Last month, I wrote about story beginnings (“Top 10 Ways Not to Start a Story”). A reader asked if I could expand on why those story beginnings may be weak choices, beyond just overuse. (Thanks for the suggestion, author Gloria Lesher!) A story’s first pages make promises to the reader. As an author, you must…
Story beginnings are challenging. On the one hand, you’ve got all the excitement of getting to know your characters and their dilemmas for the first time, and you haven’t yet hit the point where flaws begin to raise their thorny heads. Ah, young love! On the other hand, those first-draft opening pages are seldom the…
We humans aren’t good at seeing our own flaws, especially in our writing. When we look at something we wrote, we know exactly what we intended to say. So when we read the words back to ourselves—get this—it makes perfect sense to us! Our brain automatically fills in any gaps, ignores the hiccups, even glosses…
Writing is a solitary occupation. Well, except for the tribe of other people you need to help get your story edited, revised, polished, published, marketed, and sold. True, the actual act of putting words onto the page tends to be very solitary, even if you’re typing away in a crowded café (remember those?). But at…
You’re sick of hearing “Show, don’t tell.” Got it. But then you’re told to use vivid descriptions and detail-rich settings to enrich your story. So how do you describe the world your character inhabits without “telling” about it? This is a constant balancing act, whether you’re writing space operas, historical fiction, a beach-themed romance, or…