The continuing saga of KK’s quest to conquer Kindle Scout.
Last time, I talked about Kindle Scout, a book I wrote, and my decision to see what I could accomplish by trying out the program. In order to submit your book to KS, you need to have 1. A book. 2. A cover. 3. Lots of editing and formatting shizz. This post is going to cover number 2—the cover. And my apologies in advance—it’s a long one.
FIRST: If you’d like to Scout a book, here’s one from an online acquaintance of mine. Moonlight’s Peril, by Ashlynn Monroe.
One of the first things self-publishing gurus tell aspiring self-publishers is, “Never make your own cover art.” This is probably a good piece of advice. Unless you want to make your own cover art, and are willing to put in the due diligence to make one that doesn’t look like you put it together in MS Paint (unless MS Paint is an important theme of the book, of course [sets aside plot bunny for another day]).
So…confession time. I do my own cover art. Some of it is stanky (and is on my list to be redone). Some of it is, in my own humble goddess-like opinion, not too damn bad. Why do I do my own art? Because I like doing my own art. I like learning about graphics and Photoshop and Canva and GIMP and whatever else. For the most part, I enjoy the challenge and the process.
I learned to use Photoshop making Buffy the Vampire Slayer and Angel fan art. I made wallpapers with half-naked (and sometimes totes naked) David Boreanaz on them because it made me happy. And I learned a lot. When I started self-pubbing, I used those skills to start making covers. The first few I made—not so hot. But I started learning. I have a friend who works for the cover art department at one of my publishers, and she vets my work. My daughter is about to become a photography major, and has a great skill and eye for art. My college-age son has been making computer graphics for ages, and also has a great eye for art. So they give me feedback, too. Which leads to feedback like, “Mom, her face looks like it has a tumor on it,” and “No, those colors look like three-day-old poop.”
That’s the kind of feedback you need for this kind of venture.
So what do you need to make your own covers aside from somebody—preferably multiple somebodies—to tell you when your painstaking work is a piece of crap?
1. An idea of how cover art works. There’s all kinds of advice on the internet about how to improve/create cover art. My current favorite guru is Derek Murphy, from creativindiecovers.com. On his site, you can find templates, author tools, and even an online tool where you can create your own covers (I haven’t tried it, so I don’t know how well it works, but give it a go if you’re so inclined). He also has published a book on the topic, which has some interesting advice in it, much of which seems to fly in the face of the advice of other cover gurus. For example, Murphy says it’s not necessary to make the title big enough to read on a thumbnail, which you’ll find as the Number One Guideline for Proper Ebook Cover Art just about everywhere else. Since I’m super contrary, I figured this was the advice for me.
His templates are very cool, but they’re in Microsoft Word (!) and MS Word hates me, so I was unable to bend them to my will. However, I imported some graphics into one of them, got a general idea of what I wanted my cover to look like, then assembled everything in GIMP.
2. Some graphics software. I used Photoshop for a very long time, then I upgraded the OS on my computer and the old, old copy I had stopped working. This was very stressful. I swore a lot. Then I consulted my Tech Department (above-mentioned son and daughter) for recommendations. After some fiddling with various freeware packages, I ended up with GIMP. It’s free, and it does darn near everything Photoshop does, and with a similar workflow. (I still needed a tutorial from my son, who helped me with my cover for Lord of the Screaming Tower, but I’m getting the hang of it.) I recommend finding something you’re comfortable with, and then playing with it until you feel comfortable. Find online tutorials or a mentor-type to get you on your feet.
3. Some PICTURES!! Pictures are the most important part of cover art. Because cover art, duh. There are lots of places to find photos—istock photo, fotolia, bigstock, dreamstime, etc. Some pictures are pricier than others. My favorite price is free, so I’m going to talk about how to get free pictures you can use for your covers.
Firstly, though, you have to be VERY CAREFUL about this. Be absolutely sure you have the right kinds of licenses for your photos before you put them on your book cover. Some places, like morguefile.com and Wikimedia commons, are mostly public domain, but still be sure to read the fine print. Some pics at both these places require you to change the picture, or require you to credit the photographer. Don’t take shortcuts here—respect the photographers.
Anywho… Another way to get free pics, almost all of which will have the right type of licensing for book covers, is to wait for free trial memberships for major stock photo sites. I coincidentally was offered a free trial to graphicstock and bigstock within a couple of weeks of each other, and as a result ended up with close to 150 images for free. Once the trial is over, you just cancel, and then feel guilty every time they offer you another free trial (in all fairness, though, I’ve spent quite a bit of money at these sites, so I should probably chill). All the pictures I used for this cover came from the collection I downloaded during these free trials, and I have a bunch more that I grabbed with an eye toward future projects.
4. Fonts!! Never underestimate the power of a flippin’ awesome font. You’re probably good with two for a book cover—one for the title and one for your author name, possibly with an eye toward future branding. You can spend as little or as much as you like for fonts, from what I’ve seen. Again, I like free. My current site of choice is fonts101.com. They have a gajillion fonts, and they have a Font O’ the Day mailing list, and how cool is that?
You also have to look at licensing with fonts, so keep that in mind. If it says only for personal use, I’d suggest not putting it on a book cover. Look for fonts that are free for any usage or that specifically say free for commercial use. Or, of course, pay for the commercial upgrade if you really like the font.
That’s my basic how-to when it comes to covers. If you’re comfortable doing it, I don’t see any reason why you shouldn’t. If you’re not comfortable doing it, it’s probably better to outsource it.
So here’s my cover, if you’re interested in having a look-see. I’m fiddling with the eye/font color. If you want to weigh in with your favorite, feel free.
This is a great post. I’m having to do a lot of graphics work in Adobe Illustrator for work, and am getting the hang of it. Having this level of detail, and specific places to look for help, really does help. BTW, I like the blue eyes.
I’m voting for the gold font and eyes.
I love your sense of adventure, Katriena. My vote: gold title & eyes. I’m in the camp that says “Make the Title Readable in Thumbnail Size.” When using your covers in other formats besides on-line retailer sites (for example, ads, banners, business cards), you’ll want the titles to be legible. Just my two cents. Thanks for sharing this info with us!
The book I mentioned has some really interesting reasoning behind not worrying as much about the font size. Although at the same time, I noticed most of his covers actually DO have fairly legible fonts. It’s an interesting question, and I’d never heard anybody take his view on it before, so it gave me some food for thought.
I also like the gold. Excellent post, Katriena.
Thanks, everybody! I like the gold too. 🙂
I prefer the gold, also, so that cinches it. 🙂
Yes, to all of that. And beware of thinking “Fair use”, it’s not what it seems.
Frankly, everyone should be willing to pay for the stuff they use to make money. Just like we want to sell our books, those photographers / artists need to live too. Without them taking awesome photographs, or paint awesome pictures, we’d have to learn to be photographers / artists on top of everything else. 🙂 So let’s support them when we can.