacts to sour milk while talking on the phone. Good stuff. Suz could have said: Crap. Max looked at the milk carton and read the expiration date. Suz could have said: He’d taken…