By Robin D. Owens
Beta Readers are those people who will read your manuscript after you’re done, but before you submit it to your publisher.
I have a mentor (Kay Bergstrom) who always reads my work, and I have Beta Readers. Though I try and keep track of people who have read my manuscripts and help me, I tend to cycle through readers (fans) on my blog and facebook, looking for good beta readers.
But I have one guy named Joe (no, that’s not his real name, but equally common). Joe started with my futuristic/fantasy romance series and has followed me through my fantasy and my paranormal romance. Joe is good. Since he’s been reading my manuscripts, he’s gotten better. I don’t know whether that’s because we’ve worked together or not. But I can trust Joe.
This morning, before I sent my two month and one week late book due (that’s already scheduled for November and being pre-ordered), I wrote a new opening that Kay advised. I worked about three hours on this opening scene so it had enough set up but not too much info dump. Who did I send it to that I knew would get back to me quickly with an honest read? Joe.
Much as I love compliments – and we all need compliments – what we need most is an honest read if we want our manuscripts to be the best. We can get this from critique buddies, we will definitely get it from professional editors (whether we pay them or the publisher pays them), and we should try to find beta readers who do this.
During my recent quest for beta readers, I sent out five rough draft manuscripts to people I thought might be able to help me. Some were familiar with the series, some stated editorial or literary background. All of them said they read fast (because I tend to need a fast turn-around).
One of those never got back to me. This always happens. Often some get back to me too late.
I always ask for OVERALL comments on the story, places of confusion, slow pace, characters not acting reasonably or being stupid or jerks, plot holes, other problems.
I don’t care about grammar and punctuation. My publisher’s copy editor will take care of that, and I have a good friend I pay to copy edit, too. At this particular point, the rough draft, I need input on the story.
This time I got: Wonderful book, rest assured your fans will love it. Great, that felt great, but was of little help with the story.
I got punctuation, grammar and typo stuff. This also always happens.
Mostly I got continuity errors, which are important and I fix before I turn it in, but I didn’t get any comments on characters or plot except from Kay and Joe. So this round wasn’t as helpful as I’d hoped.
Especially since I lay in bed last night knowing something was definitely wrong with my secondary black moment, when the relationship breaks. Joe hadn’t said anything about it, so it didn’t bother him as a reader (like the lack of stated motivation for the villain had). Kay had a problem with it, and I cut pursuant to her suggestions, but it didn’t still didn’t work. So I had to go back and forth and around and around (like my ceiling fan), until I came up with the solution. I pretty much returned to the basics of character, craft, and the romance genre rules and figured it out. When I did, I knew it was right.
So, some points of this blog.
1) Beta readers can be extremely helpful.
2) You will have to look to find good ones, if you do, keep them. Be gracious to those who give you what you don’t need.
3) The bottom line is that you must also trust yourself.
My favorite beta reader loves to read lots of genres but does not write. I think it’s important to have at least one person you can count on to see the work only from a reader’s point of view.
Yes, absolutely, Patricia!
My manuscript is with two beta readers right now. Those two people are voracious readers who I trust will give me brutally honest feedback and not simply what I want to hear. Yup, I’m a little nervous. 🙂
Good for you, for listening to that inner voice and being committed to getting the story right.
I tend to use my editor for continuity issues, and beta readers after the draft is polished. I want to know, “Is this ready to go? Have we missed anything?” I’m working on the final draft of the next book now and plan on getting at least six beta readers, with a mix of fans and more “qualified” readers (professional beta readers or a different editor). I expect I’ll get a sharper eye from the professionals, but the fan reaction is important. If they don’t love it, there’s still work to do, even if they can’t tell me exactly what that work is.