MORE POLITICS IN FICTION

By Kevin Paul Tracy

After writing last month’s column on infusing your fiction with real-world politics, I thought I’d address this month’s column to how to infuse fictional politics into your fictional world. In fiction it is often necessary to build a world as a stage on which the events of your novel or series will play. Most often this is done in Science Fiction or Fantasy, but it is done in other fiction as well. For example thrillers often create a world very close to our own, but different enough to avoid complaints by purists. In world building, the more complete your world the more real it becomes to your reader. Even if, like character back-story, much of it doesn’t reach the page, readers can still sense the fulsomeness with which your world was built. The subtleties bleed through, even if you the very author are unaware of it. Politics can be a great way to add intrigue and urgency to your story lines.

The thing to remember about Geopolitics is that at the core of everything is money. Find any driver of international political conflict – oil, borders, religion – and you don’t have to dig much further to find the root financial drivers behind it. Now I’m going to use a dirty word, please don’t stop reading: that’s economics. Use the word economics in almost any context and people’s eye glaze over, but it doesn’t have to be as dry and boring as the pundits on television make it seem. Let me explain how you can use basic economic concepts to build a realistic, engaging, and exciting geopolitical scaffolding around which to build your fictional world.

The definition of economics is stated in a single sentence: economics is the management of finite resources. Period. That’s it. Simple, right? Resources can be anything from food, to water, to grazing land, to narcotics, to oil, ad infinitum. In economics a resource has at least two properties: demand (how many people want it and in what quantity) and supply (how much of it is available or how difficult is it to come by). The value of any resource increases as demand increases and/or supply diminishes. So, likewise, it’s value decreases as demand goes down and/or supply increases.

You can use this simple idea to infuse a whole lot of ecopolitics into your world. Consider Frank Herbert’s science fiction classic, Dune. In this science fiction epic, the resource in greatest demand in the universe is the spice known only as Melange. Melange extends life. Additionally, two of the most powerful political organizations in the universe need it: the Spacers Guild need it to enable their pilots to fold space and traverse the galaxy, and the Bene Gesserit Sisterhood uses it extensively as a part of their rituals and ceremonies. In order to make use of the services these two organizations offer, every other political body in the universe, from the Emperor himself to the lowliest royal house, must deal in Melange. If that demand alone weren’t enough to make Melange the most valuable resource in the universe, there is this one fact: Melange is only available in one place in the entire universe – the planet Arrakis, aka Dune.

So you have a commodity, the spice Melange, in high demand by very powerful entities, and in very rare supply. You can imagine the intrigues and alliances and betrayals and, yes, even battles that emerge out of the conflict introduced by this economic stress. (Actually, you don’t have to imagine it, your can read the books by Frank Herbert, who got enough mileage out of this political tension to fill six books.) Now your book doesn’t have to center around this economic tension, but it can add all sorts of color and richness as a backdrop to larger epics and themes. Dune itself is more about prophesies and myths and the emergence of a super-being or god who will bring peace to the universe.

The point is, if you feel the world you’re building is thin or lacking in richness and opportunities for conflict, don’t forget that politics is a great way to introduce grander themes and wider scope to a novel or epic series. And that the core to all politics, eventually, comes down to economics. Of which now you know just enough to build upon.

Check out Kevin’s latest releases, the wonderfully entertaining espionage thriller, “Rogue Agenda,” a startling and engrossing gothic thriller “Bloodflow,” and don’t miss Bloodtrail, the upcoming sequel to Bloodflow.

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