Or maybe just weird. It took many years and an infinite number of typo sightings for me to realize that two things were happening: one, humans were at work and humans make mistakes (lord knows with all the typos I’ve released into the world, even typo fascists aren’t perfect). And two, I had a unique eye.
Author: RMFW Guest Blogger
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Westward Ho: Face-to-Face in a Virtual World … by Jenny Milchman
Last year my first novel came out after a thirteen year struggle to publication. Since the only thing harder than breaking in as a debut author is building a long-lasting career as a writer, both my husband and I knew that we would have to give this thing our all. So we did the only logical thing. We rented out our house, traded in two cars for an SUV that could handle Denver in February, and withdrew our kids from first and third grades.
Getting in Bed with Your Co-Writer: The Art of Collaborative Writing (Part Two)
Duo-writing isn’t for everyone, but one clear advantage should be obvious – two heads mean two sets of experiences. It also means two sets of critical eyes because we each bring to the “Writing Bed” individual strengths that mitigate the individual weaknesses.
Getting in Bed with Your Co-Writer: The Art of Collaborative Writing
By Kym O’Connell-Todd and Mark Todd For us, successful collaborative writing is like good sex. First comes foreplay: we begin to brainstorm, teasing out seductive story lines to see if there’s something that we both want to spend time developing. And we’ve been doing this long enough that we already have a pretty good idea…