For more context on this topic, please see my post from last month on how to find an editor for your WIP. As a quick recap, interviewing your editor beforehand will lay the best groundwork for understanding the type of edit you’ve requested and the context for the advice (eventually) given. Now all you can…
This is a blog about The Rocky Mountain Writer podcast. Yeah, your podcast. I’m looking to put together podcast episodes based on a theme—with a couple or three total guests—kind of like a good panel at Colorado Gold. There are 1. 5 zillion ways to approach this, and I’m open to your input. The episodes…
Part 1 At the risk of drifting into the realm of technical writing tips, I’ll take a moment to examine the phenomenon of “head-hopping.” Loosely defined, the term refers to the practice, in a single scene, of beginning to tell a story from one character’s (say, one rabbit’s) point-of-view; then suddenly hopping to another rabbit’s…
Every time I tell someone I write horror, I feel compelled to add “but not like slasher horror.” Often I find it easiest to describe what something is not as a means of paring down to the thing’s essence. Why I feel the need to justify my writing as “not slasher” or “not too gory”…
During a podcast interview last week, my guest remarked that, though she’d won two prestigious awards for her women’s fiction debut, she wasn’t sure she’d enter any competitions for her next book. Since most awards charge a fee of between $50-$150 per category, she questioned whether that was a wise use of money. And there’s…