Rejection can take many forms. For some of us, it’s our short fiction being turned away by one magazine after another. For others, it’s agents rejecting our novels at the query letter, partial, or full manuscript stage. And if you go the indie route, it can rear its ugly head as poor sales or harsh (so harsh!) reviews.
Since we can’t get our work into readers’ hands without facing rejection at some point, we have to learn to deal with it. Follow these steps to build a healthy relationship with your own rejection monster.
1. Expect it.
Even before the rejection happens—while you’re writing, revising, sending your submissions out, or waiting for responses—remind yourself that rejection is inevitable. Start preparing yourself mentally. And when the rejection does come…
2. Acknowledge it.
Sometimes rejection bounces right off you; other times it punches you in the gut. It’s hard to admit that a two-sentence email from someone you’ve never met just made you crawl under your desk and weep (been there!), but it’s important to stop and think about those feelings. Why did you want this so badly? Why are you so disappointed? Remind yourself that it’s okay to feel this way.
3. But don’t wallow.
Every rejection needs time to process those feelings—sometimes a few minutes, sometimes a few days. But once you’ve unpacked your emotions, it’s time to let it go and get back to writing. No use crying over spilled ink.
4. Lean on other writers.
Commiserate with your critique partners and writer friends. Read the blogs and memoirs of published writers, who often share their own rejection experiences. Stephen King famously got so many rejection letters that the nail on his wall couldn’t hold them all. If he could go from that to being, well, Stephen King, there’s hope for you too.
5. But know that everyone’s journey is different.
Just because Stephen King, or J.K. Rowling, or your critique partner Bubba got a hundred rejections before their big break, that doesn’t mean you won’t get a hundred and one. Or two hundred. Or twenty-five. Or a thousand. Everyone’s journey is different, and your rejection count is no reflection of your quality as a writer. Because…
6. There are many reasons for rejection.
A rejection doesn’t mean your story sucks; it just means it wasn’t a good fit for that agent, editor, or reader at that time. Maybe it doesn’t mesh with the other stories she’s acquired for the next issue of her magazine. Maybe he’s currently representing something very similar to your book. And maybe they genuinely didn’t like your work—but that doesn’t mean none of the other seven billion people on the planet will.
7. Remember, it isn’t personal.
For whatever reason, this piece of writing didn’t work for this person. It’s as simple as that. No, they don’t hate you. No, they haven’t stuck your first page on the water cooler for their colleagues to laugh at. Don’t let your fragile writerly ego jump to the worst conclusion; give yourself the benefit of the doubt.
8. And it is personal.
Agents and editors have varying tastes just like us mere mortals. And because they get so many submissions, they have to genuinely love a manuscript before they add it to their already-full plate. They may like your work or think you’re a talented writer, but if this book doesn’t give them that glowing, choir-singing-in-the-background feeling, they don’t have time for it. That’s no fault of yours. You just have to keep submitting until you find someone who loves your book as much as you do.
9. When one door closes…
I know, I know, this isn’t what your bruised ego wants to hear after suffering yet another rejection black eye. But it’s true. Submitting your work is like dating: now that this agent/editor/magazine has rejected you, you’re free to court others. It’s only a matter of time before you find someone who really connects with your writing.
10. Learn from it.
Make the most of rejection by using it as a learning experience. If you get feedback with a rejection letter or one-star review, use it (or at least consider it). Next time you submit, that feedback could make the difference between a big fat No and a Yes, please!
11. Remember how far you’ve come.
Maybe you’d hoped to be agented/published/famous/obscenely wealthy by now. But where were you a year ago? Ten years ago? Landing a book deal or self-publishing a bestseller aren’t the only measures of progress on the writing journey. Reading, writing, revising, learning the craft, joining a critique group, going to conferences—that all counts as progress. Take some time to recognize what you have accomplished, rather than fixating on what you haven’t.
12. Stay brave.
Remember Step 1, Expect rejection? You knew what you were getting into before you typed your first sentence—and you still sent your baby out into the unforgiving world of publishing. That takes guts, so give yourself some credit. And don’t let the rejection scare you into not being brave next time.
A fine essay, and good advice: thank you.
I do not take rejection personally; half the women on the North America continent have rejected me.
Rejection is a speed bump, not a brick wall
Thank you for the reminders, Rachel!